SKU: 12819567193

Celemony Melodyne Studio 5

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Description

Celemony Melodyne Studio 5Melodyne 5 Studio How you want to work with audio today. Melodyne 5 studio is the complete Melodyne, with all Melodyne's unique functions and possibilities. For professional vocal editing, choirs, instruments of all kinds, and samples. And with a multi track workflow unsurpassed in terms of ease of use and musicality. New in Melodyne 5 New technologies, for better results in less time. Thanks to the fundamentally improved "Melodic" algorithm, Melodyne

Melodyne 5 Studio

How you want to work with audio today. Melodyne 5 studio is the complete Melodyne, with all Melodyne's unique functions and possibilities. For professional vocal editing, choirs, instruments of all kinds, and samples. And with a multi-track workflow unsurpassed in terms of ease-of-use and musicality.

New in Melodyne 5
New technologies, for better results in less time. Thanks to the fundamentally improved "Melodic" algorithm, Melodyne makes your vocal editing even better than before. With perfect, natural corrections at the press of a key. Thanks to the Chord Track, you can adapt notes with lightning speed to suit the song " chord recognition included. And with the unique Fade Tool, you can create note-based fades " even in polyphonic recordings and samples.

All this is new:

  • the ability to edit pitched and noise-like components separately with the "Melodic" algorithm
  • a more musical analysis of pitch deviations
  • the Chord Track and Chord Grid for pitch editing, chord recognition
  • the Fade Tool and Leveling Macro for editing dynamics
  • an additional algorithm ("Percussive Pitched") plus other algorithm improvements
  • search functions for keyboard shortcuts, saving of shortcut sets

Vocals, now even better
Melodyne heightens its core competence. The "Melodic" algorithm used for vocals can now distinguish the unpitched, noise-like components of a note " i.e. voiceless consonants (such as sibilants like 's") and breath sounds " from its pitched components. Even when they coincide. And although all pitch and timing changes are implemented in the tried-and-tested manner as far as the pitched components are concerned, different rules that emulate accurately the natural behavior of the human voice govern the handling of sibilants. So now when you are working with Melodyne, you obtain the highest possible sound quality and most natural-sounding results automatically.

Pros will be relieved to discover it's no longer necessary to isolate each individual sibilant by hand. That saves a lot of time and makes for a more meaningful display in the Note Editor. At the same time, the results sound far better, as automation works more precisely and overlaps between sibilants and pitched components are taken into account.

Sibilant detection not only yields acoustic advantages but also new creative possibilities: With the Sibilant Tool, you can adjust the balance between the sibilants and the pitched components of a note. Sibilants can be attenuated, muted altogether, emphasized or even isolated " everything is possible. So, into the bargain, you get a perfect de-esser that only affects the problem areas and has no side-effects on other components of the vocal sound.

Modeled on human hearing
Why do some notes sound out of tune and not others? Fluctuations in pitch contribute to the quality of a vocal performance, because it is through them that passion and emotional complexity find expression. They give it, in other words, its human dimension. But for their contribution to be a positive one, the nature, scope and precise timing of such fluctuations is of crucial importance.

A note doesn't necessarily sound sharp or flat just because it isn't 'spot on" mathematically. Just particular, often very brief segments of the note annoy us. Sometimes at the beginning, sometimes at the end, sometimes somewhere in between. It is these crucial segments that have to be perfectly in tune; if they are, the note will sound right to us. The presence of any fluctuations before or after to such segments doesn't trouble us " to the contrary, we feel they add life to the performance and sound natural.

Melodyne now identifies these problem areas precisely, and the offset shown in the Note Inspector is calculated from the pitch of each note at the crucial moment only " not its entire lifetime. As a result, double-clicking (to set a note's offset to zero) now yields precisely the right musical result. Also the macro profits from this new, even more musical approach: Each individual note is pitched to perfection. Yet everything still sounds natural and alive.

The Chord Track and Chord Grid
Work better with chords, adapt notes quickly. Melodyne 5 offers you a chord track that is linked to the Pitch Grid in the Note Editor. This makes working with chords far more enjoyable and harmonies more transparent. Because you can see at any time which pitches are compatible with the current chord and can adapt the notes accordingly with lightning speed. This is helpful when you're altering chords, and if you want to match any sample harmonically to your music, it works like a dream.

Autopilot for chords. Melodyne's chord recognition technology is so advanced, it can consider tracks apart or together " even the entire mix " and identify the chords formed when their notes are combined. It analyses your recordings fast and reliably and fills in the Chord Track automatically. This makes working with chords even easier.

Dynamics functions
Note-based fades. The Fade Tool gives you highly effective control over the dynamics of your recording. For each note individually. Even within a chord. This is unique and offers totally new creative possibilities for dynamic editing. And since in Melodyne the fades belong to the notes, they are automatically preserved when the notes are moved or copied.

