SKU: 89035860370

3 Low Light Houseplants, Live Indoor Plant Collection, ZZ Plant, Peace Lily & Snake Plant, 1 Litre Root-Ball

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Description

3 Low Light Houseplants, Live Indoor Plant Collection, ZZ Plant, Peace Lily & Snake Plant, 1 Litre Root-Ball3 Low Light Houseplants Live Indoor Plant Collection Bring life to those darker corners of your home with this carefully curated collection of three popular low light houseplants. This trio includes a ZZ Plant, a Peace Lily and a Snake Plant three of the most reliable and forgiving indoor plants available, each well suited to rooms with limited natural light. Each plant is supplied as a healthy, established 1 litre root ball, ready to be potted into

3 Low Light Houseplants – Live Indoor Plant Collection


Bring life to those darker corners of your home with this carefully curated collection of three popular low light houseplants. This trio includes a ZZ Plant, a Peace Lily and a Snake Plant – three of the most reliable and forgiving indoor plants available, each well-suited to rooms with limited natural light.


Each plant is supplied as a healthy, established 1 litre root-ball, ready to be potted into your favourite decorative containers.


What's Included:

  • 1 x ZZ Plant (Zamioculcas zamiifolia)

  • 1 x Peace Lily (Spathiphyllum wallisii)

  • 1 x Snake Plant (Dracaena trifasciata)

Why Choose This Collection?

All three plants in this collection are renowned for their ability to thrive in low light conditions, making them ideal for hallways, bathrooms, bedrooms and north-facing rooms. They are also recognised for their air-purifying qualities and require minimal maintenance, making them perfect for beginners and busy households alike.


ZZ Plant – Cultural Information:

  • Botanical Name: Zamioculcas zamiifolia

  • Common Names: ZZ Plant, Zanzibar Gem, Eternity Plant

  • Classification: Evergreen Perennial

  • Fully Grown Height & Spread: 45–60 cm × 45–60 cm (indoor)

  • Growth Habit: Upright, Clump-Forming with Arching Stems

  • Perfect For: Low Light Rooms, Offices, Bedrooms, Hallways

  • Light Requirements: Low to Bright Indirect Light (avoid direct sun)

  • Watering: Allow soil to dry out between waterings; drought tolerant

  • Type: Tender Evergreen Perennial (indoor)

  • Foliage: Glossy, Dark Green, Pinnate Leaves on Thick Stems

Peace Lily – Cultural Information:

  • Botanical Name: Spathiphyllum wallisii

  • Common Names: Peace Lily, White Sails, Spathe Flower

  • Classification: Evergreen Perennial

  • Fully Grown Height & Spread: 30–60 cm × 30–60 cm (indoor, variety dependent)

  • Growth Habit: Clump-Forming, Upright with Graceful Arching Foliage

  • Perfect For: Bathrooms, Bedrooms, Living Rooms, Offices

  • Flowering Time: Spring to Summer (may flower intermittently year-round indoors)

  • Light Requirements: Low to Bright Indirect Light (avoid direct sun)

  • Watering: Keep soil lightly moist; do not allow to sit in water

  • Type: Tender Evergreen Perennial (indoor)

  • Foliage: Rich Green, Lance-Shaped, Glossy Leaves

  • Flowers: White Spathe with Cream Spadix

Snake Plant – Cultural Information:

  • Botanical Name: Dracaena trifasciata (formerly Sansevieria trifasciata)

  • Common Names: Snake Plant, Mother-in-Law's Tongue

  • Classification: Evergreen Perennial

  • Fully Grown Height & Spread: 50–120 cm × 30–45 cm (indoor, variety dependent)

  • Growth Habit: Upright, Rosette-Forming with Stiff, Sword-Like Leaves

  • Perfect For: Bedrooms, Living Rooms, Offices, Hallways

  • Light Requirements: Low to Bright Indirect Light (tolerates some direct sun)

  • Watering: Allow soil to dry out fully between waterings; very drought tolerant

  • Type: Tender Evergreen Perennial (indoor)

  • Foliage: Stiff, Upright, Dark Green Leaves with Grey-Green Horizontal Banding

General Care Tips:

  • All three plants prefer well-draining potting compost

  • Avoid overwatering – this is the most common cause of houseplant problems

  • Feed with a balanced liquid houseplant fertiliser once a month during spring and summer

  • Wipe leaves occasionally with a damp cloth to remove dust and keep foliage looking its best

  • Keep away from cold draughts and radiators; average room temperature of 15–24°C is ideal

Notes: This collection has been selected specifically for low light environments, making it a versatile choice for almost any room in the home. Each plant is supplied in a 1 litre root-ball and will benefit from being potted into a container of your choice upon arrival.

