SKU: 96133293938

FuelSafe 85L FIA tank with steel cover type 2

$823.36 $914.84
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Description

FuelSafe 85L FIA tank with steel cover type 2Our Core Cell line of racing fuel cells offers full FIA FT3 approval at an affordable price. Built from high strength molded "rubber" components, the Core Cell is a favorite with off road racers and circle track teams. The simple design saves you money and delivers FIA FT3 certified performance. Designed for use with all hydrocarbon fuels and E85 blend and alcohol (alcohol use requires the removal of foam baffling), the Core Cell line of fuel cells

Our Core Cell® line of racing fuel cells offers full FIA-FT3 approval at an affordable price. Built from high strength molded "rubber" components, the Core Cell® is a favorite with off road racers and circle track teams. The simple design saves you money and delivers FIA FT3 certified performance. Designed for use with all hydrocarbon fuels and E85 blend and alcohol (alcohol use requires the removal of foam baffling), the Core Cell® line of fuel cells from Fuel Safe® delivers excellent performance at a great price.

All Core Cell® racing cells come complete with:

• High strength, FIA-FT3 certified Core Cell® bladder.
• Full safety foam baffling, minimizes fuel slosh and the potential for an explosion
• SF6X10E fill plate comes standard with a -8 pickup (plumbed to the right rear of the cell), -8 return, -8 rollover vent valve, high quality threaded aluminum fill cap and a sending unit provision.
• Aircraft grade nut ring and gasket
• Fuel pickup assembly, factory installed
• 5 year manufacturer warranty

Replacement Steel can for Fuel Safe standard racing fuel cells.
Powder coated 20 gauge steel container with 1" external mounting flange

Dimensions: 647x434x349mm

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SKU: 96133293938

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4.6 ★★★★★
Based on 18 reviews
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Product Reviews
M
Max
Louisville, US
★★★★★ 5
Anne Carson is a Genius
Format: Hardcover
There is no one writing right now -- in essays, novels, poems or short stories -- who is as consistently brilliant as Anne Carson. Her last book, AUTOBIOGRAPHY OF RED contained some of the finest, most exquisite writing I've ever read; and this next collection is a masterpiece. There is a long essay in the book titled IRONY IS NOT ENOUGH: My Life As Catherine Deneuve that is at once moving, sexy and intelligent. There are also a sequence of poems about Hoppers paintings, paired with St. Augustine's Confessions that show perfectly how Carson dances on the fault lines of the modern and the ancient. This woman will win a Nobel Prize.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 10, 2000
M
M. J. Smith
Massapequa, US
★★★★★ 3
Interesting juxtapositions - some successes, some failures
Format: Paperback
As is to be expected from Anne Carson, the breadth of her knowledge results in thought-provoking writing even when it fails as "poetry". An example Hopper:Confessions begins with a quotation from Edward Hopper, followed with 9 separately title poems accompanied by quotations from Augustine's Confessions, and ending with a piece by Hopper. Her essay on female pollution in antiquity is excellent scholarship made enjoyable reading for the "common reading". Several pieces, or portions of pieces, consider Lazarus raising interesting issues from the perspective of Lazarus ... what is his reaction at being called forth (rotting?) from the grave? While many of the pieces, especially the very short pieces, are not impressive, the book is worth your time - for the reflections it provokes in the reader.
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Reviewed in the United States on July 28, 2001
I
I X Key
Louisville, US
★★★★★ 1
very droll
Format: Paperback
I understand the attraction to Anne Carson. I like experimental poetry, too. I like scholarship. But this book is pointless. The poems are so terrible that by the time I got to the essay at the end about hot & cold symbolism for the writers of antiquity I was so upset with the book that I just couldn't care about anything in it. These poems don't sound good. If nothing else, there should at least be the sound. & in any other respects, the experiments are to no end in themselves. I recommend forgetting this book & going for such progressive, ambitious younger poets as Karen Volkman & Brenda Shaughnessy.
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Reviewed in the United States on May 1, 2003
H
"hirofantv"
Dallas, US
★★★★★ 2
seems like an unspecified struggle with herself
Format: Hardcover
I don't know. It'ts a struggle for her to come up with the next line. Doesn't feel especially creative, inspired, or notably intelligent. I read other disappointed reviews people had written about this book, & bought it anyway. I tend to have avant-garde sensibilities, so I thought I'd enjoy it for its avant-garde qualities. I really tried to appreiate the experimentality of it, but I couldn't, because I realised I was readin it more for the sake of reading, & because I enjoy reading,than because this book is any good. I know a lot of unskilled teenagers who write dada-influenced poetry that's much more interesting than this uninspired book; I don't see what makes Anne Carson so special. 1 star because it's not a good book. 1 more star, bringing the total to 2, because I feel bad just giving it 1 star. At least she wrote something...
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Reviewed in the United States on June 30, 2001
P
Pete Dempsey
Alexandria, US
★★★★★ 1
A Slip-Up
Format: Paperback
I don't know what happened here but Carson's last two books have really gone down hill. Men in the Off Hours, her first book since Autobiography of Red, is a mess. I don't know how else to describe it. It's not that I'd expect an easy read after her last book--just a consistent one. There are poems in here that first appeared in prose elsewhere and now are in lines! This suggests a lack of understanding of the line and its history and uses on the part of the writer, which shocks me since Plainwater and Autobiography of Red I truly liked. I would not suggest this book if you like Anne Carson. It will disappoint you!
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Reviewed in the United States on June 5, 2001

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