SKU: 3550528853

Audience frontRow Statement S/PDIF / AES/EBU Digital Cables

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Description

Audience frontRow Statement S/PDIF / AES/EBU Digital CablesThe Audience Flagship frontRow BNC SPDIF interconnects are a true balanced cable design rendering more accurate and phase correct signal information than ever before. Much of this advanced performance lies in the inclusion of MORRE technologies to every aspect of the cables design. Engineered with 4 x frontRow 29 strand, 99. 999% Pure OCC conductors in a shielded twin axial geometry, each pair is carefully determined for signal directionality before

The Audience Flagship frontRow BNC SPDIF interconnects are a true balanced cable design rendering more accurate and phase correct signal information than ever before. Much of this advanced performance lies in the inclusion of MORRE technologies to every aspect of the cable’s design.

Engineered with 4 x frontRow 29 strand, 99.999% Pure OCC conductors in a shielded twin axial geometry, each pair is carefully determined for signal directionality before build. frontRow BNC SPDIF interconnects preserves all the purity of your music, easily exceeding in performance even our award winning Au24 SX interconnects. The dielectrics for these pristine conductors are PTFE Teflon are used in conjunction with the cable’s ground, and Virgin Cross-linked polyethylene on signal conductors, providing the highest dielectric constant while exhibiting the most natural tonal properties. This new frontRow geometry and materials effectively reduce the noise floor, leaving more low level information and more “life” in the music.

Our very special Audience Gold plated Tellurium, Carbon Fiber BNC SPDIF connectors insure the highest quality signal transfer and most secure connections to your components, and all with amazing flexibility and ease of use.

Our new MORRE Deep Cryo II and EHVP post production processes fundamentally change the baseline of the conductive lattice throughout the cable’s geometry reducing electron scatter and producing even greater signal preservation. Accuracy is the end result in preserving the signal.

Every frontRow BNC SPDIF Interconnect is burned in during one of several MORRE post production processes to insure the optimum level of performance right out of the box.

Each frontRow BNC SPDIF Interconnect comes with a certificate of quality signed by the Master technician who built the cable.

The frontRow BNC SPDIF Interconnect extends the boundaries of low level information retrieval to a new depth, allowing your audio components to produce life-like reproductions that will satisfy the most discerning ear.

Specifications

  • Conductors: - 4 each 29 strand 99.9999% Pure frontRow OCC Copper
  • Dielectric: - Virgin Cross-linked Polyethylene XLPE/PTFE Teflon
  • Geometry: - frontRow Twinaxial
  • Shielding: - frontRow OFC Copper Braid
  • Connectors: - Audience Rhodium Plated Carbon Fiber XLR
  • Build Time: - 5.5 hours
  • Post Production: - MORRE New Deep Cryo II - EHVP
  • Burn In: - 3 to 4 Days

Audience frontRow is the company’s flagship series and represents the highest level of performance in audio cable products available today. With this series, audience introduced MORRE, the umbrella name under which they have placed all of Audience’s new and most powerful technologies, every part and portion of frontRow is meticulously and painstakingly designed in their unabating pursuit of signal integrity.

MORRE (Musically Optimized Reduction of Resistive Energies) is the culmination of their proven technologies integrated into the frontRow series. From cable geometries, connectors, metallurgy, contact points, shielding, bend radius, dielectric, jacketing materials, interactions between conductors and types of conductors, material resonant frequencies and even the smallest design aspects are carefully considered within the MORRE process; refined and strenuously tested in order to produce this unrivalled cable line.

All of this advancement in frontRow cable design and development opens up a musical performance that is startling in its life-like presentation; removing veils that obscure the essence of the artist’s intention and bringing you into the center of the experience.

Each and every frontRow cable added to your system will reveal just what you have been missing. With the removal of layers of distortion and a dramatic lowering of the noise floor, frontRow will allow you to hear increased dynamics and more low-level information retrieval… with air, space and 3-dimensional holographic imaging unlike you have ever experienced before.

Range and Pricing

Audience Front Row series cables are available in RCA, XLR, USB, RCA-DIN, Subwoofer RCA, S/PDIF RCA-RCA, S/PDIF RCA-BNC and S/PDIF BNC-BNC, AES/EBU and Phono versions. The pricing for a 1m pair of the RCA interconnects is $5,155 and a 1m pair of the XLR interconnects is $5,940.

Reviews

Garrett Hongo, Soundstage! Ultra, 2020

If you want to get the most out of your expensive high-end system, you owe it to yourself to listen to what these wires can do. I was knocked out by how much better Audience’s frontRow cables were than their Au24 SX line — a line I’d previously thought relayed all of what my electronics could send through my reference Von Schweikert Audio VR-44 Aktive speakers… The frontRows made everything I listened to gain gleam and glory. They’re the best cables I have ever used in my system. And I just figured out how to afford them all — they’re mine.

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Audio Bacon, Jay Luong, 2019

Audience’s new flagship line of frontRow cables will mold your music into a more physical form. Allowing you to perceive the curvatures, bumps, and techniques of the performers. Now, join those performers with a grainless and silky bond – and you have something extraordinary. Audience’s frontRow series is refreshingly unique and addictive at the same time. It impresses, yet doesn’t distract. It keeps your ears focused – because you’re sitting in the front row.

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The Audio Beatnik, 2019

The Audience frontRow cables have put them in a whole new ballgame, not just for Audience cables, but also for all audio cables. Not only are they in a new ballgame, but it’s the World Series, and for the time being, Audience has won and is the champion.

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Shipping Notes
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SKU: 3550528853

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Product Reviews
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Gabriel Cruz
Cuba, US
★★★★★ 5
The perspective of Darth Vader between Star Wars and Empire Strikes Back.
Format: Paperback, Format: Paperback
So basically this tells the story of what is going on with Darth Vader after the first Death Star is blown up. He wants to know who it was. Emperor Palpatine is pretty ticked off as it is, and he hasn't said anything but he's already looking to replace Vader in case he fails. