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RadiateBy: C. A. Higgins Series: The Lightless Trilogy In the follow up to Lightless and Supernova, C. A. Higgins fuses science fiction, suspense, and drama to tell the story of a most unlikely heroine: Ananke, once a military spacecraft, now a sentient artificial intelligence. Ananke may have the powers of a god, but she is consumed by a very human longing: to know her creators. Ananke may have the powers of a god, but she is consumed by a very human
By: C.A. Higgins | Series: The Lightless TrilogyIn the follow-up to Lightless and Supernova, C. A. Higgins fuses science fiction, suspense, and drama to tell the story of a most unlikely heroine: Ananke, once a military spacecraft, now a sentient artificial intelligence. Ananke may have the powers of a god, but she is consumed by a very human longing: to know her creators.
Ananke may have the powers of a god, but she is consumed by a very human longing: to know her creators. Now Ananke is on a quest to find companionship, understanding, and even love. She is accompanied by Althea, the engineer who created her, and whom she sees as her mother. And she is in search of her “father,” Matthew, the programmer whose code gave her the spark of life.
But Matthew is on a strange quest of his own, traveling the galaxy alongside Ivan, with whom he shares a deeply painful history. Ananke and her parents are racing toward an inevitable collision, with consequences as violent as the birth of the solar system itself—and as devastating as the discovery of love.
Praise for Radiate
“Radiate will take you to the corners of space you’ve never even dreamed of going and beyond.”—Bustle
“Gripping . . . This sci-fi universe [is] utterly believable, while metaphor and allegory enrich the characters.”—New York Daily News
“A compelling emotional tale about two people trying to save each other from a disaster of their own making.”—Kirkus Reviews
The Lightless Trilogy is “a perfect sci-fi entry point that matches a rich, character-driven story with fundamental questions about who we are and why we’re here.”—Los Angeles Times
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4.4 ★★★★★
Based on 26 reviews
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★★★★★ 5
An evocative poetic-critical reading of oppression, racism, colonialism
Format: Paperback
"I am black; I am in total fusion with the world, in sympathetic affinity with the earth, losing my id in the heart of the cosmos... I am black, not because of a curse, but because my skin has been able to capture all the cosmic effluvia. I am truly a drop of sun under the earth." (p. 27)~ Thus Fanon reaches into the experience and meaning of the black man's alienation.
This alienation strikes in an essential sense--it stems from the denial of the black man's very flesh: "The black man is attacked for his corporeality. It is his tangible personality that is lynched. It is his actual being that is dangerous..." (142). The white man, who has been obsessed with eradicating the body out of collective consciousness for millennia, now associates this abjected domain of the body with the black man, and constructs it as the essential evil Other. The white man does this because he is insecure--he does this out of hatred, a hatred that he works to cultivate, that consumes his time and energy. The white man is dehumanized. Projecting his fears onto the black man, the white man shirks his responsibility to acknowledge his guilt (83) in instrumentalizing the black man (206).
Even though this work was written over 50 years ago in a literal colony of Europe, sadly it remains only too relevant in the United States today as a condition between people that allegedly have the same legal and human rights. This is largely made possible by the many ever-so-casual-racists (who vehemently deny they are racist)--people who, for example, complain about affirmative action as unfair to them personally (nevermind history and generations of enslavement and stolen opportunities). Fanon writes, "outside university circles there is an army of fools... Granted, these fools are the product of a psychological-economic substructure. But that does not get us anywhere" (18). An education for racial tolerance from which we are sadly very far removed is necessary for moving towards a world of love.
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Reviewed in the United States on February 23, 2009
★★★★★ 5
Excellent
Format: Paperback
Glad I purchased this book for my collection. Great information. Knowledge is power.
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Reviewed in the United States on November 18, 2023
★★★★★ 4
Good book, this isn't my favorite (Wretched of the ...
Format: Kindle
Good book, this isn't my favorite (Wretched of the Earth continues to be) but it gives a good account of the effects of colonialism on people's psyche. Fanon masterfully demonstrates how violence is practiced on the minds and bodies of those on the receiving end of colonialism. He digs deep into how the ideology of whiteness as 'pure' and 'good' are, for one, deeply flawed, but more importantly, these false beliefs are incredibly damaging to humanity as a whole. Although it's a good book, I found some serious flaws with some of his arguments but I still think it was worth the read.
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Reviewed in the United States on December 21, 2015
★★★★★ 5
Black Nationalism
Format: Paperback
This is and was a great book. Even though he discussed the effects of racism in regards to his native land of Martinique we Mr. Fanon has to say still resounds in today's so-called PC world.
I do wish he had lived long enough to see Barack Obama elected President of the United States. I would have loved to hear his take on that. The only aspect I found missing from this book is his opinion on Black American ex-patriots living in France. James Baldwin, Richard Wright, Josephine Baker.... Did these African-Americans living in Paris not realize the effect of colonolism on all Africans in the Diaspora?, or were they treated as "Honorary Whites" in France. I truly wish Frantz Fanon had explored that entire subject.
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Reviewed in the United States on May 25, 2009
★★★★★ 5
loved this book
Format: Kindle
On my first read. This book is a lot to digest. I love it though and it was worth the purchase.
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Reviewed in the United States on September 26, 2024
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