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viva sevilla federico garcia lorca

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Description

viva sevilla federico garcia lorcaVIVA SEVILLA! (CVLD226) Selection and Arrangements By Federico Garcia Lorca Music for piano by Isaac Albeniz, on poetry of Gustavo A. Becquer Tracks 01 Anda Jaleo (F. G. Lorca), 224 02 Los cuatro melerose (F. G. Lorca), 148 03 Besa el aura. (G. A. Becquer I. Albeniz), 104 04 Las tres hojas (F. G. Lorca), 213 05 Los mozos de Monlen (F. G. Lorca), 626 06 Del saln en el ngulo.. (G. A. Becquer I. Albeniz), 043 07 Las morillas de Jan (F. G. Lorca), 228 08

VIVA SEVILLA!  (CVLD226)

Selection and Arrangements By Federico Garcia Lorca
Music for piano by Isaac Albeniz, on poetry of Gustavo A. Becque

Tracks

01 - Anda Jaleo (F.G.Lorca), 2’24”
02 - Los cuatro melerose (F.G.Lorca), 1’48”
03 - Besa el aura…. (G.A.Becquer – I.Albeniz), 1’04”
04 - Las tres hojas (F.G.Lorca), 2’13”
05 - Los mozos de Monleón (F.G.Lorca), 6’26”
06 - Del salón en el ángulo..... (G.A.Becquer – I.Albeniz), 0’43”
07 - Las morillas de Jaén (F.G.Lorca), 2’28”
08 - Sevillanas del siglo XVIII (F.G.Lorca), 2’56”
09 - Me ha herido.... (G.A.Becquer – I.Albeniz), 1’05”
10 - El café de Chinitas (F.G.Lorca), 3’03”
11 - Nana de Sevilla (F.G.Lorca), 5’29”
12 - Cuando sobre el pecho inclinas.... (G.A.Becquer – I.Albeniz), 1’05”
13 - Los pelegrinitos (F.G.Lorca), 4’20”
14 - Zorongo (F.G.Lorca), 2’30”
15 - De dónde vengo?.... (G.A.Becquer – I.Albeniz), 1’28”
16 - Romance de Don Boyso (F.G.Lorca), 5’21”
17 - Los reyes de la baraja (F.G.Lorca), 1’54”
Total time: 46’25”


24bit/96kHz original recording made at Papillons Studio, Padova, Italy, on February 19th, 2001

Production: VELUT LUNA
Recording and mastering engineer: MARCO LINCETTO

Notes
The most important activity in the life of Federico García Lorca, apart from his literary activity, was musical. Both are closely linked, so that we can see how his poetry, lyrical or dramatic, is full of musical inspiration, not only in themes and forms of expression, but also in its structure, style, and the emotion it arouses.
As a child he studied music, and it seems that this, for a period, was his main and precocious vocation. During adolescence, music and literature vied for supremacy, and the latter won.
His musical vocation remained ever more circumscribed to the field of folk music.
Growing up in Granada, as a child he had the opportunity to live in direct contact with the countryside and the peasant world, learning about their songs and folk dances.
What he learned during childhood represents the most intimate and genuine depth of his knowledge of Spanish popular music.
He deeply studied the most important songbooks, and in particular those of Felipe Pedrell and Barbieri, which allowed him to learn not only the popular music preserved in the tradition of other areas of Spain, but also ancient music transcribed from manuscripts, from medieval books and from the 16th and 17th centuries (thus far distant in time and space).
For the selection of the songbooks, he only had the melodic musical notation, without any accompaniment, of melodies never heard before and to which he was not accustomed.
Living in Andalusia, he did not have many opportunities to listen to the songs of Castilian peasants or those from northern Spain, and to learn about their music he had to rely on the knowledge of amateurs and folk experts from those areas.
But his great musical and popular instinct helped him to quickly perceive the characteristics of each of them. He accompanied the pieces with his arrangements which, despite their simplicity, were very effective, because they managed to reveal the harmony and rhythm implicit in each song.
All this shows that his work in the field of folk music was not the systematic and methodical work of a specialist, but that of an artist who, in popular culture, sought the pleasure of discovering and performing a different art, full of originality, perfection and beauty.

Antonio Domenighini was born in Cologne, Uruguay and is an Italian and Uruguayan citizen. He studied music at the Juan J. Castro Music Academy in Buenos Aires, Argentina.
He graduated as a choir conductor and at the same time studied as a professional singer.
He was the director of a children's music center during the years he lived in Italy, in Padua.
He was the founder of the Bach Ensemble in Padua; he currently lives in Montevideo, Uruguay and is the director of the National Choir of Radio and Television of Uruguay and is a professor of "Choir Conducting" at the University of the Republic.

Alberto Boischio, graduated with honors from the C. Pollini Conservatory in Padua with G. Di Toma, attended masterclasses with Gyorgy Sandor, Aquiles DelleVigne, Joaquin Achucarro, Piernarciso Masi, Dario de Rosa and was admitted to the International Ecole de Piano in Lausanne directed by Fausto Zadra under whose guidance he specialized in three years. First prize in national and international music competitions, he regularly participated in concert seasons in Italy and abroad as a soloist, soloist with orchestra and especially with chamber ensembles. In 1994, with a piano duo, he won a scholarship at the Chigiana Academy in the course held by Joaquin Achucarro, winner of the 2nd prize at "Città di Gussago" and first prize at the European piano competition "Città di Moncalieri". Since 1991, in a duo with violinist Stefano Furini, he has performed in various concert seasons in Italy and Europe, obtaining wide public and critical acclaim and winning the first prize in 1995 at the "F. Schubert" chamber music competition in Ovada (To).
In 1996, with Furini and cellist Jacopo Francini, he founded the Rachmaninoff Trio which won first prize at the "Città di Pinerolo" international chamber music competition. Regularly engaged in solo and chamber activities, in 2000, with a concert at the masterclass in Riva del Garda, he began a collaboration with Domenico Nordio and Alessandro Carbonare which concluded with an important album recorded in 2001. In February 2003 he recorded the 24 Preludes op. 37 by Ferruccio Busoni and other rarities in their first release,
published by the prestigious specialized magazine CD Classics. He records for "Velut Luna Recording" as a soloist and in chamber ensembles, obtaining wide approval from national and international specialized press and critics (Fedeltà del Suono, CD Classics, Audio Revue, Suonare News).

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Lauren
Lowell, US
★★★★★ 3
My opinion
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Let me preface this by saying I really liked the story and the characters however, this book is in desperate need of some sort of editing. It's not misspelled words or formatting, but continuous run on sentences. Redundancies within the sentences. There were a couple of paragraphs that I had to go back and reread 3 or 4 times. Overall, I'd say it was worth the read.
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Reviewed in the United States on May 29, 2025
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Port Orchard, US
★★★★★ 5
Beautiful
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I love omegaverses I had looked at this one multiple times thinking it's just another book about cocky rock star guys that let fame get to their heads and there are parts like that so I wasn't 100% off. I started reading the second book and met the fmc Astraea from the first one,after she had a run in with the aphla from the gym.😁 it gave me the push to stop and read book one first and im so glad I did this book was amazing their was so many characters I fell in love with hoping they will find their happily ever after. the guys were great, the plot was 🎯, and the ending had me 😭😭😭. I was wondering how nate could ever redeem himself, and he did. the last scene with him was sad, but I also felt it was beautiful. thank you to the author for making a beautiful omegaverse book that gave me all the feels. now I'm jumping straight into book two.
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Draper, US
★★★★★ 4
Knot their Omega
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It took me a day to really get into the book, there is a lot happening in the beginning of the story. I wish there was more of a time frame because I felt like something’s happened quickly but they were farther away than I thought so that was a little confusing to me. I felt like there was so much happening but also not enough. As for the story itself I enjoyed it, it was different than other OV I’ve read. Bring the tissues, you will need them. They guys were great, I wish we saw more of Kai and Kenjis relationship. As for Nate…… IYKYK. I enjoyed this book, my first from this author and look forward to reading about Kamaris story. Book: ⭐️⭐️⭐️⭐️/5 Spice: 🌶️.5/5
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Reviewed in the United States on October 24, 2024
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M. Schmitz
Charlottesville, US
★★★★★ 2
Has Potential, Poorly Executed
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I really really wanted to enjoy this book and was looking forward to reading it. However there were just one too many convoluted plot points, sentences just did not flow nicely at times, and I was left with a lot of confusion on my end. I think it has the bones of being a great story but seems like it was rushed and I had to push myself to finish the last of the book and was left with an unsatisfying ending. It’s definitely different from other omegaverse novels I’ve read but not for good reasons. I really think it could be great but needs some serious tweaking and editing before I’d read it again.
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Carmen Alicea
Houston, US
★★★★★ 5
Secrets, Seduction, and Rockstars!
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Rockstars, secrets, and off-the-charts chemistry? Sign me up! Cinder Blaze takes us on a rollercoaster of passion and peril with Knot Their Omega. Blair Vesper, a secret Omega masquerading as an Alpha, strikes a risky deal to tour with Blooming Salvation, a band teetering on the edge of chaos. Enter Icarus Morrigan, the enigmatic manager, and his three complicated and irresistibly sexy rockstars: wild Kenji, icy Kaiser, and fiery Nathaniel. This book delivers steamy Omegaverse drama, sizzling slow-burn romance, and just the right dash of angst. The tension between Blair and the band crackles like electricity onstage, while the societal stakes add depth to the spicy dynamics. Short, sharp, and oh-so-sinful Knot Their Omega will have you hooked from the first note!
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Reviewed in the United States on December 9, 2024

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