Shipping Notes
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SKU: 89035860370

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4.0 ★★★★★
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J
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Joel Bradford
Port Orchard, US
★★★★★ 4
Beautiful, glorious, and depressing but not without levity
Probably Gilliams most serious film, a story of a dreamer in a dystopian bureaucratic future, plagued by monotony and endless paperwork, our protagonist (played by Jonathan Pryce) isn't sure what he wants in his life, but he knows he wants something different. When the Department of Information Retrieval disappears the wrong person (played by Robert De Niro), our hero goes to reimburse the widow and discovers a woman living in the same building who looks like the woman out of his dreams (played by Kim Greist). Really stellar performances by Pryce, and a gaggle of supporting actors such as Ian Holm, Michael Palin, Kathrine Helmond, and Bob Hoskins. Greists performance is probably the weakest, but she does enough for the role that the critique of it amounts to a nit pick really. While this film is considered a cult classic, I would qualify it even less and say its just a classic, full of symbolism with a increasingly repressive tone throughout balanced by Gilliams puncturing, dark humor.
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Reviewed in the United States on September 29, 2024
M
Verified Purchase
Mr. Watkins
Whiting, US
★★★★★ 5
Classic Terry Gilliam- Watch It!
One of the best Terry Gilliam movies out there. Made in the 1980's, the cast is superb, and it holds up well 40 years on. WAtch it- it's a trip!
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Reviewed in the United States on April 27, 2026
M
Verified Purchase
***moviemaker***
West Palm Beach, US
★★★★★ 5
BLU RAY is the 132 minute Original U.S. Theatrical Cut FINALLY!!!!
] On this Blu-ray for the first time ever we get the ORIGINAL 132 minute version of the film as was shown in U.S. theaters. (Note: This is NOT the "Love Conquers All" Sheinberg/TV Edit.) All the DVD releases before this have been the European Version/Director's Cut of the film. Even the original Universal DVD release that said Theatrical Cut on the box actually had the European Version/Director's Cut. Unfortunately, Universal didn't really spend any time cleaning up the negative for Hi-Definition (there is very noticeable instances of dirt and debris on the negative) but it still beats the image quality found on the Universal SD DVD, and they do include an amazing DTS-HD Master 5.1. We'll just have to wait for the Criterion Blu-ray of Brazil for image perfection but serious fans of Brazil will want to get this Blu-ray edition just to have this version of the film as it was originally seen in theaters in 1985. I actually find this 132-minute version is in many ways a superior cut of the film. Here are the differences in detail: *In the 132-minute version you cut from Sam in bed with Jill, police sack goes over head, then CUT TO Pull off police sack to reveal Sam in Torture Chamber/Interrogation chair. This one cut is simply brilliant and very powerful. In the Criterion Version you have the added scene of Mr. Helpman as Father Christmas (completely out of charcater from the rest of the film) and the whole interrogation scene of Sam hanging from the rack inside the police/mail pouch which becomes narratively redundant and dilutes the impact of the final scene. *To end it with cooling tower/interrogation room fade to clouds was a great Gilliam wink of subversion and irreverence to the cliche Hollywood Ending. As opposed to the European cut of just credits over cooling tower/interrogation room. *The Samurai Scene is divided into 3 separate scenes in the 132-minute version versus 1 LONG scene in the European cut. And you know what? Like most things, it works better in 3's. *The 132-minute version cuts straight to the Dinner Scene with Ida (his mother) ordering numero deux, trois, etc. while the European version has the entrance to the restaurant of going through the metal detector which really doesn't add anything and is again a bit redundant when the bomb does eventually go off in the restaurant. With the scene, you're signaling to the audience we are looking for a bomb, so we expect a bomb. Without the added scene, the bombing is unexpected and it actually shocks you so you're both horrified and laughing. The unexpectedness also works as it builds upon the bomb motif from the first explosion at the beginning of Brazil during the Ducts advert. *And finally I just love that the 132-minute version opens on those clouds (outtakes from The Never-Ending Story) then goes to the Central Services advert about Ducts: "Are your ducts old-fashioned, out-of-date... " Now the Criterion version also has the clouds opening (The Original European Cut didn't) but it's funny because the Studio asked Gilliam to start off with the clouds for the US Cut and he actually prefers it as quoted in his Director's commentary. Hilarious. Little changes that add up to a tighter and overall, better film.
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Reviewed in the United States on July 12, 2011
W
Verified Purchase
W.P.
Charlottesville, US
★★★★★ 5
Great cast; well directed
Great movie; lives up to its reviews
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Reviewed in the United States on March 25, 2026
B
Verified Purchase
Basket Case
Draper, US
★★★★★ 5
An ageless classic !
I hadn't re-watched this movie since the first time I saw it, when it came out in 1985. Back then, it had stricken the public with its fatalistic and pessimistic view of an overwhelming bureacracy, a suggested characteristic of fully-centralised power in a controlled society in the future. Today, we can still admire some of its validity and premonitory qualities (and the sarcastic humour !). The dream-like scenes and symbols used in the film are also ageless. Ever-growing computer systems govern today the relationships we hold with banks, government departments, utilities, phone companies, etc. Who hasn't experienced the frustration of dealing with their 'machines' and/or incompetent & robotic bureaucrats when problems or errors arise in their service? 'Brazil' will seem so familiar! The omni-presence of screens in our lives, everywhere and incessantly offering us products or services, or used to control our movements and behaviour, is also a well-guessed futuristic scenario by Gilliam & co. And what to say about the 'terrorism' and the 'permanent state of fear' portrayed back then? Sounds familiar today? I recommend this movie to anyone interested in the threats of an unbridled, arrogant and all-powerful bureaucracy in human society. The film can be a bit 'heavy' at times, though. Not everyone's cup of tea. Watch it first, before sharing with friends or family.
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Reviewed in the United States on February 19, 2012

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