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Description
Ryli – Come and Get Me – New LPBay Area indie group Rylis new album, Come and Get Me, is fueled by friendship and a love of classic pop songwriting. Led by vocalist Yea Ming Chen (Yea Ming and The Rumours) and guitarist Rob Good (The Goods), and buoyed by the rhythm section of Luke Robbins (Yea Ming and The Rumours, R. E. Seraphin) and Ian McBrayer (ex Healing Potpourri). Come and Get Me by Ryli Engineered and produced by Good at his Oakland studio, Come and Get Me came together
Bay Area indie group Ryli’s new album, Come and Get Me, is fueled by friendship and a love of classic pop songwriting. Led by vocalist Yea-Ming Chen (Yea-Ming and The Rumours) and guitarist Rob Good (The Goods), and buoyed by the rhythm section of Luke Robbins (Yea-Ming and The Rumours, R.E. Seraphin) and Ian McBrayer (ex-Healing Potpourri).
Engineered and produced by Good at his Oakland studio, Come and Get Me came together swiftly and organically. “From the start, everything fell together really naturally,” Good says of the creative process. Ryli started as a one-off recording project between Chen and Good, but quickly turned into a full-fledged band when Robbins and McBrayer joined. The group immediately recognized their natural chemistry and capitalized on the opportunity, tracking the album within a few months. Following close on the heels of their single, “I Think I Need You Around,” Ryli delivers a fully-formed pop record that touches on the familiar but goes beyond pastiche. So, while they cite “early McCartney, The Smiths, Camera Obscura, and Belle & Sebastian” as sources of inspiration, Chen and Good are veteran songwriters who can synthesize their influences and create a sound unmistakably their own. That doesn’t mean Ryli is the Chen and Good show. “The collaborative effort is very much felt,” says Chen, who adds that all arrangements are done by committee. Of particular note are the contributions by Robbins and McBrayer, who add nervy, post-punk rhythms that challenge yet complement Chen and Good’s pop songwriting inclinations. Lead single “Medicine Speed” is signature Ryli, featuring sunshiney melodies and jangly guitars, with a galloping rhythm section that belies the trepidation in the lyrics. According to Chen, “Medicine Speed” was written “in a moment of insomnia at 3am when it felt as if there was a scary thing around every corner of my room.” Meanwhile, “Break” is a propulsive minor key rocker showcasing Good’s blistering guitar work and hymn-like harmonies. But Chen’s contralto vocals give the song its gravity. “If I asked you to, would you break me out of here?” she asks mournfully on the chorus, but the question is purely rhetorical. She sings fully aware no one is coming to her rescue. This high-wire balancing act between musical brightness and lyrical darkness, between effervescent melodies and muscular rhythms, makes Come and Get Me seem more like the work of a band in its prime than the debut of a group barely a year into its existence. But the album wouldn’t work if it was built simply on technical ability - Ryli are clearly a band relishing their time together and making the most of it. Despite the popular belief that misery makes great art, Ryli makes a convincing case that the joy of creating is crucial to the joy of listening. released June 27, 2025
Rob Good - lead guitar, vocals
Yea-Ming Chen - lead vocals, guitar, organ
Luke Robbins - bass, vocals
Ian McBrayer - drums, vocals
Produced and recorded by Rob Good
Mixed and mastered by Jack Shirley at The Atomic Garden
Music by Ryli
Lyrics and art by Yea-Ming
Engineered and produced by Good at his Oakland studio, Come and Get Me came together swiftly and organically. “From the start, everything fell together really naturally,” Good says of the creative process. Ryli started as a one-off recording project between Chen and Good, but quickly turned into a full-fledged band when Robbins and McBrayer joined. The group immediately recognized their natural chemistry and capitalized on the opportunity, tracking the album within a few months. Following close on the heels of their single, “I Think I Need You Around,” Ryli delivers a fully-formed pop record that touches on the familiar but goes beyond pastiche. So, while they cite “early McCartney, The Smiths, Camera Obscura, and Belle & Sebastian” as sources of inspiration, Chen and Good are veteran songwriters who can synthesize their influences and create a sound unmistakably their own. That doesn’t mean Ryli is the Chen and Good show. “The collaborative effort is very much felt,” says Chen, who adds that all arrangements are done by committee. Of particular note are the contributions by Robbins and McBrayer, who add nervy, post-punk rhythms that challenge yet complement Chen and Good’s pop songwriting inclinations. Lead single “Medicine Speed” is signature Ryli, featuring sunshiney melodies and jangly guitars, with a galloping rhythm section that belies the trepidation in the lyrics. According to Chen, “Medicine Speed” was written “in a moment of insomnia at 3am when it felt as