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Espen Eriksen Trio: What Took You So Long - VINYL LPTitle: What Took You So Long Artist: Espen Eriksen Trio Label: Rune Grammofon Product Type: VINYL LP UPC: 7033660031292 Genre: Jazz Release Date: 2012 06 19 Number of Discs: 2 The double LP vinyl edition includes his previous album (You Had Me at Goodbye, RCD 2096 CD) and full mp3 download of both albums. Different sleeve design from the CD edition. On their second album, this most melodic trio continue in the same tradition as on their highly
Title: What Took You So LongArtist: Espen Eriksen Trio
Label: Rune Grammofon
Product Type: VINYL LP
UPC: 7033660031292
Genre: Jazz
Release Date: 2012-06-19
Number of Discs: 2
The double LP vinyl edition includes his previous album (You Had Me at Goodbye, RCD 2096 CD) and full mp3 download of both albums. Different sleeve design from the CD edition. On their second album, this most melodic trio continue in the same tradition as on their highly-acclaimed debut from 2010 - a tradition that implies typically Scandinavian elements such as folk music, melancholia and the deep woods. In that respect, it's fair to say that the Espen Eriksen Trio belongs to the same tradition as Tord Gustavsen and the late Esbjern Svensson, even Jan Johanson in some respects, but without really sounding like any of them. But it's also fair to say that the trio's less-is-more approach is in stark contrast to many contemporary piano trios, with shorter tunes and a strong focus on melodic content. On What Took You So Long, you will find eight new Eriksen compositions and two quite unlikely cover versions. "Oslo," the lovely and captivating track that ends the album, captures both sadness and optimism in a simple and unsentimental way. Espen Eriksen's musical background is varied, ranging from pop music to jazz and the church organ. He has played with top Norwegian jazz musicians like Bendik Hofseth, Mats Eilertsen and Thomas Str++nen and was for three years pianist, arranger and composer for singer Christina Bjordal, leading up to her international debut, Brighter Days, for Universal Music in 2006. Bassist Lars Tormod Jenset lived and worked as a musician in Copenhagen for seven years before relocating to Norway in 2007. He is also a member of Hot N Spicy, Bendik Giske Kvintett and Rodent. Andreas Bye is one of Norway's most requested drummers in jazz and pop. He was a member of Bugge Wesseltoft's New Conception of Jazz and has played with John Scofield, Joshua Redman, John Taylor, Dhafer Yousef, Nils Petter Molv Kornstad, and many others.
Tracks:
1.1 All Good Things
1.2 Third Stop
1.3 On the Sea
1.4 Fall
1.5 We Don't Need Another Hero
2.1 Passing By
2.2 Could It Be Magic
2.3 Dusk of Dawn
2.4 Komeda
2.5 Oslo
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4.8 ★★★★★
Based on 24 reviews
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Product Reviews
★★★★★ 5
WHITE MOB JUSTICE
Format: Paperback
More black men were hanged in America in the twentieth century than were hanged during slavery, the author of this book Miss Amy Louise Wood does an excellent job of revealing who and what group of Americans did this whole scale hanging of black men. Many white people who participated and witnessed these hangings were your everyday run of the mill American citizens as stated on page 80-81 "As visual extensions of the lynching itself, photographs could at times assuage crowds that had missed the opportunity to witness and participate in the violence. In 1934, the posse that captured Claude Neal, accused of raping and killing a young white woman named Lola Cannidy, chose to lynch him in the woods outside Marianna, Florida, rather than bringing him to the Cannidy home, where a large crowd had gathered in anticipation of the lynching. When the waiting crowd had discovered that the mob had lynched Neal privately, they were reportedly outraged. The mob finally arrived with Neal's body in tow, and the crowd, which included Cannidy's family, took out their vengeance on the corpse, kicking and shooting it, tearing it apart, and even driving their cars over it. Neal's mutilated, nude body was then hanged on the courthouse lawn in the center of the town, and hundreds of photographs were taken. he next day, as people congregated in the square to see the body, the photographs were sold to those purportedly still incensed that the posse who lynched Neal had denied them the satisfaction and pleasure of witnessing Neal's lynching. The images acted as visual replications of the actual spectacle, offering them vicarious access to the missed thrill of the lynching. The gratification local viewers derived from the images of Neal's lynched body was directly attached to their outrage over Cannidy's rape and murder, their fears of black criminality, and their desires to assert their racial power and superiority in the face of these threats."
Another interesting aspect of these mobs is the role religion played in their actions as stated on pages 67 "The performance of a lynching thus created a symbolic representation of white supremacy-a spectacle of demonic and wicked black men against a united and pure white community. That those images coincided with evangelicals' impassioned exhortations against sin gave lynching sacred force and justification. Indeed, the imprint of Protestant language and tropes on lynching rituals and defenses imbued the violence with divine sanction and made it appear familiar and recognizable to a people immersed in Christian beliefs and values. Mobs could thus conspicuously flout the law and perpetrate what otherwise would be considered aberrant and grotesque acts of sadism while considering themselves to be righteous and moral citizens."
In the twentieth century the hanging of black men was a major festive event for many on looking white people as can be seen in the pictures on page 32 and also on pages 78 and 79, on page 79 you can see a young white man smiling, on pages 95 and 102 there are more pictures of gleeful white spectators, on page 192 there is crowd participation in this picture of a hanging and burning black man I thank this author for writing this very much needed book.
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Reviewed in the United States on July 6, 2015
★★★★★ 5
A fresh take on lynching and its place in American culture.
Format: Paperback
A path-breaking study of lynching as spectacle and the meanings such events produced for the masses who attended them as well as for those who saw the photos and postcards afterwards. Wood's visual analysis of these images is impressive and cogent. Her writing is clear and accessible to a wide audience. This is cultural history at its finest!
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Reviewed in the United States on April 17, 2018
★★★★★ 5
Great book ...disturbing subjet
Format: Paperback
This book explained the rationale for lynching! It was just what I needed for my graduate course!!
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Reviewed in the United States on July 14, 2019
★★★★★ 4
Lynchers Were Worse Than I Thought,
Format: Kindle
It was worth the time and effort to get through this book. It has opened my eyes to the scapegoating of Black victims’ as the evil ones and whites as the religious moral ones.
That being said, this book was too detailed, making it slow reading.
Overall, it still was and is worth reading to understand this massive projection of guilt and evil on victims, and the taking of justice into mob rule.
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Reviewed in the United States on November 8, 2021
★★★★★ 5
great book
Format: Paperback
This book was insightful yet the stories was shocking but its a dose of reality. I like the product and its great for my library.
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Reviewed in the United States on June 3, 2014