SKU: 98479786521

easy120

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Ships within 48 hours · Estimated delivery Sep 11 - Sep 16

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Description

easy120VALOI easy120: Easy, fast, compact Easy to use The VALOI easy120 provides a comprehensive but easy to use scanning solution for most available roll film formats. The design means you avoid the alignment issues and light contamination often causing problems for camera scanning users. Minimal setup The easy120 does not need a copy stand or a separate light. Once the initial setup is done, you can go from storage to scanning in under a minute. Stable

VALOI easy120: Easy, fast, compact

Easy to use

The VALOI easy120 provides a comprehensive but easy-to-use scanning solution for most available roll film formats. The design means you avoid the alignment issues and light contamination often causing problems for camera scanning users.

Minimal setup

The easy120 does not need a copy stand or a separate light. Once the initial setup is done, you can go from storage to scanning in under a minute.

Stable

With the tubes, lens, light and film attached together, none of the parts can move independently and change your framing or focus. Equally, by effectively fixing sensor and film together with sturdy aluminum tubes, vibrations are greatly reduced, leading to sharper and more consistent results.

Quick

The easy120 allows you to capture a roll of film in 1-2 minutes. It achieves this using a clamp-less pull-through holder design where each frame is captured instantly by the camera and the next frame is presented in seconds by pulling the film through. You can add the optional easy120 Advancer for additional speed and accuracy.

Professional results

With camera scanning and the easy120 you don’t have to choose between speed, cost and quality. With a normal 24MP resolution camera you can achieve professional lab-like results at home. The S-curve holders ensure flatness of the film, providing you with great quality images*.

Comprehensive solution

The easy120 is modular and multi-format oriented, with holders covering most formats and accessories like the Duster and Advancer improving your scanning process.

Compact

Scanning does not have to take up a dedicated desk, even for medium format. In use, the easy120 has a footprint similar to a standard keyboard. Remove the tubes and it will fit in a drawer. No copy stand. No separate light source.

* Flatness may vary depending on your films curve and on the amount of leader in-front and behind the film. We recommend scanning full rolls where possible.

Features
  • Minimal setup, with alignment taken care of by the design
  • Holders available for 120 medium format, 35mm and more
  • Quality CRI 95+ LED light source inside
  • Adjustable temperature settings (warm, white, super-cold)
  • No leveling adjustment needed
  • Dramatically reduced vibrations with a rigid CNC machined distance tubes in aluminum
  • No copy stand is needed, as the easy120 mounts directly to you macro lens
  • Sturdy and long lasting with an all-metal body
  • Supports most common macro lenses
  • Easily replaceable holders with spring-click attachment
Includes
  • VALOI easy120 Body
    Built-in Cinestill CS-LITE inside
  • VALOI easy120 Universal Holder
    Fits 120 film, up to 6x9 maximum size
  • VALOI easy120 Distance Tubes
    1x 12mm, 1x 25mm, 1x 50mm, 2x 100mm
  • VALOI Filter Thread Adapters
    Sizes: 39mm, 46mm, 49mm, 52mm, 55mm, 58mm, 62mm, 67mm, 72mm, 77mm
    (Compatible out of the box with these thread sizes, with a native thread size of 62mm)
  • VALOI easy120 Camera Support Bracket
  • easy120 English Manual
    Other languages available online via QR codes
Cinestill CS-LITE Inside

Built into the easy120, is a CS-LITE unit - a tried and true scanning light source, used by thousands of our discerning VALOI 360 scanning system users.

The CS-LITE is USB-powered and requires a 5V/1.6A power brick (typically a phone charger) with USB-A. Even a small/older one will power this unit.

We chose to use the CS-LITE because it fulfills all the criteria of a great scanning light source: It has a CRI 95+ rating, variable color temperature and high brightness with low heat-output.

The color from this light source will provide vibrant, accurate results thanks to its colour rendering capabilities (expressed in the standardized CRI scale). The temperature of the light also has three pre-set modes, optimized for scanning slides, black and white negatives and color negatives. With the color negative tuned mode, you will get improved color separation and noise levels from orange masked negative film.

Between the rigid connection through the aluminum tubes of the easy120 and the bright EV15+ output from the CS-LITE, the concern about vibrations is greatly reduced.

In use

To use the easy120, you first choose the right length of tube - you stack different lengths of tube to get the right distance from the front of the lens to the film. Once the length is right, you add the end-cap with a 62mm filter thread, and whatever (included) filter-thread adapter you need for your lens. You plug in the light source of the easy120 to a USB-A connection, turn it on and insert a holder by simply pushing it in.

