SKU: 86642487198

Presonus QUANTUM ES2 Recording Interface

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Description

Presonus QUANTUM ES2 Recording InterfaceThe Culmination Of 30 Years Of InnovationOur custom low latency driver provides exceptionally low audio latencies when recording, and high performance converters complete the front end to ensure that you sound your best throughout your entire signal chain. All New MAX HD Mic PreampsThe Quantum ES 2 features two newly designed mic preamps with +75 dB of gain. The culmination of 30 years of innovation, MAX HD preamps are transparent, low noise, and

The Culmination Of 30 Years Of Innovation
Our custom low-latency driver provides exceptionally low audio latencies when recording, and high-performance converters complete the front end to ensure that you
sound your best throughout your entire signal chain.

All-New MAX-HD Mic Preamps
The Quantum ES 2 features two newly designed mic preamps with  +75 dB of gain. The culmination of 30 years of innovation, MAX-HD preamps are transparent, low-noise, and digitally-controlled analog, making them ideally suited to today’s most popular microphones.

Co-Developed With Fender®
Built by the best ears in the business, guitarists and bassists will love the instrument input co-developed with Fender engineers – industry experts who designed them specifically for guitar and bass.

Professional Recording Software Included
Leap into 6 months of Studio One+ with access to Studio One Professional Edition, add-ons, and more.

Auto Gain
An Auto Gain button sets the perfect gain level for your microphones and instruments, so you get the perfect take every time.

Universal Control App
Quantum works on any mobile or desktop device, so you’re ready to record whenever inspiration strikes – whether on your phone, tablet, or in your home studio. Critical preamp functions like preamp gain, phantom power, and more can be controlled
with the Quantum ES 2’s top panel, or right from Studio One and the Universal Control app, so you can dial in the perfect gain staging without looking away from your recording session

Features

  • 2 x 2, 24-bit / 192 kHz USB-C Audio Interface
  • High-performance converters let you hear and capture audio with stunning clarity and fidelity.
  • Custom low-latency driver provides exceptionally low audio latencies when recording.
  • All-new, next-generation PreSonus MAX-HD preamp provides transparency and accuracy across the frequency range with +75 dB of gain to maximize the performance for a wide range of today’s most popular microphones for modern recording and broadcast.
  • Auto Gain button sets the perfect gain level for your microphones and instruments, so you get the perfect take every time.
  • Critical preamp functions like preamp gain, phantom power, and more can be controlled right from Studio One or the Universal Control app, in addition to hardware, so you can dial in the perfect gain staging without looking away from your recording session.
  • Bright and responsive LED metering lets you keep an eye on your input and output meters, perfect when recording alone.
  • 2 balanced ¼-inch TRS main outputs and high-power headphone output for flexible monitoring.
  • Loopback audio makes creating monitor and streaming mixes quick and easy.

Specifications

Inputs and Outputs

  • Microphone Inputs 2
  • Guitar Inputs 1
  • Line Inputs 2
  • Line Outputs (DC coupled) 2
  • Headphone Outputs 1
  • USB-C ports 1
  • Aux power ports 1
  • AD / DA Conversion
  • Supported Sample Rates 44.1, 48, 88.2, 96, 176.4, 192
  • Bit Depth 24

