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Description
Screaming Trees: Sweet Oblivion - COMPACT DISCSTitle: Sweet Oblivion Artist: Screaming Trees Label: Hne Product Type: COMPACT DISCS UPC: 5013929921726 Genre: Rock Release Date: 2019 05 31 Number of Discs: 1 Additional Details: UNITED KINGDOM IMPORT, EXPANDED VERSION The history of the Screaming Trees goes back to 1985 when brothers Van Conner on bass and Gary Lee Conner on guitar teamed up singer Mark Lanegan in rural logging town Ellensburg, Washington State in 1985. After recording a handful of
Title: Sweet OblivionArtist: Screaming Trees
Label: Hne
Product Type: COMPACT DISCS
UPC: 5013929921726
Genre: Rock
Release Date: 2019-05-31
Number of Discs: 1
Additional Details: UNITED KINGDOM - IMPORT, EXPANDED VERSION
The history of the Screaming Trees goes back to 1985 when brothers Van Conner on bass and Gary Lee Conner on guitar teamed up singer Mark Lanegan in rural logging town Ellensburg, Washington State in 1985. After recording a handful of EPs and LPs for various US indie labels, including SST and Sub Pop, they signed to Sony imprint Epic Records for 1991's "Uncle Anaesthesia", co-produced with Soundgarden's Chris Cornell. This edition now features a number of non-album bonus tracks. 'Maybe (Van's New One)' was sung by bassist Van Conner, whilst 'E. S. K. ' is an outtake from the album sessions. Famed Seattle producer Jack Endino had previously worked with Screaming Trees on 1989's "Buzz Factory" for SST and the "Change Has Come" EP for Sub Pop before he came back on board to record an acoustic version of 'Winter Song', on which he guests on slide guitar. Prefiguring Americana, and to some degree a precursor to Mark Lanegan's solo album 'I'll Take Care Of You', their cover of Thomas A. Dorsey's '(There'll Be) Peace In the Valley (For Me)' was released a full two years before Johnny Cash's "American Recordings" comeback. Whilst their grunge-era peers hailed 70s punk and 70s metal as key influences, Screaming Trees' cover of Small Faces' 'Song of a Baker' ably demonstrates where the band's musical heart truly lay. Again produced by Jack Endino, their cover of Black Sabbath's 'Tomorrow's Dream', originally from the "Black Sabbath Vol 4" LP, rounds off this remastered 2CD collection in heavy style. As well as plenty of memorabilia and period artwork, the booklet of this 2CD edition features a 4,500 word essay based on new interviews with producer Jack Endino and Screaming Trees guitarist Gary Lee Conner, conducted for this set.
Tracks:
1.1 Shadow of the Season
1.2 Nearly Lost You
1.3 Dollar Bill
1.4 More or Less
1.5 Butterfly
1.6 For Celebrations Past
1.7 Secret Kind
1.8 Winter Song
1.9 Troubled Times
1.10 No One Knows
1.11 Julie Paradise
2.1 Maybe (Van's New One)
2.2 E.S.K
2.3 (There'll Be) Peace in the Valley (For Me)
2.4 Winter Song (Acoustic Version)
2.5 Song of a Baker
2.6 Tomorrow's Dream
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4.4 ★★★★★
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Product Reviews
★★★★★ 5
Excelente producto
Size: 11"×17" 20Sheets & 8.5"×11" 10Sheets, Color: Teflon Paper
Pensé que era un poco más grande pero es súper bueno este producto
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Reviewed in the United States on April 11, 2026
★★★★★ 5
🧵✨ Teflon Paper: The Unsung Hero of Appliqué Chaos
Size: 11"×17" 20Sheets & 8.5"×11" 10Sheets, Color: Teflon Paper
If you’re like me and enjoy assembling 37 microscopic pieces of fabric into something that hopefully resembles a dog, person, or llama in a sweater—this stuff is magic. I use it to build my appliqué masterpieces one tiny ironed layer at a time. The best part? Once your Franken-dog is assembled, you can just slide it off and fuse it to your quilt like a boss. No sticking, no scorched disasters—just smooth, glorious precision. Honestly, I love it more than I love some people.
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Reviewed in the United States on August 5, 2025
★★★★★ 5
Good
Size: 11"×17" 20Sheets & 8.5"×11" 10Sheets, Color: Teflon Paper
I am satisfied with this product.
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Reviewed in the United States on March 27, 2026
★★★★★ 5
Works as expected
Size: 11"×17" 20Sheets & 8.5"×11" 10Sheets, Color: Teflon Paper
Protected my project as expected. Excellent quality
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Reviewed in the United States on December 27, 2025
★★★★★ 5
Excellent quality and value!
Style: All-in-One Printer, Style: All-in-One Printer
I bought the Epson EcoTank 2400 yesterday and set it up today. If it continues performing this well for the next ten years, I’ll be very happy with this purchase.
I bought it to replace my old Canon MP190. The print quality on the Canon suddenly became very poor, which may honestly have been more of a cartridge issue than a printer issue, but testing that would have been expensive. On top of that, the printer was old enough that modern operating systems no longer support the scanner drivers, so I couldn’t even use the flatbed scanner anymore. At that point, replacing the whole printer made more sense. The ET-2400 is not quite as wide as the MP190 which is a nice plus.
The biggest advantage of the EcoTank line is the refillable ink tanks. Printer ink is already expensive, but traditional cartridges also include microchips and hardware that drive the cost even higher. With this printer, I can refill only the specific color I need instead of replacing an entire color cartridge because one channel ran out.
I mostly print proxies and alternate art for Magic: The Gathering, so I regularly print nearly full-page, full-color images (eight cards per page). Because of that, image quality matters a lot to me. I also wanted a working flatbed scanner so I could scan my paintings instead of photographing them.
I did not use the wireless features. Instead, I connected the printer directly to my computer with a USB cable after downloading Epson’s management software. Setup was straightforward, the software updated itself automatically after asking permission, and my computer recognized the printer immediately. It showed up in Photoshop right away with no issues.
The only thing I disliked during setup was that the registration process appears to require opting into marketing emails. I’ll unsubscribe later.
Print Quality:
Colors are bright and vibrant, blacks are deep and dark, and the images come out crisp and clean. Some reviewers mentioned getting “light gray” blacks, but I haven’t experienced that problem at all.
Scanning:
The flatbed scanner is slightly too small for a full 9x12 painting, but I expected that and don’t consider it a flaw. The scans came out vibrant, sharp, and detailed. It couldn’t fully capture the shimmer of my metallic paints, but that’s normal — I usually need angled lighting in photographs to show metallic effects accurately anyway.
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Reviewed in the United States on May 24, 2026