SKU: 90170482165

Middle Atlantic GRK Series Rack,52 RU, 42"D

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Description

Middle Atlantic GRK Series Rack,52 RU, 42"DDiscover the GRK Series Rack from Middle Atlantica welded, gangable rack designed for high density cable installations and flexible lacing options. This 52U, 42 inch deep enclosure is engineered to maximize space efficiency without compromising accessibility, making it ideal for control rooms, broadcast facilities, data centers, and sophisticated AV setups. With a narrow multi bay footprint, the GRK Series delivers robust construction, precision

Discover the GRK Series Rack from Middle Atlantic—a welded, gangable rack designed for high-density cable installations and flexible lacing options. This 52U, 42-inch-deep enclosure is engineered to maximize space efficiency without compromising accessibility, making it ideal for control rooms, broadcast facilities, data centers, and sophisticated AV setups. With a narrow multi-bay footprint, the GRK Series delivers robust construction, precision engineering, and versatile cable management to support demanding environments where reliability and organization matter most.

  • Rugged welded steel construction built to endure daily use and long-term reliability in demanding environments.
  • Generous 52 rack units (RU) of vertical space with a 42" depth to accommodate a wide range of equipment, cables, and accessories.
  • Narrow, multi-bay design that can be configured into gangable sections for scalable installations in tight spaces.
  • Flexible cable management options, including horizontal or vertical lacing, to keep high-density video and data bundles neat and accessible.
  • Solid frame top and bottom for added rigidity and structural integrity, helping protect valuable gear and maintain alignment over time.

The GRK Series rack is purpose-built for environments where space is at a premium but performance cannot be compromised. Its welded construction ensures a robust frame that resists flex and deformation, which is crucial when mounting heavy equipment or storing long, densely packed cable bundles. The 52U capacity provides ample room for racks of servers, video processing gear, audio consoles, switch matrices, and a broad range of 19-inch rack-mount devices. At the same time, the 42" depth accommodates deep equipment profiles and longer cable runs, reducing bend radii and improving airflow management without crowding adjacent units. This combination of depth and height makes the GRK Series a practical solution for multi-bay installations where every inch counts.

One of the standout advantages of the GRK Series is its gangable design. When your installation calls for multiple bays, you can combine several GRK racks to create a customized, multi-bay configuration that fits your floor plan and cable routing needs. This flexibility is particularly valuable in broadcast and AV facilities where equipment layouts evolve over time. The ability to gang racks keeps the installation modular, scalable, and easier to expand as your needs grow, all while maintaining a consistent, clean, professional appearance.

Cable management is a central focus of the GRK Series. The rack is optimized for high-density video cable bundles, a common challenge in modern control rooms and data centers. Operators can choose horizontal or vertical lacing to suit the layout and workflow preferences, enabling tidy cable runs, simplified maintenance, and improved airflow. Proper cable management lowers the risk of signal interference, reduces wear on connectors, and makes routine maintenance tasks faster and safer.

In addition to its functional advantages, the GRK Series emphasizes durability and stability. The solid top and bottom rails contribute to a rigid chassis that resists sagging under load, a critical feature when mounting heavy analog, digital, or hybrid equipment. This stable foundation helps preserve rack alignment, protects mounted gear from incidental impacts, and supports long-term performance in environments where equipment is repeatedly installed, removed, or re-racked. The result is a dependable, professional-grade rack that maintains its integrity even in busy, high-demand spaces.

With its balanced combination of capacity, depth, robust construction, and flexible cable management, the Middle Atlantic GRK Series Rack is well-suited for a broad spectrum of applications. Whether you’re outfitting a compact control room, expanding a broadband distribution center, or designing a studio-grade AV installation, the GRK Series provides a reliable backbone for your equipment, cables, and future growth. Its scalable, modular approach aligns with best practices in modern rack design, emphasizing organization, ease of access, and serviceability—key factors that save time and reduce operating costs over the life of the installation.

Beyond raw specifications, the GRK Series is a smart long-term investment. Its welded, gangable frame supports customization and expansion without requiring a complete replacement as your system evolves. The combination of 52U capacity and 42" depth delivers practical versatility for a wide range of gear footprints, from compact servers to multi-row switch assemblies. In environments that demand both density and reliability, the GRK Series stands out as a dependable, future-ready solution.