To scan, you push film in on either side of the holder, adjust the focus and start scanning. For most lenses, we recommend scanning in a horizontal position (camera pointing forward), but for internally focusing lenses you can also scan in a vertical position (standing).

Once you have scanned your film, you import them to a computer or phone and process them using one of the recommend processing methods found on the VALOI website.

Information about lens compatibility

The easy120 is compatible with all system cameras (cameras with interchangeable lenses), including digital medium format cameras. We don’t recommend the use of any fixed-lens cameras.*

* Acceptable results can be achieved with high-end fixed-lens models like the Leica Q3 (28mm and 43mm) when scanning medium format.

easy120 main lens requirements

  1. The filter thread on the lens must be one of the following filter threads: 39mm, 46mm, 49mm, 52mm, 55mm, 58mm, 62mm, 67mm, 72mm, 77mm
  2. When focusing on the film you want to scan, the distance from the front of the lens to the film (working distance) must be smaller than 310mm. You can test this on your own, by placing the format you want to scan on the table and trying to focus on it, then measure the distance from the front of the lens to the film.

Approximate compatible focal lengths

Note that because there are many factors at play, we cannot guarantee that your setup will be compatible - we will do our best to advise you but the safest way is to measure the approximate distance using your lens and desired film format.

Maximum focal length for APS-C sensor: 70mm

Maximum focal length for FF sensor: 105mm

Maximum focal length on MFT sensor: 50mm (60mm lenses can be used for scanning 35mm only)

Maximum focal length for GFX/Hasselblad X sensor: 120mm

Using shorter focal length lenses has the benefit of making for a more compact scanning setup. This can be practical if you have a smaller desk or want to travel with your scanning setup.

Lens features and compatibility:

Feature Compatible
Dedicated “macro” lens with fixed focal length (prime lens) Yes
Zoom lens with macro function No
Manual focus lens Yes
Auto focus lens Yes
1:1 macro lens Yes
1:2 macro lens Yes, only for 120 medium format (not for 35mm)
Filter thread size: 39mm, 46mm, 49mm, 52mm, 55mm, 58mm, 62mm, 67mm, 72mm, 77mm Yes
Filter thread size: E60 Not compatible
Medium format digital camera Yes
100mm lens on APS-C sensor No, too long
Fixed lens camera Not compatible in most cases, not recommended
Enlarger lens No, most enlarger lenses have a not-compatible filter thread on the front (often 40.5mm)*

* A 40.5mm to 62mm filter thread adapter can be purchased from a third party and the lens possibly used. Keep in mind that mounting an enlarger lens for use with the easy120 requires a sturdy helicoid. Using bellows is not recommended, as they might bend under the weight of the easy120.

Accessories

Did you know that there are accessories for the easy120? The easy120 has the ability to mount the 360/easy120 Duster and has interchangeable holders. It can also take the easy120 Advancer. You can find accessories in the easy120 collection.

To use this product, you need an interchangeable-lens digital camera and a macro lens capable of focusing to the appropriate magnification ratio for your film format.

