SKU: 74777588694

Gretsch Guitars G5420T ELECTROMATIC CLASSIC Hollow-Body Electric Guitar (Walnut Stain)

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Description

Gretsch Guitars G5420T ELECTROMATIC CLASSIC Hollow-Body Electric Guitar (Walnut Stain)Get classic '50s & '60s inspired Gretsch sound and style with the all new Electromatic Classic Hollow Body guitars. Crafted with essential Gretsch hollow body sound, style and playability, these no nonsense guitars are your next step Gretsch. The G5420T Electromatic Classic Hollow Body Single Cut with Bigsby features a laminated maple body with vintage inspired perimeters and refined arches, as well as all new trestle block bracing to help reduce

Get classic '50s & '60s -inspired Gretsch sound and style with the all-new Electromatic® Classic Hollow Body guitars. Crafted with essential Gretsch hollow-body sound, style and playability, these no-nonsense guitars are your next-step Gretsch.

The G5420T Electromatic® Classic Hollow Body Single-Cut with Bigsby® features a laminated maple body with vintage-inspired perimeters and refined arches, as well as all-new trestle block bracing to help reduce unwanted feedback. By increasing rigidity and contact between the top and back of the body, the new trestle block design also results in the sound having a faster attack with more focus, snap, and increased sustain. Coupled with all-new FT-5E Filter'Tron™ pickups, this hollow build's voice explodes with huge full-bodied punch, classic chime and enhanced presence, clarity and note definition.

An all-new Classic "C"-shaped maple neck offers a more comfortable playing feel for improved playability and performance, and is topped with a 12"-radius laurel fingerboard.

Alive and resonant, the G5420T also features a versatile upgraded control layout including master volume with treble bleed circuit, master tone, individual pickup volume controls and three-position pickup toggle switch, oversized bound F-holes, multi-ply body binding, smaller late-'50s G6120 bound headstock, vintage-style open-back tuning machines, Graph Tech® NuBone® nut, pearloid Neo-Classic™ thumbnail inlays, secured Adjusto-Matic™ bridge and a Bigsby® B60 vibrato tailpiece.

This resplendent instrument comes in standout Airline Silver with black pickguard or in Azure Metallic, Orange Stain and Walnut Stain with silver pickguard. All models feature nickel hardware.

It's the sound of honor itself - play proud.

Specifications

General

  • Series: Electromatic®
  • Orientation: Right-Hand
  • Color: Walnut Stain

Neck

  • Headstock Binding: White
  • Neck Material: Maple
  • Neck Finish: Gloss
  • Neck Shape: Classic "C"
  • Neck Construction: Set-Neck
  • Fingerboard Radius: 12" (305 mm)
  • Fingerboard Material: Laurel
  • Position Inlays: Pearloid Neo-Classic™ Thumbnail
  • Side Dots: Black
  • Number of Frets: 22
  • String Nut: Graph Tech® NuBone™
  • Nut Width: 1.6875" (42.86 mm)
  • Nut Material: Graph Tech® NuBone™
  • Fret Size: Medium Jumbo
  • Scale Length: 24.6" (625 mm)

Body

  • Body: Laminated Maple
  • Body Finish: Gloss
  • Body Shape: Electromatic® Hollow Body
  • Body Top: Arched Laminated Maple
  • Body Binding: White with B/W/B Purfling
  • Body Back: Arched Laminated Maple
  • Body Style: Gretsch® Hollow Body Guitars
  • Body Material: Laminated Maple
  • Cutaway: Single Cutaway
  • Bracing: Trestle Block
  • Waist: 9.625" (244.48 mm)
  • Sound Hole: F-Holes, Bound

Hardware

  • Bridge: Adjusto-Matic™ with Secured Laurel Base
  • Bridge Cover/Tailpiece: Bigsby® B60
  • Bridge Mounting: Secured
  • Pickguard: Silver Plexi with Black Gretsch® and Electromatic® Logos
  • Pickup Covers: Nickel
  • Control Knobs: G-Arrow
  • Hardware Finish: Nickel
  • Tuning Machines: Vintage-Style Open-Back
  • Strings: Nickel Plated Steel (.011-.049 Gauges)
  • Strap Buttons: Gretsch® Knurled Strap Retainer Knobs

Electronics

  • Bridge Pickup: FT-5E Filter’Tron™
  • Neck Pickup: FT-5E Filter’Tron™
  • Pickup Configuration: Filter'Tron™ / Filter'Tron™
  • Controls: Volume 1. (Neck Pickup), Volume 2. (Bridge Pickup), Master Volume with Treble Bleed, Master Tone
  • Switching: 3-Position Toggle: Position 1. Bridge Pickup, Position 2. Bridge And Neck Pickups, Position 3. Neck Pickup
Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
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Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
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SKU: 74777588694