if there was a scary thing around every corner of my room.” Meanwhile, “Break” is a propulsive minor key rocker showcasing Good’s blistering guitar work and hymn-like harmonies. But Chen’s contralto vocals give the song its gravity. “If I asked you to, would you break me out of here?” she asks mournfully on the chorus, but the question is purely rhetorical. She sings fully aware no one is coming to her rescue. This high-wire balancing act between musical brightness and lyrical darkness, between effervescent melodies and muscular rhythms, makes Come and Get Me seem more like the work of a band in its prime than the debut of a group barely a year into its existence. But the album wouldn’t work if it was built simply on technical ability - Ryli are clearly a band relishing their time together and making the most of it. Despite the popular belief that misery makes great art, Ryli makes a convincing case that the joy of creating is crucial to the joy of listening. released June 27, 2025
Rob Good - lead guitar, vocals
Yea-Ming Chen - lead vocals, guitar, organ
Luke Robbins - bass, vocals
Ian McBrayer - drums, vocals
Produced and recorded by Rob Good
Mixed and mastered by Jack Shirley at The Atomic Garden
Music by Ryli
Lyrics and art by Yea-Ming
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4.2 ★★★★★
Based on 28 reviews
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Product Reviews
★★★★★ 4
Awesome
Size: 32 oz
Works as advertised. Just don't scrimp... give it the full recommended amount in each tire
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Reviewed in the United States on May 27, 2026
★★★★★ 5
This tire sealant works very well
Size: 16 oz
So far so good.
Cheaper and easier that tubing a leaking tire
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Reviewed in the United States on May 24, 2026
★★★★★ 3
Hard to install as instructed.
Size: 32 oz
Nearly impossible to get it in the tire through the valve. Yes I removed the valve core.
Broke the bead on the tire and dumped it in. That worked great! So far no leaks.
They should definitely redesign the installation method.
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Reviewed in the United States on April 28, 2026
★★★★★ 5
Been using it for 15 years! Not sure where the Neg reviews come from?
Size: 16 oz
I've been using Liquitube since around 2010. I use it religiously in my ATVs and lawn tractor tires. Since I've been using this stuff, I've never had a flat before. I've pulled out nails and slivers of steel out of my ATV tires but yet none of them lose air or go flat.
I think some of the negative reviews come from improper use of the product or not enough of the product is being used in the tires. I think this come from variance in formula charts that Liquitube has had in the past on their bottles and on their website. The chart on their website wouldn't match the formula that was provided on the bottle. So I think alot of people get mixed up and not knowing the correct amount to add to each tire. Now Liquitube just puts pictures on the side of the bottle with an ounce measurement below each picture to tell people how to use it. But even that can be confusing. For instance, take the picture of the ATV that they show. Below the ATV it says 32oz. Now some people probably think the 32oz is for the entire ATV. Well that isn't the case. They want you to use 32oz Per Tire! Years ago Liquitube even used to say on the bottle to use 32oz per tire on an ATV. Now they just show a picture with an amount below it.
Now you'll come to find out that the 32oz they recommend doesn't match up to the formula they tell you to use to calculate how much each tire is supposed to get. So if you use the formula provided, you come to find that it calculates out to use less product per tire than what the bottle tells you to use. So that's very confusing as well.
So if you use it long enough, you'll be able to know how much each tire will need from experience. Just make sure there's enough on the inside of the tire to coat the entire inside as well as leaving a bit left over to circulate in the tire so it can be ready for a large puncture if that ever happens.
All in all, it's a good product that does what it claims. It lasts for as long as the tire does and it doesn't freeze up in the cold either! 5 stars!
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Reviewed in the United States on February 13, 2026
★★★★★ 5
Worked on slow leak… one month already!!!
Style: 18oz
Edit: Still holding proper pressure at 2-months !!!
Had a slow leak where my tire went from 44psi to ~18psi over 2-3 days… Dashboard light would let me know every few days that I had a tire problem and I would inflate the tire back up to 44psi… Anyway, I used this product and filled air back to 44 psi and it’s held the pressure for a month already !!!! Be sure to deflate tire to ~15 PSI before adding the product… it only took about 30 seconds to empty the container into my tire with the tire pressure low. Very happy with this product !!!
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Reviewed in the United States on April 6, 2026