SKU: 9643634050

Flow Bag

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Description

Flow BagDesigned as both a beautiful everyday bag and a thoughtful project companion, the Flow Bag keeps your yarn moving smoothly and your knitting undisturbed. Handcrafted in Ukraine from soft suede leather with Crazy Horse leather accents, it blends refined structure with practical details made specifically for makers. Sized to comfortably hold a 12 hank project, its ideal for socks and other small, portable knits. At the zipper opening, a discreet snap

Designed as both a beautiful everyday bag and a thoughtful project companion, the Flow Bag keeps your yarn moving smoothly and your knitting undisturbed.

Handcrafted in Ukraine from soft suede leather with Crazy Horse leather accents, it blends refined structure with practical details made specifically for makers. Sized to comfortably hold a 1–2 hank project, it’s ideal for socks and other small, portable knits.

At the zipper opening, a discreet snap tab allows yarn to glide freely while the bag remains closed — functioning like a quiet, travel-friendly yarn bowl. Inside, a snap loop holds your Needle Cozy so your sock project hangs neatly and untangled, keeping stitches clean and cables free from twists.

Fully lined and intentionally designed, the Flow Bag features:
- A yarn-through snap tab at the zipper mouth
- An interior snap loop to suspend your Needle Cozy
- A generous magnetic slip pocket
- A secure zippered pocket for small essentials
- An adjustable strap that converts from short handle to snug shoulder length

Structured enough to hold its shape yet soft and tactile in hand, it transitions seamlessly from daily use to dedicated project bag. As with all suede pieces, we recommend protecting the bag with suede protector spray to minimize potential color transfer to clothing or yarn and to maintain the depth of color over time.

The Flow Bag is designed to move with you — keeping your yarn flowing, your stitches steady, and your project beautifully contained.

Care:
Suede is a beautifully soft, richly dyed material with a velvety surface. Because it is more porous than smooth leather, it can be more prone to color transfer — especially in deeper shades and during periods of friction or humidity.
For added protection, T&M apply a coat of suede protector spray to their suede items before they leave the workshop. However, because suede is a natural and absorbent material, it is still recommended to reapply a high-quality suede protector before regular use for maximum protection.
Always allow the item to dry fully before use.

Minimize Friction
Avoid prolonged rubbing against light-colored garments, and be mindful of dark denim or heavily dyed fabrics, which may transfer color onto the suede.

Protect Light Yarn or Projects
If carrying very light-colored yarn or garments inside a suede bag, consider placing them inside a cotton project pouch or muslin bag for added protection, particularly before an additional protective spray has been applied.

Routine Cleaning (No Liquids Needed)
Suede can be cleaned without water. Gently brush away dirt using a suede brush, soft toothbrush, or terry cloth towel, brushing lightly in the direction of the nap. This also helps remove any excess surface dye.

For Tough Stains
Use a specialty suede shampoo designed specifically for suede leather and follow the manufacturer’s instructions carefully. Allow the item to dry naturally.

With proper protection and mindful care, suede will maintain its richness and develop character beautifully over time.



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Exchange/Return Notes
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SKU: 9643634050