Analog I/O

  • Inputs
  • Microphone (CH 1 - 2)
  • Connector Type 2x Combo-style, XLR / TRS
  • Max Input +14 dBu (balanced, minimum gain)
  • Gain Range 0 dB to +75 dB
  • Frequency Response 20 Hz to 20 kHz, +/- 0.2 dB
  • (unity gain, reference 1 kHz)
  • Dynamic Range 113 dB (A-weighted, minimum gain)
  • THD+ N 0.001% (1 kHz, minimum gain)
  • EIN -129 dBu (max gain, 150 Ohms,
  • 22 kHz BW, A-weighted)
  • Input Impedance 1600 Ohms
  • Line In (CH 1 - 2)
  • Connector Type 2x Combo-style, XLR / TRS
  • Max input level +15 dBu (balanced, minimum gain)
  • Frequency Response 20 Hz to 20 kHz, +/- 0.1 dB
  • (unity gain, reference 1 kHz)
  • Dynamic Range 114 dB (A-weighted, minimum gain)
  • THD + N 0.001% (1 kHz, minimum gain)
  • Input Impedance 10K Ohms
  • Digital Trim -10 to +10 dB
  • Instrument In (Ch 1)
  • Connector Type 1 x ¼-inch Female
  • Gain Range -7 dB to +68 dB
  • Max input level +15 dBu (unbalanced, minimum gain)
  • Frequency Response 20 Hz to 20 kHz, +/- 0.2 dB
  • (unity gain, reference 1 kHz)
  • Dynamic Range 111 dB (A-weighted, minimum gain)
  • THD + N 0.002% (1 kHz, minimum gain)
  • Input Impedance 1M Ohms
  • Outputs
  • Main Out (CH 1 - 2)
  • Connector Type 2x ¼-inch Female, TRS
  • Max Output Level +15 dBu (Balanced)
  • Frequency Response 20 Hz to 20 kHz, +/- 0.1 dB
  • (unity gain, reference 1 kHz)
  • Dynamic Range 117 dB (A-weighted)
  • THD + N 0.001% (1 kHz, +4 dBu)
  • Output Impedance 51 Ohms
  • Trim Range -inf dB to 0 dB
  • Headphone Out
  • Connector Type 1x ¼-inch Female, TRS Stereo
  • Max Output Level 7.5 dBu (50 Ohms)
  • Frequency Response 20 Hz to 20 kHz, +/- 0.2 dB
  • (unity gain, reference 1 kHz)
  • Dynamic Range 111 dB (A-weighted)
  • THD + N 0.02% (1 kHz)
  • Output Impedance 22 Ohms
  • Trim Range -inf dB to 0 dB

Electrical

  • Aux Power DC Connector USB-C (USB-C to USB-C cable
  • required, not included)
  • Aux Power DC Requirements 5VDC, 1.8A

Mechanical

  • Product Dimensions
  • Length 6.9’’ (175 mm)
  • Width 6.2’’ (157 mm)
  • Height 1.9’’ (48 mm)
  • Weight 1.5 lb (0.68 kg
Shipping Notes
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Exchange/Return Notes
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  • Final sale items are not eligible for returns or exchanges.
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SKU: 86642487198

