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Description
Cornelia ParkerEdited by Andrea Schlieker, director of exhibitions and displays at Tate Britain, Cornelia Parker is a fascinating exploration of the work of one of Britains most important and most celebrated sculptors. Cornelia Parkers art is about destruction, resurrection, and reconfiguration. Demonstrating the importance of process, she frequently transforms objects by using seemingly violent techniques such as shooting, exploding, squashing, cutting, dropping,
Edited by Andrea Schlieker, director of exhibitions and displays at Tate Britain, Cornelia Parker is a fascinating exploration of the work of one of Britain’s most important and most celebrated sculptors.
Cornelia Parker’s art is about destruction, resurrection, and reconfiguration. Demonstrating the importance of process, she frequently transforms objects by using seemingly violent techniques such as shooting, exploding, squashing, cutting, dropping, and burning. Through these actions, she both physically alters the object and becomes an active participant in the development of its story.
Parker is best known for her large-scale installations, such as Cold Dark Matter: An Exploded View (1991) for which she had a garden shed blown up by the British Army and suspended the fragments as if freezing the explosion process in time. Perpetual Canon (2004) is made up of brass band instruments, steamrollered flat. Much of her work has a poetic-yet-apocalyptic tone and often reflects a concern for the insidious effects of global warming and consumerism. A Turner Prize nominee, Parker works in a wide variety of media, including drawings, photographs, embroidery, and film. She has collaborated with a diverse range of organizations and groups in the creation of her works, including the Royal Mint, Abbey Road Studios, people in prison, school children, the Daughters of the Republic of Texas, whistleblowers, and Parliament and the Palace of Westminster.
Made in close collaboration with the artist, this lavishly illustrated publication explores these relationships in a fascinating survey that encompasses all aspects of Parker’s career, from the late 1970s to the new work being made today.
Cornelia Parker’s art is about destruction, resurrection, and reconfiguration. Demonstrating the importance of process, she frequently transforms objects by using seemingly violent techniques such as shooting, exploding, squashing, cutting, dropping, and burning. Through these actions, she both physically alters the object and becomes an active participant in the development of its story.
Parker is best known for her large-scale installations, such as Cold Dark Matter: An Exploded View (1991) for which she had a garden shed blown up by the British Army and suspended the fragments as if freezing the explosion process in time. Perpetual Canon (2004) is made up of brass band instruments, steamrollered flat. Much of her work has a poetic-yet-apocalyptic tone and often reflects a concern for the insidious effects of global warming and consumerism. A Turner Prize nominee, Parker works in a wide variety of media, including drawings, photographs, embroidery, and film. She has collaborated with a diverse range of organizations and groups in the creation of her works, including the Royal Mint, Abbey Road Studios, people in prison, school children, the Daughters of the Republic of Texas, whistleblowers, and Parliament and the Palace of Westminster.
Made in close collaboration with the artist, this lavishly illustrated publication explores these relationships in a fascinating survey that encompasses all aspects of Parker’s career, from the late 1970s to the new work being made today.
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4.0 ★★★★★
Based on 26 reviews
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Product Reviews
★★★★★ 5
Works well, looks stupid with the logo display
This fits well in the vent frame and I am still able to close my vent. I really like the mount cause it solves a huge problem of where to put my phone securely... but I also hate it as well, because of the ugly logo on the face of it. "Batdiary"? Seriously? If I keep it I will look for a way to get rid of (or cover up) the extremely unattractive logo they selected. It makes it (and my trucks interior) look loke something for a child. I give it 5 stars because it deserves better than the 3.9 it had at the time of posting this. But for the love of everything clean and classy but still needing a mount, get rid of the bat logo!
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Reviewed in the United States on May 30, 2026
★★★★★ 4
No cheap plastic
Holds good
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Reviewed in the United States on March 24, 2026
★★★★★ 3
Good, but minor issues
The build quality seemed impressive and it felt sturdy. When installed, it definitely stayed in the air vent without wiggling or coming loose after quite a bit of off roading and driving over washboards.
I returned this thing and bought the "off roam" competitor because of two reasons:
1) the ball joints don't tighten down hard enough to lock the position of the mount firmly. It grips well when you don't touch it, but if you are trying to put the phone into the mount without both hands, it shifts and moves with minimal pressure. Kind of annoying for me, I feel the ball joints should tighten enough not to budge if given a tiny bit of force or accidental bump.
2) the inner springs of the phone holder started loosening and making an obnoxious vibrating/rattling sound after about a month. Any bump or minor rough surface caused this thing to rattle like loose change in a cup holder IF THE PHONE WASNT IN IT. If the phone was in the holder it didn't do this at all. It started to drive me crazy.
If you can get past these two things it's built well enough and works perfectly fine. I just expect a bit more for $50-$60.
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Reviewed in the United States on November 1, 2025
★★★★★ 5
Perfect for Tacoma
This mount fits my 2014 Tacoma perfectly and holds my phone securely without any wobble.
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Reviewed in the United States on November 4, 2025
★★★★★ 5
It works
Fits great and holes the phone secure, I would recommend this product.
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Reviewed in the United States on June 22, 2025