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4.4 ★★★★★
Based on 30 reviews
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Product Reviews
A
A. Jimenez
Pawtucket, US
★★★★★ 3
Well intentioned but ignorant
It's clear that this author is well intentioned. He betrays his own ignorance in trying to justify why his book only addreses certain native nations, however. The author indicates that the book did not address the native peoples of the Caribbean because they are extinct. To state that the Taino and Carib are extinct is at best extremely ignorant and at worst racist. The Taino and Carib are very much alive. To begin with, there is a reservation of Carib Indians on the island of Dominica. These native people have retained their language and culture. Further, there is a Taino Revival movement happening throughout the major Antilles especially in the Dominican Republic, Puerto Rico and Cuba. It has been scientifically proven via DNA analysis that these people are of partial and in some cases total native descent. The Taino language is being heard and taught again in the Caribbean and Taino culture has always been an integral part of the the customs and culture of the major Antilles. It is very unfortunate to know that even this author is ultimately just another white guy bent on ignoring " incovenient truths ".
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on September 25, 2012
T
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Terry L.
Natrona Heights, US
★★★★★ 5
Recommend
Tells the other side of the story you didn't get in U.S. History class. Good read.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 15, 2015
G
Verified Purchase
George Vargas
Chelsea, US
★★★★★ 5
Five Stars
Outstanding book on the general history of European barbarism.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 26, 2017
H
Verified Purchase
Howard
Grantham, US
★★★★★ 5
By far, the best book of many I have read on this subject. Must read for anyone interested in this subject.
Format: Paperback
Best book I have yet read on the subject, and I have read many in research for the writing of my second novel. It relentlessly examines specific cases of lynching over time, but it is not a mere narrative of specific lynchings. It is an excellent analysis of the social, historical and cultural forces behind this horrendous practice. The book's discussion of the movie, Birth of a Nation, would by itself make this a valuable book, but the book's central theme is even more important. Its central theme, the public's desire for spectacle as fuel for lynchings, particularly after the abolition of legal public executions, is even more revealing. Also a good look at the social and cultural forces that over time led to the gradual demise of lynching as a phenomenon. A page turner for history readers. Warning -- man's inhumanity to man will make you simultaneously angry and sad.
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Reviewed in the United States on July 24, 2015
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Verified Purchase
AlanWarner
Lowell, US
★★★★★ 5
WHITE MOB JUSTICE
Format: Paperback
More black men were hanged in America in the twentieth century than were hanged during slavery, the author of this book Miss Amy Louise Wood does an excellent job of revealing who and what group of Americans did this whole scale hanging of black men. Many white people who participated and witnessed these hangings were your everyday run of the mill American citizens as stated on page 80-81 "As visual extensions of the lynching itself, photographs could at times assuage crowds that had missed the opportunity to witness and participate in the violence. In 1934, the posse that captured Claude Neal, accused of raping and killing a young white woman named Lola Cannidy, chose to lynch him in the woods outside Marianna, Florida, rather than bringing him to the Cannidy home, where a large crowd had gathered in anticipation of the lynching. When the waiting crowd had discovered that the mob had lynched Neal privately, they were reportedly outraged. The mob finally arrived with Neal's body in tow, and the crowd, which included Cannidy's family, took out their vengeance on the corpse, kicking and shooting it, tearing it apart, and even driving their cars over it. Neal's mutilated, nude body was then hanged on the courthouse lawn in the center of the town, and hundreds of photographs were taken. he next day, as people congregated in the square to see the body, the photographs were sold to those purportedly still incensed that the posse who lynched Neal had denied them the satisfaction and pleasure of witnessing Neal's lynching. The images acted as visual replications of the actual spectacle, offering them vicarious access to the missed thrill of the lynching. The gratification local viewers derived from the images of Neal's lynched body was directly attached to their outrage over Cannidy's rape and murder, their fears of black criminality, and their desires to assert their racial power and superiority in the face of these threats." Another interesting aspect of these mobs is the role religion played in their actions as stated on pages 67 "The performance of a lynching thus created a symbolic representation of white supremacy-a spectacle of demonic and wicked black men against a united and pure white community. That those images coincided with evangelicals' impassioned exhortations against sin gave lynching sacred force and justification. Indeed, the imprint of Protestant language and tropes on lynching rituals and defenses imbued the violence with divine sanction and made it appear familiar and recognizable to a people immersed in Christian beliefs and values. Mobs could thus conspicuously flout the law and perpetrate what otherwise would be considered aberrant and grotesque acts of sadism while considering themselves to be righteous and moral citizens." In the twentieth century the hanging of black men was a major festive event for many on looking white people as can be seen in the pictures on page 32 and also on pages 78 and 79, on page 79 you can see a young white man smiling, on pages 95 and 102 there are more pictures of gleeful white spectators, on page 192 there is crowd participation in this picture of a hanging and burning black man I thank this author for writing this very much needed book.
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Reviewed in the United States on July 6, 2015

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