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4.3 ★★★★★
Based on 23 reviews
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Product Reviews
S
Verified Purchase
S. tamburin
Cuba, US
★★★★★ 4
Good For History Lovers
I doubt anyone who does not want to read a true historical book with a lot of facts but not as exciting as a non-fiction novel will enjoy this. I liked it because I learned a lot of things about New York that I was really surprised to read. Seems my beloved New York had a pretty bloody, violent history towards slaves and Catholics and some others the leaders and people did not like. I didn't realize the punishments of the day were just as bad, if not worse, than those of the Salem Witch hunt days. Beware, some of the content may turn your stomach.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 17, 2014
R
Verified Purchase
Rocco Dormarunno
Los Angeles, US
★★★★★ 5
Search for Scapegoats
Format: Hardcover
Jill Lepore's "New York Burning: Liberty, Slavery, and Conspiracy in Eighteenth-Century Manhattan" is a valuable and admirable examination of one of the darkest episodes in New York's history: the so-called slave rebellion of 1741 and the brutal vengeance that was extracted. Professor Lepore's painstaking research confronts the reader with a terrible conclusion: even the most respectable of people in society will consent to the deaths of human beings, based on even the tiniest shreds of evidence. Focusing primarily on the actions of Daniel Horsmanden, the City's Recorder, Lepore provides the reader with a background on the attitudes of New York's whites toward their slaves. She makes clear that Gotham was neither the first nor only city to have witnessed slave uprisings. (It had suffered a similar uprising a couple of decades earlier.) But the events of 1741 were unique for several reasons: --the shifting finger-pointing at various groups; --the inconsistency of Mary Burton's testimony, which essentially was the case against several slaves;and --Horsmanden's bizarre behavior toward Mary Burton. Admittedly, I've only superficially studied this dark time in New York's history, so I was shocked to learn that there were actually several "conspiracies": the Negro Plot, Hughson's Plot, the Spanish Plot, the Roman Plot, etc. Each plot was hatched depending on who confessed to what. Worst of all, the white population of New York--fueled by racism, xenophobia, paranoia, and, not the least of all, bloodlust--went right along with it. And, with the exception of an intriguing anonymous letter from Massachussetts, it seems the rest of the colonies went along with it, too. While Horsmanden is just short of villified in this book, he is not alone in his culpability. Professor Lapore's "New York Burning" will disturb many readers. The accounts of the slaves and the few whites burning, hanging, begging, and praying are graphic and heartbreaking. Still, this in an incredibly important book for anyone interested in the history of our nation and/or the all-too-tragic fragility of race relations in America. For this, Professor Lapore deserves our appreciation
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Reviewed in the United States on June 8, 2006
R
Verified Purchase
Reckless Reader
Chelsea, US
★★★★★ 5
Spectacular Albeit Unknown History of Race Relations
Format: Hardcover
This is a great piece of historiography about something few know about at all --- slavery in New York City in the 18th century. How about a slave "rebellion" in New York City, how about more people burned at the stake than in the Salem witchcraft trials, how about dark byways and highways of old New York, barely transformed from its days as New Amsterdam, dark plots in dank places, shrill frightened tyrants overreacting with bloody retribution, burned ruins of an early African American village in Central Park? One cannot make up this stuff, it is too real so it must be history at its best. And written by one of our premier authors of history, a woman who makes our history live in The New Yorker to the acclaim of many, and yet whose best book, this one, is still too little known. If you appreciate Harry Truman's remark that the only new thing under the Sun is the history you haven't read, then this is one to curl up with and marvel at; a great way to spend a rainy day or a dark night.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 22, 2010
M
Verified Purchase
Michael Pointer
Los Angeles, US
★★★★★ 4
Good, but not great.
Format: Paperback
Kudos to Lepore for delving into an important, little known subject, which she does better than most historians. At times, however, I think she felt the need to put every little piece of information she got into the book. It was way too long. Some good research, but she has done better. Still, worth checking out. I like to think I know American history, but I know nothing about this awful chapter.
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Reviewed in the United States on April 1, 2019
J
Verified Purchase
John Warren
Alexandria, US
★★★★★ 5
DAMN, this is a great book!
Format: Hardcover
All history books should be this detailed, this readable, this humane. Lepore knows how to write about a horrible, nearly forgotten episode in NYC history. Unlike many historians, she steps away from overt politics or raw emotion. She knows that this subject is too serious to be shouted. It is the rare history book that is packed with facts as well as knowledge. I felt like Lepore was taking my hand and leading me through the smelly streets of lower Manhattan in 1741, like I could almost see the faces of...what were they, anyway? The victims of a horrible hoax? The demented planners of a plot to burn the city? Or something in between, where thieves can also be the keepers of ancient rites from a distant homeland, where the world is turned upside down? I could go on and on, but just buy the book!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 20, 2008

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