SPL Phonitor 3 DAC 120v Headphone Amplifier With Monitoring Controller

SPL Phonitor 3 DAC 120v Headphone Amplifier With Monitoring ControllerPhonitor 3 DAC is not only the ultimate headphone amplifi er and monitoring controller with 120V technology the integrated DAC makes it the perfect monitoring centerpiece for demanding producers as well as sound and mastering engineers working with digital sources or in the DAW. Whether if USB, AES EBU or S PDIF the integrated DAC with analog SLP120 converts digital PCM audio signals with a resolution of 32 bit and a sampling rate of up to 768 kHz. It

Phonitor 3 DAC is not only the ultimate headphone amplifi er and monitoring controller with 120V technology – the integrated DAC makes it the perfect monitoring centerpiece for demanding producers as well as sound and mastering engineers working with digital sources or in the DAW. Whether if USB, AES/EBU or S/PDIF - the integrated DAC with analog SLP120 converts digital PCM audio signals with a resolution of 32 bit and a sampling rate of up to 768 kHz. It converts DSD signals with a resolution of up to DSD256. On the analog side, the Phonitor 3 DAC, based on the SPL 120V technology, offers the same monitoring quality as the big SPL mastering consoles – on loudspeakers and headphones. The analog Phonitor Matrix allows mixing and mastering on headphones in the highest quality – with the same spatial perception of the stereo stage as on loudspeakers.

Great sound – for headphones
The Phonitor 3 DAC off ers connection for a standard headphone with a stereo jack plug on the front. Thanks to the enormous output power, all kind of headphones are driven eff ortlessly. Thus, it plays out the advantages of the SPL 120V technology and rewards the listener with an honest, detailed and at the same time vivid sound experience.

Great sound – also for loudspeakers
On the rear of the device, Phonitor 3 DAC off ers a stereo output which makes it a high-quality monitoring controller for any monitoring situation. Active speakers with an integrated power amplifi er or passive speakers in combination with a power amplifi er can be connected at this output.

Monitoring at the highest level
Phonitor 3 DAC offers the same key technology – SPL 120V technology – and signal quality as the big SPL DMC and MMC mastering consoles.

Headphones or Speakers
The Output switch – simply switch from headphone to speaker playback. In the center position (Mute), no signal reaches the outputs. The VU meters light up red.

Digital & analog stereo inputs – free choice
Up to six stereo sources can be connected to the Phonitor 3 DAC.
The source is selected via the Source switch.

Analog inputs
On the analog side, two analog stereo inputs are offered, each with two XLR line inputs. Professional analog players with balanced outputs and line level can be connected here.

On the digital side, the Phonitor 3 DAC offers four digital stereo inputs.

USB
The USB input (type B) can be used to directly connect the DAW. No driver installation is required for operation with a Mac or an iDevice. Via USB, the Phonitor 3 DAC converts PCM audio signals with a resolution of 32 bits and a sampling rate of up to 768 kHz as well as DSD signals with a resolution of up to DSD256.

S/PDIF, coaxial
The Input S/PDIF coaxial can also receive a two-channel signal (PCM audio) with sampling rates up to 192 kHz and a bit rate of 16 bits to 24 bits. Unbalanced, 2-wire 75-ohm coaxial cables with RCA connectors are used for signal transmission.

S/PDIF, optical
The S/PDIF optical input can also receive a two-channel signal (PCM audio) with sampling rates of up to 192 kHz and a bit rate of 16 bit to 24 bit. The input jack is an F05 jack. This interface is better known under the Toshiba brand name TOSLINK.

Tip: You should attach importance to the quality of the optical fiber. With inexpensive plastic optical fibers, transmissions with quad sampling rates (176.4kHz/192kHz) may have faults. In this case a glass fiber optic cable should be chosen.

AES/EBU
The AES input provides an input jack which corresponds to a standard XLR input (XLR, female). An AES signal can transport two encoded PCM audio channels with a maximum sampling rate of 192 kHz and a bit rate of 16 bits to 24 bits. This standard is defined under IEC 60958 Type I. Balanced, 3-core, 110 Ohm “twisted pair” cables with XLR plugs are used for connection.

Specifications

Analog inputs & outputs: XLR (balanced)