SKU: 41752611421

Chroma-Q STUDIO FORCE II PLUS 12 LED Wash Light with LumenRadio (White)

Sale price$992.25 Regular price$1102.50
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Description

Chroma-Q STUDIO FORCE II PLUS 12 LED Wash Light with LumenRadio (White)Brighter than ever, The Studio Force II Plus uses a homogenised LED source capable of delivering variable colour temperature, plus minus green shift control, and the ability to produce deep saturated colours when needed, the Studio Force II Plus is specifically designed for TV Broadcast and film applications but also performs particularly well in other situations demanding high quality tuneable white light such as touring key lights, exhibitions,

Brighter than ever, The Studio Force II Plus™ uses a homogenised LED source capable of delivering variable colour temperature, plus/minus green shift control, and the ability to produce deep saturated colours when needed, the Studio Force II Plus™ is specifically designed for TV Broadcast and film applications but also performs particularly well in other situations demanding high quality tuneable white light such as touring key lights, exhibitions, corporate events, and theatre lighting.
 
The Studio Force II Plus™ uses the same ColorSure™ technologies found in other innovative Chroma-Q® fixtures to deliver consistent colour across fixtures.

Tuneable white LED fixtures produce light typically ranging from cool white (~6,500K CCT) to warm white (~2,800K CCT) by following the black body locus.

Chroma-Q®'s plus/minus green shift control allows designers to vary hue by moving along the green–magenta axis orthogonal to the colour temperature axis in accurately defined increments. This gives exceptional ability to control atmosphere and ambience on screen.

Chroma-Q® ColorSure™
The inherent variation between individual LED emitters means colour can vary from fixture to fixture. Chroma-Q®'s ColorSure™ is a proprietary system to ensure fixtures within the same product range provide consistent output regardless of when they are manufactured.

A complex range of processes for selecting (binning) individual LED emitters; calibrating LED light engines in-house to a uniform standard and sophisticated firmware and software ensures exceptional fixture to fixture consistency.

Features
Studio Force II Plus™ has a coloured touch display for easy navigation through the addressing, modes, and settings. Power and DMX / RDM data through connections, optional wireless LumenRadio CRMX connection. Tool-less tilt adjustment allows side-by-side fixture placement without any gap.

Accessories
Chroma-Q® offers a range of optional accessories for Studio Force II Plus™ to tailor for any lighting situation. Accessories simply slide through the mounting slots. Cyc/border lenses can be used with other accessories.

Features

  • Full-spectrum variable white light engine
  • High-intensity homogenised output
  • Extremely smooth uniform wash
  • Variable plus / minus green shift
  • Ideal for TV, Broadcast, and Film
  • PowerCON TRUE1 input and output for easy daisy chaining of fixtures

Specifications

Net Dimensions 335mm x 190mm x 218mm 13.2" x 7.5" x 8.6"
Net Weight 5.0kg / 11.0lbs
Lumens 7,700lm @ 5600K
Shipping Dimensions Length: 432mm / 17" / Width: 279mm / 11" / Height: 343mm / 13.5"
Shipping Weight 7kg / 15.5lb
Power Supply Built-in
Power Input Rating 100-240V AC 50-60Hz 160VA
Power Factor 0.99 @ 120V AC
0.97 @ 240V AC
Power Consumption 150W @ 120V AC
133W @ 240V AC
Idle Power Consumption 8W @ 120V AC
10W @ 240V AC
Typical Power & Current Measurements done with all LEDs at maxi- mum intensity. Measurements made at nominal voltage. Allow for a deviation of +/- 10%
Power Connectors In/Out Neutrik powerCON TRUE1
Data Connectors In/Out Neutrik XLR 5-pin
Control Protocol DMX
Cooling System Combined convection and forced air - 1 fan
Operating Temperature 0°C to 40°C
Construction Anodised aluminium extrusion
Colour Black / White
Built-In Hardware Yoke and quick release lever for tilt
adjustment
IP Rating IP20
Approvals CISPR 32:2015 /EN 55032:2015, CISPR 24:2010/EN 55024:2010, IEC 60598-2- 17:1984 + A1:1987+A2:1990 used in conjunction with IEC 60598-1: 2008 (Seventh Edition) FCC Part 15 Subpart B:2015 & ICES-003:2016 CSA C22.2 No. 166:2015-06 UL 1573:2003/R:2014-01

 

