SKU: 13488986147

Presonus ERIS E5 BT Active Media Reference Monitors with Bluetooth

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Description

Presonus ERIS E5 BT Active Media Reference Monitors with BluetoothThe Presonus ERIS E5 BT Active Media Reference Monitors with Bluetooth offer all the volume you want without ever sacrificing tonal balance or sonic clarity. Add Bluetooth 5. 0 wireless technology and both balanced and unbalanced inputs, and youve got a remarkably versatile set of speakers, great for both music fans and creators and everyone in between. Sonic honesty; studio quality: Thanks in part to woven glass composite woofers, silk dome tweeters,

The Presonus ERIS E5 BT Active Media Reference Monitors with Bluetooth offer all the volume you want without ever sacrificing tonal balance or sonic clarity. Add Bluetooth 5.0 wireless technology and both balanced and unbalanced inputs, and you’ve got a remarkably versatile set of speakers, great for both music fans and creators and everyone in-between.

Sonic honesty; studio quality:

Thanks in part to woven-glass composite woofers, silk-dome tweeters, and a smooth, balanced sound, the award-winning Eris studio monitors are used by professional hit-making audio engineers the world over.

Eris E5 BTs are built using the same technologies as our professional studio monitors, so unlike other home audio speakers that hype the bass frequency at the expense of others, Eris speakers provide an even response throughout the frequency range from bass to treble. This means you’ll hear your favorite music exactly as artists and engineers intend it to be heard. High and Low Acoustic Tuning controls let you dial in the E5 BTs precisely to your environment to further ensure the best sound possible.

Connect to nearly anything:

Eris E5 BT offers versatile connectivity, so it’s easy to connect to your audio interface, gaming system, computer, or Bluetooth-compatible media player. You get ¼” TRS balanced inputs and unbalanced RCA inputs plus Bluetooth technology for wireless input. A front-mounted headphone jack allows for listening in private, and an Aux In connection lets you connect your non-Bluetooth audio devices. Unique to the Eris line, the E5 BT offers a ¼-inch TRS Sub Out for adding a subwoofer; we recommend the Eris Sub8.

Accuracy defined:

Like all PreSonus media reference monitors, the Eris E5 BT offers consistent, accurate listening. Their stylish design makes them a welcome addition to living rooms, compact home theater setups, or gaming rigs, and their smooth and even frequency response ensures that your music and everyone else’s will sound incredible.

Product Specification:  

LF Driver Size: 5.25" Woofer

LF Driver Type: Woven-composite

HF Driver Size: 1" Tweeter

HF Driver Type: Silk dome

Total Power: 100W Class D

Frequency Response: 53Hz-22kHz

Crossover Frequency: 6.7kHz

Maximum Peak SPL: 112dB SPL

Input Types: 1 x Dual RCA Stereo, 2 x 1/4" TS, 1 x 1/8" TRS

Output Types: 1 x 1/8" TRS, 1 x 1/4" (sub), 1 x Spring-clamp (to left speaker)

Bluetooth: v5.0

Software: Studio One Prime, Studio Magic

Enclosure Type: Rear Ported

Enclosure Material: Vinyl-laminated, medium-density fiberboard

Package Weight: 18.725 lb

Box Dimensions (LxWxH): 21.1 x 15.3 x 11.2"

Shipping Notes
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Exchange/Return Notes
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SKU: 13488986147