Controlling the dynamic range. The Leveling Macro makes loud notes quieter and quiet ones louder, it adjusts volume disparities. Even " thanks to Melodyne technology " in polyphonic recordings. So if one or more notes in a chord are too quiet and being drowned out by the rest, you can raise them effortlessly to the desired level.

Further algorithm improvements
"Percussive Pitched". This new algorithm was developed especially for instruments like tabla, berimbau or 808-kick, the notes of which " though percussive in character " still have a recognizable pitch.

"Robust Pitch Curve". With this new option, you can obtain better sound quality when editing certain signals, such as those with a great deal of reverberation. When it is activated, the monophonic algorithms employ a pitch curve that has been slightly smoothed out.

"Complex". This algorithm playback type has been improved and can now be used just as flexibly as the playback type "Tonal" concerning the formants.

Other improvements
Better keyboard shortcuts. New search function for keyboard shortcuts, the saving of personalized shortcut sets has been improved.

No more ".mdd" files. Melodyne's detection data, which was previously saved to separate ".mdd" files, is now stored in the audio files themselves, making file directories clearer and the sharing of projects easier.

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SKU: 12819567193

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4.6 ★★★★★
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Stephen M.
Whiting, US
★★★★★ 5
A Clear, Readable, and Necessary Contribution
Format: Paperback
This is a clear, readable, and necessary book. The Trinity is the central mystery of the Christian faith, but it can be difficult to articulate in a simple and coherent way. As one who regularly teaches the topic in the Catholic high school setting, I appreciated the very accessible approach that the author takes. Anyone who struggles with the basic meaning of the doctrine would benefit from this text, as would those who are tasked with explaining it to others. From the very first page of the book, the author presents the doctrine of the Trinity through three basic statements: 1. There is only one God. 2. The Father, the Son, and the Holy Spirit is each God. 3. The Father, the Son, and the Holy Spirit are not the same. Besides a very good opening chapter on the ability to speak about God at all, the entire book is basically an unpacking of why the Church came to believe in these three statements and the problems (aka heresies) that arise when any one of the three is denied. Over the course of the book, the reader will become familiar with many of the key biblical texts underlying the doctrine of the Trinity and the early theologians who defended it. While this is not primarily a work of doctrinal history, the arguments are almost entirely based on the thought of these fourth and fifth century theologians. Two points are worth noting, though neither was a "deal breaker" for me: First, be ready for lots of references to popular culture. I was surprised to see mentions of everything from Wayne's World and Borat to the song Achy Breaky Heart and the Three Amigos. These are no doubt great examples from the author's experience, as university teacher, in connecting the subject matter to his student audience. But in almost every instance I found myself drawn away from the topic at hand and in some cases I was left pondering the usefulness of the gratuitous reference itself. Luckily, I got almost every single one--until a late reference to the British TV series Father Ted forced me to look it up on Google. Second, I'm not sure if this book is still in such an early printing that it hasn't been physically typeset yet, but my edition looked as though an inkjet printer produced it. In an age of Retina display screens, it was a bit odd being disappointed in the quality of actual printed text. Overall, I highly recommend the book. I've just ordered the author's previous book from Paulist Press and look forward to his future works.
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Reviewed in the United States on May 3, 2015
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ILOVEMYKINDLE
Los Angeles, US
★★★★★ 4
This book is good if you wish to know the heresies of the ...
Format: Kindle
This book is good if you wish to know the heresies of the Trinity. It does not cover the inner working relationships of the Trinity.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 18, 2016
B
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bevo in the nw
Fort Morgan, US
★★★★★ 5
It doesn't have to be a mystery
Format: Paperback
The answer almost every Catholic including the clergy give regarding the Trinity is "its a mystery." Its not if you read Bullivant it is now a discussion and conversation about the Christian understanding of God. Now the person in the pew can help explain "the mystery" to the clergy who haven't read The Trinity. The author introduces the Trinity as "supreme simplicity" and then guides discussion through an adult presentation of a fundamental belief among Christians. The style is very conversational with wonderful and one could say fun examples. The author makes excellent use of scripture and the writings of the early Christian church before all the disputes and splits started. He does it all in about a 100 pages. Perfect for the curious, those wanting a real answer about the Trinity and for small study groups. Finally it is done with an ecumenical approach that allows Christians to dialogue together and with those with different or no faith tradition.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 14, 2015
I
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Ice
San Leandro, US
★★★★★ 5
Excellent Introduction
Format: Kindle
Bullivant, as simply and straightforwardly as possible, provides an excellent Introduction to this most central of Christian doctrine in an educated yet graspable format. Highly recommended.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on October 16, 2023
R
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Robert Badger
Whiting, US
★★★★★ 5
This book is a good introduction to the theology of the Trinity
Format: Paperback
As a Catholic priest, I am on the lookout for books which may help those who want to delve more deeply into theology. This book is a good introduction to the theology of the Trinity. Professor Bullivant shows why it is biblical. He also explains some of the more difficult terminology very well. Also, his opening chapter provides a memorable explanation of the via negativa in theology. I highly recommend this text.
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Reviewed in the United States on February 22, 2017

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