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 98479786521

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4.9 ★★★★★
Based on 8 reviews
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Product Reviews
W
Verified Purchase
W.P.
Belleville, US
★★★★★ 5
Great cast; well directed
Great movie; lives up to its reviews
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 25, 2026
B
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Basket Case
Waukegan, US
★★★★★ 5
An ageless classic !
I hadn't re-watched this movie since the first time I saw it, when it came out in 1985. Back then, it had stricken the public with its fatalistic and pessimistic view of an overwhelming bureacracy, a suggested characteristic of fully-centralised power in a controlled society in the future. Today, we can still admire some of its validity and premonitory qualities (and the sarcastic humour !). The dream-like scenes and symbols used in the film are also ageless. Ever-growing computer systems govern today the relationships we hold with banks, government departments, utilities, phone companies, etc. Who hasn't experienced the frustration of dealing with their 'machines' and/or incompetent & robotic bureaucrats when problems or errors arise in their service? 'Brazil' will seem so familiar! The omni-presence of screens in our lives, everywhere and incessantly offering us products or services, or used to control our movements and behaviour, is also a well-guessed futuristic scenario by Gilliam & co. And what to say about the 'terrorism' and the 'permanent state of fear' portrayed back then? Sounds familiar today? I recommend this movie to anyone interested in the threats of an unbridled, arrogant and all-powerful bureaucracy in human society. The film can be a bit 'heavy' at times, though. Not everyone's cup of tea. Watch it first, before sharing with friends or family.
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Reviewed in the United States on February 19, 2012
J
Verified Purchase
johnf
New York, US
★★★★★ 5
The music is lovely, Catherine Deneuve is beautiful and the story will tear you apart.
The word "Masterpiece" is thrown about often in the worlds of film and music but in this case this is the real thing. The Umbrellas of Cherbourg is one of those rare instances where everything came together in a film in a serendipitous way that would never be duplicated. Not only that, but made by two up and coming young men who had only done two films before with a cast of mostly unknowns. Then, to top it all off, it would not just be a musical, but a film sung completely through like opera, something completely unique and untried. Try selling a concept like that to one of today's studios. Fortunately the early sixties was a much looser time with many movie studios and open minds willing to try new things. The director was Jacques Demy, whose first film, Lola (1961) included music but was shot in the more usual black and white. His co-creator was Michel Legrand, already known as a jazz pianist who had had hit albums and even toured America. The music would be light,, but not operetta; it would be updated to include strong influences of chanson, pop and jazz with a little Baroque counterpoint thrown in (Legrand had been classically trained). This time the film would be shot in super-saturated color with sets painted vibrant, almost expressionist colors. And it all would center around a young and virtually unknown Catherine Deneuve and Nino Castelnuovo as Genevieve and Guy, the very personification of young love in a rainy Spring. The resulting film is completely transporting. The story is very old, the treatment very new and the end result is something to be experienced. The singing somehow seems completely natural, more natural in a way, than films with spoken dialogue that break into songs from time to time. Here in a world of continuous music, love has turned everything into a dizzily colored poem that peaks when Guy is to be sent away to fight in the war in Algeria. Fate takes a big hand in the consequences creating unforseen results. The supporting cast are as good as the principals, with Anne Vernon (Madame Emery) the veteran of many films and Marc Michel (Roland Cassard) coming in having played the same character in Lola, a signature quirk of the director. The music produced two early sixties hits, I Will Wait For You and Watch What Happens. Mr. Legrand's familiarity with the worlds of pop and jazz kept everything fresh-sounding and up to date. You also note subtle touches like the opening jazzy music set in 1957 is very brassy and big band sounding while in the 1963 final scene it's the cool jazz of that time. The colors are so captivatingly brilliant that when establishing shots of the actual Cherbourg are shown it seems like another world. If you like romances, this is one of the classics. If you are open to musicals you will have no trouble with the fact that the entire film is sung. This is a most memorable and worthy film.
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Reviewed in the United States on January 31, 2016
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Todd7
San Leandro, US
★★★★★ 5
My favorite movie musical
The Umbrellas of Cherbourg (1964, Jacques Demy, Director) is a very straightforward love story that’s fairly predictable, but that doesn’t take away from its absorbing allure. In fact, I love this film so much that I’m willing to overlook some of the minor flaws in the blu ray transfer from Criterion. This transfer is somewhat grainy/hazy in picture quality, and the sound isn’t exactly clear; in fact, it can be slightly muffled at times. However, I’m not going to dwell on these few minor imperfections. Now, for the heart of the review: The Umbrellas of Cherbourg is so unique in that all of the dialogue is sung. This is definitely an acquired taste, but about 15-20 minutes in, I was used to it and all-in. The next thing that becomes obvious is its rich color; it’s sort of pastel-like, with some backgrounds that are quite striking. Finally, the last thing that jumps out is the continuous upbeat music in the film, with the exception of the main theme, which is an emotionally-charged melancholy number by Michel Legrand that is the heartbeat of the film. This film is really a heartfelt love story where fate is the prevailing narrative and force. It’s a film about important decisions and their outcomes. Along the way, there are familial issues, death, rebuilding with emotional crutches, and some humor injected at just the right times. Some of the dialogue is cliched, but I guess that’s par for the course in a love story? Finally, while watching this film, I could definitely see where the 2016 film, La La Land took so much inspiration from, especially the ending sequence and the upbeat musical numbers. Overall, The Umbrellas of Cherbourg is a masterpiece of a film that’s essential to your blu ray collection. The Criterion Collection usually does a stellar job with resorting older films, but for some reason this isn’t their best work. I was expecting better quality. The blu ray also contains some nice special features.
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Reviewed in the United States on July 22, 2025
J
Verified Purchase
JHB-4
Charlottesville, US
★★★★★ 5
Gorgeous Legrand music in a superb film
One of the lovliest films ever made! It's a "jazz opera" with superb Michel Legrand music and more. And the finale will melt the hearts of any "family" person who experiences it.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 26, 2025

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