SKU: 6553109702

The Bradford Exchange Timeless Legend Sculpture Collection Issue #1: ALOHA Elvis Presley Handcrafted Glass Dome Sculpture in Bejeweled Jumpsuit with Illuminating Base 7-inches

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Description

The Bradford Exchange Timeless Legend Sculpture Collection Issue #1: ALOHA Elvis Presley Handcrafted Glass Dome Sculpture in Bejeweled Jumpsuit with Illuminating Base 7-inchesThis listing is only for Issue One "ALOHA Elvis Presley" #1 As a rebellious and charismatic song stylist and performer who revolutionized American pop culture, Elvis Presley became rock music's first and most enduring icon. From the raw, high octane rock 'n' roll sound of the 1950s to the softer pop ballads of the 1960s and '70s, his legacy and influence remain timeless. And now, with these officially licensed Elvis sculptures, you can pay tribute to

--This listing is only for Issue One "ALOHA Elvis Presley" #1--

As a rebellious and charismatic song stylist and performer who revolutionized American pop culture, Elvis Presley became rock music's first and most enduring icon. From the raw, high-octane rock 'n' roll sound of the 1950s to the softer pop ballads of the 1960s and '70s, his legacy and influence remain timeless. And now, with these officially licensed Elvis™ sculptures, you can pay tribute to his career throughout the decades and show your enthusiasm for this genuine American icon. Introducing the Timeless Legend Sculpture Collection, available exclusively from The Bradford Exchange, Hawthorne Village Division. Your glass dome collection begins with Issue One, Aloha.

Impressively sized at seven inches high, each masterfully handcrafted and hand-painted sculpture in this career-spanning collection showcases Elvis Presley in top form during a specific era from his storied career. Beginning with Issue One, "Aloha" features a fully dimensional sculpture of Elvis dressed in his legendary white, bejeweled and high-collared jumpsuit and sporting a vibrant Hawaiian lei. Each sculpture is displayed in meticulous detail within its own museum-quality clear glass dome, set upon a brilliantly illuminating record base featuring a gleaming silvery title plaque. Produced to Hawthorne's highest quality standards, these timeless presentations are sure to make vibrant additions to your Elvis decor and the perfect gift for the fan in your life.

• Illuminate Elvis Presley's enduring legacy throughout the decades with the Timeless Legend Sculpture Collection, available exclusively from The Bradford Exchange, Hawthorne Village Division
• Officially licensed by Elvis Presley Enterprises, LLC
• Masterfully handcrafted and hand-painted, these Elvis™ sculptures showcase the American icon during specific eras of his storied career
• Displayed in meticulous detail, each fully dimensional sculpture is encased within its own museum-quality clear glass dome
• Lights up! The vibrant hues of each Elvis Presley™ collectible glass dome are illuminated with built-in LED lighting
• Every sculpture is set upon a record base adorned with a gleaming silvery title plaque
• These rockin' presentations are sure to make brilliant additions to your Elvis decor and the perfect gift for the fan in your life
• Require 3 "AAA" batteries (not included)
• Certificates of Authenticity
• Glass domes measure 7" H x 4-3/4" D; 17.8 cm H x 12.1 cm D; Elvis figures measure 5-1/10" H; 13 cm H

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SKU: 6553109702

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4.9 ★★★★★
Based on 28 reviews
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A
Verified Purchase
Amazon Customer
Massapequa, US
★★★★★ 5
Excellent and Eye Opening
Where but in America could white men kill 2,ooo,ooo people to prove they are more civilized ?
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 16, 2017
K
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Ken Kardash
West Palm Beach, US
★★★★★ 4
Rediscovering America
This is an eye-opening, scholarly rebuttal to common perceptions about native American society before and after the European invasion. Ronald Wright makes no secret of his bias in favor of the people who were here first; in fact, he enhances the impact of what for many will be new information by presenting this extraordinary history from the point of view of the conquered. He also makes clear how large a part of the conquest was due to immune system rather than military deficiencies: if smallpox and other diseases had not done killed most of the native population, the facts recounted here suggest that history, particularly in South America, may have evolved quite differently. In undertaking the massive task of recounting the invasion of all of the Americas, some selectivity is inevitable. Wright has chosen to focus on the story of five distinct native groups: Aztec, Maya, Inca, Cherokee and Iroquois. He then arbitrarily subdivides the story into three consecutive time periods: Conquest, Resistance and Rebirth. After the physical and political annihilation recounted in the first two sections, the title of the third may seem overly optimistic, particularly for the Guatemalan Maya. However, the concluding tone is more conciliatory and hopeful than mournful, particularly in the Afterword that updates matters to 2005, 13 years after the original publication date. The astounding amount of research involved in producing this admittedly selective overview is well-indexed and annotated. My only quibble is that Wright, obviously an expert in the field of native culture, sometimes borders on the compulsive in matters of linguistic authenticity. I did not buy this book to learn ancient native languages, let alone their pronunciation, and at times I found the inclusion of such trivia distracted from rather than enhanced the otherwise convincing scholarship. This obsession with accuracy is commendable, but after getting it out of his system in the Author's note, his amazing narrative would have been no less compelling if he stuck to the language of his contemporary audience. Also, for an author who has settled in British Columbia, it is strangely disappointing that the rich history of the Pacific Northwest coastal natives was not among those he chose to examine. I had read Charles Mann's "1491" prior to this book and found it primed my interest in the subject; both are excellent introductions to the reality of pre-Columbian American societies, but Stolen Continents provides more of a historical context for what has become of them.
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Reviewed in the United States on October 13, 2008
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Irving Dozier
Louisville, US
★★★★★ 5
... true things that really went on to know very great
Format: Hardcover
lots of true things that really went on to know very great book
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Reviewed in the United States on October 13, 2016
A
A. Jimenez
Draper, US
★★★★★ 3
Well intentioned but ignorant
It's clear that this author is well intentioned. He betrays his own ignorance in trying to justify why his book only addreses certain native nations, however. The author indicates that the book did not address the native peoples of the Caribbean because they are extinct. To state that the Taino and Carib are extinct is at best extremely ignorant and at worst racist. The Taino and Carib are very much alive. To begin with, there is a reservation of Carib Indians on the island of Dominica. These native people have retained their language and culture. Further, there is a Taino Revival movement happening throughout the major Antilles especially in the Dominican Republic, Puerto Rico and Cuba. It has been scientifically proven via DNA analysis that these people are of partial and in some cases total native descent. The Taino language is being heard and taught again in the Caribbean and Taino culture has always been an integral part of the the customs and culture of the major Antilles. It is very unfortunate to know that even this author is ultimately just another white guy bent on ignoring " incovenient truths ".
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Reviewed in the United States on September 25, 2012
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Terry L.
Houston, US
★★★★★ 5
Recommend
Tells the other side of the story you didn't get in U.S. History class. Good read.
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Reviewed in the United States on May 15, 2015

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