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4.6 ★★★★★
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Product Reviews
J
Verified Purchase
James Secora
Lowell, US
★★★★★ 5
A readable set of reflections on Faith, Hope, and Charity
Format: Hardcover
Cardinal Raniero Cantalamessa offers a series of wonderful theological and spiritual insights into the three theological virtues of Faith, Hope, and Charity. Taking presentations on each of the virtues, the Cardinal edited each into smaller units, each three to four pages in length. This makes for easy reading (one could take a selection a day) for "lectio divina". His treatment of "Justification by Faith" puts what has been a "thorn of contention" into easily understood terms that can open itself to ecumenical dialog with other Christian denominations for whom this has been a point of misunderstanding of the Catholic position.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on October 18, 2024
E
Erik D. Curren
Lowell, US
★★★★★ 5
We can all be wise men bearing gifts to Jesus
Format: Hardcover
Faith, hope, and charity are not just virtues that we can develop to bring ourselves closer to God and our fellow person but they are also gifts that we can bring to God, writes this household preacher to two Popes. Cardinal Cantalamessa writes on serious topics with an accessible and joyful style that welcomes the reader to see him or herself as one of the Magi bringing precious and deeply meaningful gifts to Christ.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 14, 2024
R
Rocco
Massapequa, US
★★★★★ 5
Cardinal Cantalamessa is a Saint!
Format: Hardcover
This book has the wisdom of the fathers infused with the gentle Grace of the Holy Spirit, written for modern day Christian readers.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 20, 2024
J
jpmath
Phoenix, US
★★★★★ 4
Beautiful and profound, albeit flawed
Format: Hardcover
What I'd really like to rate this is 4 1/2 stars, because it isn't perfect, but it's better than a 4. I just can't bear to give it a 5, for reasons described below. The book has three main parts, each named for a theological virtue of the title. Altogether there are 40 chapters: 14 dedicated to faith, 10 to hope, and 16 to charity. A couple of "Bonus" chapters called "Excursus" take up some interesting theological questions that are related but don't quite fall under any one topic: did Jesus possess the theological virtues? and From God as Love to the Filioque. The book is deeply learned and cites theologians through the centuries, including a few I'd never heard of despite a lot of formal and informal theological study. Of course you meet the usual suspects such as Origen, pseudo-Dionysius, Augustine, Thomas Aquinas, Catherine of Siena, John of the Cross, Mother Teresa, and others; but: have YOU heard of St. Zeno of Verona before? If not, you're in for a treat! The text has more of an Augustinian flavor than a Scholastic one. (I should qualify that claim by admitting that I am at best an armchair theologian, so don't quote me on that.) But, for example: Chapter 39 discusses Beauty, uses the idea of God's eternal Beauty to explain the Trinity, and concludes with St. Augustine's "recipe" for becoming beautiful. Indeed, an in-depth discussion of the Trinity doesn't appear at all until Part 3 on Charity, rather than in the chapter on Faith! An important distinction that Fr. Cantalamessa draws is between "objective" aspects of a theological virtue and the "subjective" aspects of the same. The "objective" aspects refer to the object of the virtue, such as God Himself; the "subjective" aspects refer to how we experience them. He points out that, historically, the "objective" view tended to predominate in theological discussion, whereas the "subjective" view tends to dominate more recently, almost to the exclusion of the objective. It will probably not surprise the reader that Fr. Cantalamessa, former Preacher to the Papal Hosuehold, comes down squarely in the Catholic approach of "both/and", and he elaborates on this. A very appealing aspect of this book is the occasional use of parable and analogy to explain difficult subjects: a parable on trying to justify ourselves by our works (Ch. 7), analogies for "the hint that God exists" (ch. 5), the analogy of the seed (ch. 14), an analogy that hope needs difficulties and tribulations (ch. 22), the Trinity (ch. 29), God's love for us is erotic (ch. 34), and how we might hope that even Nietzsche can be saved (ch. 37). Many analogies, though not all, are drawn from ordinary family life: a mother's love for a child, a child's temper tantrum before collapsing in tears on a parent. These are powerful and effective. Unfortunately, I can't rate it 5 stars, because the text seems to consider its audience to be the average educated lay Catholic, but there are two serious weaknesses both for the theological newbie and even for the theological adolescent. One is the use of many unfamiliar terms, some of them merely transliterated from Greek, and no definition given anywhere -- often, not even a hint of what the word may mean. In some cases this can make it difficult to follow the discussion. For instance, the text dedicates two entire chapters to the question of justification, which makes sense given that it's an important topic in the realm of faith, and it's important to take it seriously. But the book never once provides a definition, which suggests the reader should be familiar with the term already. I guarantee you most people don't know what the word means. But even if you think that a definition of "justification" will indeed come tripping off the average reader's tongue, I challenge you to make a case for terms like ontological, parousia, and parenesis. I've been reading Catholic theology for 30 years and parenesis is a new one even to me. Sure, the reader might could look them up, and I'm glad to expand my vocabulary, but who's the audience here? If the text is meant only for seminarians, then never mind, but given how Word on Fire is marketing this I really don't think that is the case. The second major weakness is all the more disappointing, as it is so common to contemporary works of theology: when newer developments seem to contradict past dogma or even Scripture itself, pretend the dogma and Scripture doesn't exist. This happens at least twice: 1) Surely Fr. Cantalamessa is not unaware that Scripture both Old and New is replete with references to Christ "ransoming" us from God's wrath. Yet there he is in Chapter 31, not merely acting as if it doesn't exist, but contemptuously dismissive of the notion! Grant the Scholastics this much: at least they took Matthew 20.28, Romans 1.18, Romans 2.5-8, 1 Timothy 2.6, 1 Peter 1.18-19, and Revelation 19.15 seriously enough to wrestle with them. 2) Similarly, the Council of Florence made certain pronouncements on "those existing outside the Catholic Church" and "the souls of those who depart this life in actual mortal sin, or in original sin alone." Chapter 14 acts as if they do not exist. I do not for a moment mean to advocate for the "glass half-empty" interpretation of these pronouncements that predominated theological discourse for centuries, let alone for Feeneyism, but we ignore them at our peril, if only because ignoring them leaves a great big breach in the apologetic wall that will come under assault both from those who do reject the Second Vatican Council and from hostile Protestants more knowledgeable of Catholic theological history than the average Catholic and, one half-wonders, the average Catholic theologian. Those drawbacks, while severe enough in my eyes to warrant mention and deduct a star, do not for a moment take away from the beauty and profundity of the rest of this work. I am very glad to have had the chance to read it; it has challenged me both intellectually and spiritually, and I have given it to my (late teenage) children to read and discuss with me. It is absolutely worth reading, and you WILL get a lot out of it. Just be ready for the challenge.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 25, 2025
S
Verified Purchase
shelly turco
West Palm Beach, US
★★★★★ 5
OPEN YOUR EYES
Format: Paperback
Great book! Open your eyes sheep..... there is much more to this world that we know of. Authority figures have lied to us long enough..... do your own research. This book is a great example of what we were not taught in school! Well written.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 14, 2021

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