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 41752611421

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4.3 ★★★★★
Based on 9 reviews
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bud
Bozeman, US
★★★★★ 5
This is Superman like you DON'T remember him!
Format: Kindle
I've been a fan for as long as I've been able to tie a bath towel around my neck, so diving into these early comics has been a real joy! The character was quite different in the beginning so if you're not familiar with Golden Age Superman this might be quite the eye opener. Here in these early comics, Supes certainly isn't the Big Blue Boy Scout you knew and loved in the Silver Age and beyond; early on, he's more like the Well-Meaning Big Blue Bully/Borderline Sociopath. Sort of like early Golden Age Batman: bad guys die, Superman (or Batman) kind of shrugs and thinks, "Well, they got what they deserved..." His relationship with Lois is a bit more desperate-seeming in a few places as well. In fact, he's almost a bit stalker-ish in his pursuit/attitude toward Miss Lane. You can thank DC editor Whitney Ellsworth and a few others for softening the rough edges and turning The Man of Steel into the virtuous character we have today.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 22, 2017
J
Verified Purchase
Jcjxjdicjz
Lake Worth, US
★★★★★ 5
This is my Superman
Format: Paperback
Before super villains came along, Superman fought corrupt businessmen and world leaders. In this volume, you get stories like Superman trapping a wealthy mine owner in his own mine so he can feel what it’s like for his exploited workers (as I type that, I thought of a great parallel that might get this review removed haha), forced warring leaders to settle their differences in person, and destroyed a ghetto to get the government to pay to give the poor people modern housing (today our government would just leave them homeless but I digress) At some point in this volume, you get the first supervillain and it gradually goes away from this great Superman at that point but this Superman is my Superman, rough scripting/art and all
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 8, 2021
A
Verified Purchase
Amazon Customer
Natrona Heights, US
★★★★★ 5
Superman: The Golden Age: Volume 1 Review
Format: Paperback
If you’re a fan of, or are interested in the Golden Age of comics, this book is for you. This is really the mainstream beginning of superhero comics. Before everything became mired in continuity, there were one-shot stories that were fun, and often dark. I definitely also recommend this for people who want to get into Superman as a character. For the price, the amount of content you get just can’t be beat.
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Reviewed in the United States on January 31, 2020
C
Verified Purchase
C. T. Dixon
Belleville, US
★★★★★ 5
This is a Superman I can believe in
Format: Paperback
This is the original Superman, the one who made the character a hit. His powers have limits - a fire threatens his life! - and he uses them for the little guy, against social injustice. One of the best stories, from Action #5, has Supes fighting a breaking dam and flood, but mostly he's fighting human crookedness - crooked lobbyists, crooked football coaches, crooked mine owners, crooked taxi rackets. This Superman is a law unto himself, dependent on nothing but his strength and his personal sense of right. He's a lot more like Samson in that way than he's a Christ figure, and the result is stories in which he lightheartedly smashes slums so the government will have to build decent housing for the poor, smashes cars of reckless drivers, smashes an oil well to bankrupt the crooked promoters. Private property means nothing to him. Neither do legal rights. He's not here to fight for law and order, he's here to fight for justice as he sees it. The police? the government? They're feckless at best, and more often they're part of the problem. There's a strong Progressive sensibility here: if institutions don't benefit the people, the people need to take charge and change things. That's the Superman we see here, and it's the Superman I like best - the original Superman with brute vigor, a passion for justice with no subtlety, and no taking himself too seriously. It's not art, but it's what made comic books. And it still stands up.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 16, 2014
K
Verified Purchase
Kid Kyoto
New York, US
★★★★★ 5
Where it all began
Format: Paperback
Superman was a hit almost from day one, selling not only millions of comics but quickly went on to star in radio shows, movie serials, TV shows, cartoons, movies and every other media under the sun. And it all starts here. This volume reprints the very first Superman stories from 1938 - the Superman chapters from Action Comics 1-13, the New York World's Fair special and Superman #1, some of the rarest and most valuable comic books ever published. The art is crude but serviceable, but the stories are surprisingly political. Rather than fighting super villains or aliens Superman spends more of his time taking on corrupt businessmen and politicians. In one early story he ends a war in Europe by kidnapping an arms maker and forcing him to fight in the trenches. After his experience he swears never to make weapons again. This is a Superman who takes on the real issues of his time, and while the solutions are simplistic his goals are a lot more impressive than stopping bank robbers or killer robots. An early super villain, the Ultra Humanite, puts in a appearance but even his plot is centered around labor unrest rather than death rays. This is a fascinating look into the history of American comics. politics and popular culture. I recommend it to anyone with an interest in those subjects.
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Reviewed in the United States on June 26, 2011

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