Technical Details of Middle Atlantic GRK Series Rack, 52 RU, 42" D

  • Rack Units: 52 RU
  • Depth: 42 inches
  • Construction: Welded steel with solid top and bottom rails
  • Configuration: Narrow, multi-bay, gangable rack system
  • Cable Management: Optimized for high-density video bundles with horizontal or vertical lacing options

how to install Middle Atlantic GRK Series Rack, 52 RU, 42" D

  • Inspect the rack and contents upon delivery to verify no components are damaged and all hardware is present.
  • Choose a level, sturdy mounting location with adequate floor support for 52U of weight and airflow.
  • Assemble any required gangable bays in your planned configuration, ensuring alignment with standard 19-inch equipment footprints.
  • Position the rack frame in place and secure it to the floor or feet as appropriate, using the provided mounting hardware and following manufacturer guidelines for weight distribution.
  • Install equipment, route cables with your preferred horizontal or vertical lacing method, and verify that all devices are securely mounted and accessible for future maintenance.
  • Test system operation, check cable management paths for clearance, and adjust as needed to optimize airflow and ease of serviceability.

Frequently asked questions

  • What is the GRK Series best suited for? It is designed for high-density cable environments requiring a narrow, multi-bay, gangable rack with robust construction and flexible lacing options, making it ideal for broadcast, AV control rooms, and data-center-style installations.
  • Can multiple GRK racks be joined to create a larger installation? Yes. The GRK design supports gangable configurations, enabling scalable, modular growth without sacrificing alignment or stability.
  • What cable management options are available? The rack supports horizontal and vertical lacing to accommodate dense video and data bundles, promoting tidy cable runs and easier maintenance.
  • What depth is the GRK rack? The GRK Series is 42 inches deep, providing ample space for deep equipment and longer cable runs while maintaining accessible service and airflow.
  • Is the GRK rack compatible with standard 19-inch equipment? Yes. The design adheres to standard 19-inch rack dimensions to accommodate a wide range of rack-mount devices and accessories.
Shipping Notes
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Exchange/Return Notes
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  • Final sale items are not eligible for returns or exchanges.
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SKU: 90170482165

