SKU: 91018122468

Sunbeam Waves WN1203063CL Quilt

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Description

Sunbeam Waves WN1203063CL QuiltPRODUCT DETAILS UNIQUE DESIGN The patchwork quilted throw blanket has many different elements, reversible design, both sides can be used. LASTING COLOR The beautiful colors and embroidered stitching bring simple fashion, this quilt lends a touch of texture and timeless. GREAT STITCH PROCESS Neat stitches enhance strong connections at seams and better strength with the integrated outlook. PREMIUM MATERIAL Made of high grade polyester and cotton, our

PRODUCT DETAILS
UNIQUE DESIGN
The patchwork quilted throw blanket has many different elements, reversible design, both sides can be used.
LASTING COLOR
The beautiful colors and embroidered stitching bring simple fashion, this quilt lends a touch of texture and timeless.
GREAT STITCH PROCESS
Neat stitches enhance strong connections at seams and better strength with the integrated outlook.
PREMIUM MATERIAL
Made of high-grade polyester and cotton, our quilt is soft, lightweight and warm enough to use year-round.
EASY CARE &FADE RESISTANT
Our quilt is faded and pilling resistant. They will come out of the dryer looking fresh every time.
ALL-SEASON USE
This blanket is perfectly weighted to keep you warm in the winter and cool in the summer.

CARE INSTRUCTIONS:
- Machine Wash: To ensure years of softness and to prevent abrasion, always wash this blanket in cold water on a gentle cycle separately.
- Dry Clean: Recommended to air dry to keep the blanket in immaculate condition for long.
- Tumble Dry: Tumble dry fleece blankets on gentle cycle with low heat.
- Do Not Bleach: Avoid using iron, bleach or fabic softeners, as the chemicals will reduce the softness of the blanket over time.
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SKU: 91018122468

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4.6 ★★★★★
Based on 6 reviews
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Product Reviews
M
Max
West Palm Beach, US
★★★★★ 5
Anne Carson is a Genius
Format: Hardcover
There is no one writing right now -- in essays, novels, poems or short stories -- who is as consistently brilliant as Anne Carson. Her last book, AUTOBIOGRAPHY OF RED contained some of the finest, most exquisite writing I've ever read; and this next collection is a masterpiece. There is a long essay in the book titled IRONY IS NOT ENOUGH: My Life As Catherine Deneuve that is at once moving, sexy and intelligent. There are also a sequence of poems about Hoppers paintings, paired with St. Augustine's Confessions that show perfectly how Carson dances on the fault lines of the modern and the ancient. This woman will win a Nobel Prize.
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Reviewed in the United States on May 10, 2000
M
M. J. Smith
Louisville, US
★★★★★ 3
Interesting juxtapositions - some successes, some failures
Format: Paperback
As is to be expected from Anne Carson, the breadth of her knowledge results in thought-provoking writing even when it fails as "poetry". An example Hopper:Confessions begins with a quotation from Edward Hopper, followed with 9 separately title poems accompanied by quotations from Augustine's Confessions, and ending with a piece by Hopper. Her essay on female pollution in antiquity is excellent scholarship made enjoyable reading for the "common reading". Several pieces, or portions of pieces, consider Lazarus raising interesting issues from the perspective of Lazarus ... what is his reaction at being called forth (rotting?) from the grave? While many of the pieces, especially the very short pieces, are not impressive, the book is worth your time - for the reflections it provokes in the reader.
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Reviewed in the United States on July 28, 2001
I
I X Key
Omaha, US
★★★★★ 1
very droll
Format: Paperback
I understand the attraction to Anne Carson. I like experimental poetry, too. I like scholarship. But this book is pointless. The poems are so terrible that by the time I got to the essay at the end about hot & cold symbolism for the writers of antiquity I was so upset with the book that I just couldn't care about anything in it. These poems don't sound good. If nothing else, there should at least be the sound. & in any other respects, the experiments are to no end in themselves. I recommend forgetting this book & going for such progressive, ambitious younger poets as Karen Volkman & Brenda Shaughnessy.
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Reviewed in the United States on May 1, 2003
H
"hirofantv"
Massapequa, US
★★★★★ 2
seems like an unspecified struggle with herself
Format: Hardcover
I don't know. It'ts a struggle for her to come up with the next line. Doesn't feel especially creative, inspired, or notably intelligent. I read other disappointed reviews people had written about this book, & bought it anyway. I tend to have avant-garde sensibilities, so I thought I'd enjoy it for its avant-garde qualities. I really tried to appreiate the experimentality of it, but I couldn't, because I realised I was readin it more for the sake of reading, & because I enjoy reading,than because this book is any good. I know a lot of unskilled teenagers who write dada-influenced poetry that's much more interesting than this uninspired book; I don't see what makes Anne Carson so special. 1 star because it's not a good book. 1 more star, bringing the total to 2, because I feel bad just giving it 1 star. At least she wrote something...
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Reviewed in the United States on June 30, 2001
P
Pete Dempsey
Birmingham, US
★★★★★ 1
A Slip-Up
Format: Paperback
I don't know what happened here but Carson's last two books have really gone down hill. Men in the Off Hours, her first book since Autobiography of Red, is a mess. I don't know how else to describe it. It's not that I'd expect an easy read after her last book--just a consistent one. There are poems in here that first appeared in prose elsewhere and now are in lines! This suggests a lack of understanding of the line and its history and uses on the part of the writer, which shocks me since Plainwater and Autobiography of Red I truly liked. I would not suggest this book if you like Anne Carson. It will disappoint you!
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Reviewed in the United States on June 5, 2001

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