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4.6 ★★★★★
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Lovechunk
Birmingham, US
★★★★★ 5
The Best Gift Ever!
Denomination: 0, Design Name: You're the best. (Animated)
Easy Peasy! Who doesn't like to get an Amazon eGift Card!
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Reviewed in the United States on May 17, 2026
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Tim M.
Port Orchard, US
★★★★★ 5
Great gift idea!
Denomination: 0, Design Name: You're the best. (Animated)
Always a great gift for anyone and easy to purchase and redeem.
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Reviewed in the United States on May 12, 2026
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Madison
Whiting, US
★★★★★ 5
Quick delivery, Naturally a great and easy gift.
Denomination: 0, Design Name: You're the best. (Animated)
Always a great way to say thank you.
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Reviewed in the United States on June 6, 2026
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Daniel Myers
Louisville, US
★★★★★ 5
A Foundling's Felicity
This book or novel or whatever you may deem fit to call it has so many points in its favour that it's difficult to know where to begin. I think a rundown of a few of the myriad of characters that delight me personally might do for starters: Tom Jones - A young fellow with many "imperfections" if so they may be called, but a robust fellow with a "good heart." Prudence and what is commonly called virtue are not his strong suit - But may I remind the reader that virtue comes from the Latin word for "manliness"- Tom is certainly possessed of the word's etymological origins, if not of its modern usage (particularly in amorous matters)--And a good thing too, or we should have no story here to delight us! Squire Western- Another rambunctious character, who, for me, typifies all that is Eighteenth Century England. Every time he appeared in this book, whether it was to comment on wenching, wine, or riding to hounds a smirk would immediately cross my face followed invariably by chuckling by the end of the chapter. Henry Fielding - The author plays as much a part of the book as any of the characters with many prologues and prefaces and etc. For these, and for much of the rest of the book, I might add, the reader who has not had four years of Latin inculcated into him at an English boarding school would do well to buy the Oxford edition, which fully explains all the learned quotes - Also, as one who was thus inculcated but is inclined to laziness, the Oxford edition's notes prove extremely helpful also. Fielding also gives us a lively picture of the literary life of his time, which the Oxford footnotes do a deft job of explaining- In short, buy the Oxford edition. This review can not be comprehensive. There are simply too many characters to even make a go at encompassing them all. I'm merely describing some of the, to me, more delightful ones. The book as a whole is simply a joy to read, in its comic descriptions of all who will deign to admit that they are human, and of some priggish sorts who will not so deign. I can put it no better than Fielding Himself at the beginning of Book XV: "There are a set of religious, or rather moral writers, who teach that virtue is the certain road to happiness, and vice to misery, in this world. A very wholesome and comfortable doctrine, and to which we have but one objection, namely, that is not true." In short, this is a delightful ramble of a book which, while entertaining the reader not too attached to Sunday School, sheds light on how unvirtuous the virtuous can be, and how kind and good-natured the roguish can be as well as giving us as good a history lesson on the state of affairs in Eighteenth century England (with attention given to the Jacobite Rebellion etc.) as many a "proper" history does. Who, I ask myself, would not delight in this book? ---Well...for the priggish, there's always Jane Austen.
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Reviewed in the United States on January 24, 2007
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Alexander Kobulnicky
Louisville, US
★★★★★ 4
The Sidekick in Early-Modern Literature.
Tom Jones is probably the most influential novel in English history, pioneering elements like complex characterization, social criticism and authorial interjection. But you already knew that. What you want to know is, is this a good book for us in the 21st century. And here, it's not so clear. The dialogue is pretty brisk, and some of the exchanges (the stereotypical Whig Mrs. Western arguing with her Jacobite brother is a particular treat) are actually funny. The latter part of the novel evolves into a farce, with a dozen characters engaged in scheming against one another, while Tom and Sophia helplessly go along. Farce works better in drama, where it has a faster pace, but it's always a welcome mode of comedy. You don't see enough farces. Some of the characters are evocative (why do I picture Blifil as looking like Ted Cruz?) but some are not: Dowling is just a lawyer, and Mrs. Miller is a good woman, like thousands who have come since, and that's all there is to it. It's not as if every character needs to, or can, be a fully realized person, but the parts of the novel spent with these human plot devices do feel mechanical. But Mr. Partridge, Tom's traveling companion, is in a different category altogether, and he just poisons the parts of the novel that he features in (chiefly the middle third). Eighteenth Century literature has a depressing reliance on goofy loose-lipped sidekicks: Mr. Partridge, Hugh Strap, Humphrey Clinker, Andrew Fairservice, Friday. Sometimes they're servants, but sometimes they're just stupid friends. Part of this must be practical: It's difficult to follow a wandering hero (and why are the heroes of these novels always wandering? But that's a different question altogether) without giving him a friend to talk to. Maybe early novelists had a hard time sketching characters who didn't have a way to discuss the ongoing action. But mostly, I think this is the bad influence of Don Quixote, which was becoming increasingly popular in England during this period. Sancho Panza is OK, and he's certainly the funniest element of that leaden tome. But Mr. Partridge *is* Sancho Panza, cowardice, superstition and all, and one Sancho Panza was more than enough. You know? There's a limited number of things that a silly, selfless, lazy pal can do, and it's hard to read about the same old doofus, yet again.
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Reviewed in the United States on April 28, 2016

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