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4.7 ★★★★★
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Product Reviews
I
Verified Purchase
I.T.
Boise, US
★★★★★ 3
Not the best, but not the worst either
Format: Hardcover
By any means not the funniest book in the series, only the one on Krusty the Clown was more un-funny; but still a worthy addition to your collection and, just like all the others from the series providing a retrospective of anecdotes you might have forgotten.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 22, 2012
P
Verified Purchase
Pen Name
Battle Creek, US
★★★★★ 1
One Star
Format: Hardcover
The book I received had 3 pages cut out of it.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on August 17, 2014
G
Ghost Mutt
Phoenix, US
★★★★★ 2
Not that great
Huge "The Simpsons" fan. I watched all the episodes and read a lot of the comics and enjoy most. This one however was quite boring. Turns out I'm just not a big fan of Chief Wiggum. I really enjoyed The "Homer" and "Bart" book. But not this one. Maybe if you love Wiggum you'll love it. If you're not too fond of him then I wouldn't buy it.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 28, 2013
J
Justine
Lake Worth, US
★★★★★ 3
Good for my collection.
Format: Hardcover
This was another quick and entertaining read. This instalment wasn't as enjoyable as some of the other books but it was still good. I'm glad to have it in my collection.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 27, 2014
V
Verified Purchase
Vance
Birmingham, US
★★★★★ 5
Alan Moore Does it Right, and Bolland Art Revision is Amazing
Format: Hardcover
The Killing Joke was a comic spawned shortly after the work of Frank Miller, and is probably the comic that established The Joker as one of the most important fictional villains of the 20th century. Batman had become a well thought out, complex character in recent years, primarily due to the work of skilled writer Frank Miller. Batman had been brought into a gritty, modern world of comic books, but I always felt that Miller's The Dark Knight Returns failed to bring the antagonistic Joker into a new light...well it did, but not in the way the character was meant to be. Alan Moore, with the help of Brian Bolland's stunning artwork helped bring to life what is widely accepted as today's standard for the famous Harlequin of Hate. He's crazy, he kills people simply for his own twisted sense of humor, but always has a very zany, cartoonish attitude, which I felt was lacking in Miller's interpretation, where Joker seemed much too serious in appearance, dialogue, and action. The Joker presented in this graphic novel truly is a fiendish jester of fate, who for the most part is truly frightening, but never really acts like anything more than a loon. Bolland's art is very helpful in this aspect, not only bringing the Joker's exaggerated, skeletal body to life, but making it perhaps the most anatomically correct Joker ever seen, while still following the style of the 1970s Joker appearances. The story revolves around the long struggle between Batman and his foe, and their never ending conflict. Joker, having escaped from Arkham Asylum (again), has decided to prove that one bad day can transform any sane man into a monster, such as himself. Taking possession of an old carnival he's ready to do whatever it takes to prove his point, with the assistance of a circus freak show. Meanwhile The Dark Knight questions himself on how this fight will end; coming to the realization that sooner or later one of them would kill the other, unless they tried to reason it out. A hopeless plan by our hero, but he has to at least try a single time to reason with his arch-nemesis, just so he can say he tried. While Batman leads the hunt for the psychotic clown, Joker decides to prove his theory, kidnapping Commissioner Gordon, and shooting Barbara Gordon (Batgirl) through the spine (she never walks again). This is one of the most villainous acts in the history of comics; simply because of how pointless the shooting was, considering Barbara wasn't even in the character of Batgirl. She was just a bystander who Joker decided to use as a tool for his plot. Everyone is a puppet, or tool in his mind. He does this act all of this while wearing a stereotypical beach-going tourist's attire, complete with a large camera, the only exception being his wide-brimmed, purple hat, which conceal his eyes. These are the eyes of a madman, and in one of the comic's final pages his eyes are concealed in shadow once again, before they come out and you see him for the hopeless case he truly is. The story sets the stage for the most widely accepted Joker back-story through a series of flashbacks, showing him as a failed comedian with a pregnant wife, and soon winds up assisting criminals, and falling victim to tragedy. The character is shown to have had one bad day and that is how he ended up as the smiling super villain who has plagued Gotham City for decades. Of course this back-story isn't necessarily true, being that it comes from flashbacks spawned from Joker's mind, and as he famously states in his confrontation with Batman "If I'm going to have a past, I prefer it to be multiple choice!" Gordon's capture and torture leads to a fight between these two iconic characters, where Batman tries to see if it is possible to reason with Joker logically, but the villain doesn't even try to lie about what is obviously in store for them. He can never be reasoned with, and won't stop until he's dead, and Batman refuses to kill him so it's a sick cycle that goes round and round. In the end of The Killing Joke the roller coaster has only been reset and it will only be a matter of time before Joker is back on the streets, killing again with some new, random scheme which will only make sense to him alone, depending on the mood he's in at the time, or which version of his past he remembers. Alan Moore's story is sick, it's disturbing, and doesn't fail to leave the reader in a state of awe. The only problem is that by the end you crave for more! The story practically brings you to the point of begging for a sequel, or expansion which will probably never come. This is a one-shot story, and should remain that way, or else the original's impact may be lost. I don't have a single friend who doesn't think The Killing Joke is one of the most twisted, sick, most perfect stories of the comic medium. It's short, but it delivers a powerful punch! Brian Bolland's art makes this short graphic novel a masterpiece, providing some of the best art ever seen in the characters' long history, only rivaled (in my opinion) by the art of Alex Ross. Joker really is frightening to look at here, because he doesn't look like a real person in most aspects, but Bolland manages to make this character incredibly believable in appearance, without taking any liberties of changing the body type into something more universal. The tall, skeletal body of the 1970s comics is preserved for the most part, except for the narrowing of the chin, which improves the look even further (hence why it's universally used in today's comics). Recently I got the hardcover anniversary edition of The Killing Joke, with the artwork being edited by Brian Bolland, and re-colored by Bolland personally the way he intended it to be seen. I must say that I love the changes to the colors, more so than the cheery, bright colors of the original, which I felt distracted from Bolland's line-art, because the colors were way too traditional comic book, not fitting the intensity of the art. These colors are dark, gritty, and really captures to mood of the story more effectively than the bright colors of the original release. I especially love the flashbacks being in black and white, except for concentrating on objects that reflect the color red, which leads up to him taking on the garb of The Red Hood, before his first confrontation, leading to his ultimate disfigurement and insanity. This is a seriously talented artist and I only wish he was presented with more opportunities to draw these characters. Batman and Joker look their very best in these images, and I'd be hard pressed to find a comic with better consistency of art quality. The Killing Joke is one, if not THE best story in the history of Batman comics, and rightfully earns my rating of 10/10 stars.
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Reviewed in the United States on November 11, 2008

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