SKU: 34053747900

1979-1981/1985 FXEF Fat Bob Complete Ignition Kit - Dual Fire 21-7561

$59.19 $65.77
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Description

1979-1981/1985 FXEF Fat Bob Complete Ignition Kit - Dual Fire 21-7561Complete Ignition Coil Kit Dual Fire Fit For 1970 2003 Carb Models Features: Complete electronic ignition systems built with the latest state of the art engineering. Complete housed behind the ignition cover and uses a magnetic rotor with the original advance unit, so the factory. advance curve is maintained. Later models will require the use of a mechanical advance unit. Must use 3 ohm or higher ignition coil. Not for fuel injected models. Carb

Complete Ignition Coil Kit - Dual Fire Fit For 1970-2003 Carb Models

Features:
Complete electronic ignition systems built with the latest state-of-the-art engineering.
Complete housed behind the ignition cover and uses a magnetic rotor with the original advance unit, so the factory.advance curve is maintained.
Later models will require the use of a mechanical advance unit.
Must use 3 ohm or higher ignition coil.
Not for fuel injected models.Carb models only.
Installation instruction Not included.

Specifications:
Condition: Aftermarket 100% Brand New
Quanity: 1PC
Type: Pick up pulsar coil

other specifications:
Number of wires: 2

Replacement Part Number:
21-7561
133-3001

(Always compare part numbers to your parts schematics and cross reference appropriately.)
(This is NOT a genuine Part, OEM part numbers are included for product type identification and comparison only.)

Fits Model/Year:
Fit for FLH Electra Glide Heritage 1984-1970
Fit for FLHC Electra Glide Classic 1981-1979
Fit for FLHF 1972-1970
Fit for FLHR Road King 1998-1994
Fit for FLHS Electra Glide Sport 1993-1987
Fit for FLHS Electra Glide Sport 1984-1980
Fit for FLHS Electra Glide Sport 1977
Fit for FLHT Electra Glide Standard 1983/1985-1987/1995-1999
Fit for FLHTC Electra Glide Classic 1983-1998
Fit for FLHTCU Electra Glide Ultra Classic 1989-1998
Fit for FLHTI Electra Glide Standard EFI 1986-1987/1998-1999
Fit for FLHX Electra Glide Special 1984-1985
Fit for FLST Heritage Softail 1986-1990
Fit for FLSTC Softail Heritage Classic 1988 -1999
Fit for FLSTCI Softail Heritage Classic EFI 1989-1999
Fit for FLSTF Softail Fat Boy 1990-1999
Fit for FLSTFI Softail Fat Boy EFI 1990-1995/1999
Fit for LSTI Heritage Softail EFI 1986-1990
Fit for FLSTN Heritage Softail Nostalgia 1993
Fit for FLSTN Heritage Softail Special 1994-1996
Fit for FLSTS Heritage Springer 1997-1999
Fit for FLSTSI Heritage Springer EFI 1997-1999
Fit for FLT Tour Glide 1979-1983
Fit for FLTC Tour Glide Classic 1980-1994
Fit for FLTCU Tour Glide Ultra Classic 1988-1996
Fit for FLTR Road Glide 1998
Fit for FX 1200 Super Glide 1971-1978
Fit for FXB Sturgis 1980-1982
Fit for FXD Super Glide 1970-1999
Fit for FXDB Dyna Daytona 1992
Fit for FXDB Dyna Sturgis 1991-1992
Fit for FXDC Dyna Glide Custom 1992
Fit for FXDG Disc Glide 1983
Fit for FXDI Super Glide EFI 1995-1999
Fit for FXDL Low Rider 1982/1993-1999
Fit for FXDL Low Rider EFI 1993-1999
Fit for FXDS-CONV Low Rider Convertible 1994-1999
Fit for FXDWG Wide Glide 1993-1999
Fit for FXDWGI Wide Glide EFI 1993-1999
Fit for FXDX Super Glide Sport 1999
Fit for FXE 1200 Super Glide 1974-1984
Fit for FXEF Fat Bob 1979-1981/1985
Fit for FXLR Softail Low Rider Custom 1987-1994
Fit for FXR Super Glide 1982-1994
Fit for FXR2 1999
Fit for FXR3 1999
Fit for FXRC Low Rider Chrome 1985/1987
Fit for FXRD Sport Glide Grand Touring 1986
Fit for FXRDG Disc Glide 1984
Fit for FXRS Low Glide 1982-1992
Fit for FXRS-CONV Low Rider Convertible 1990-1993
Fit for FXRS-SP Low Rider Sport 1986-1993
Fit for FXRT Sport Glide 1983-1993
Fit for FXS Low Rider 1977-1982
Fit for FXSB Breakout 1983-1985
Fit for FXSB Low Rider 1983-1985
Fit for FXST Softail Standard 1984-1993/1999
Fit for FXSTB Softail Night Train 1999
Fit for FXSTBI Softail Night Train EFI 1999
Fit for FXSTC Softail Custom 1986-1999
Fit for FXSTC Softail Custom EFI 1986-1999
Fit for FXSTI Softail Standard EFI 1984-1990/1999
Fit for FXSTS Softail Springer 1988-1999
Fit for FXSTSB Softail Bad Boy 1995-1997
Fit for FXSTSI Softail Springer EFI 1988-1999
Fit for FXWG Wide Glide 1980-1986
Fit for XLC Sportster 1200 Custom EFI 1996-1999
Fit for XLC Sportster 883 Custom 1999-2003
Fit for XLCH Sportster 900 1970-1979
Fit for XLCR Sportster 1000 Cafe Racer 1977-1978
Fit for XLH Sportster 1000 1972-1985
Fit for XLH Sportster 1100 1986 -1987
Fit for XLH Sportster 1200 1988-2003
Fit for XLH Sportster 883 1986-2003
Fit for XLH Sportster 883 Deluxe 1986-1995
Fit for XLH Sportster 883 Hugger 1987-1999
Fit for XLH Sportster 900 1970-1971
Fit for XLR Sportster 883 Roadster 2002-2003
Fit for XLS Sportster 1000 Roadster 1978-1985
Fit for XLS Sportster 1200 Sport 1996-1999
Fit for XLT Sportster 1000 1977-1978
Fit for XLX Sportster 1000 1983-1985
Fit for XR Sportster 1000 1970-1975/1983-1985

Not for fuel injected models.

Package Included:
1x Ignition coil assembly
1x Ignition sensor plate
2x Ring terminals
1x Plug end

(Compatibility Chart is for Reference ONLY!!!)
(Please Compare with Your faulty unit and the image we provided to Decide Fitments)

NOTE:
The product on offer is an accessory or spare part and thus is not an original product of the vehicle manufacturer.
The name of the vehicle manufacturer is stated only as an indication of the determination of the product being offered as an accessory or spare part, to clarify, for which vehicle the product on offer fits.

Warranty:
Returns: Customers have the right to apply for a return within 60 days after the receipt of the product
24-Hour Expert Online: Solve your installation and product problems

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
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Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
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SKU: 34053747900

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4.3 ★★★★★
Based on 28 reviews
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Product Reviews
D
Verified Purchase
David R. Papke
Alexandria, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Pawtucket, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
M
Verified Purchase
Matt M.
Phoenix, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
Waukegan, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
C
Verified Purchase
Classics professor
Natrona Heights, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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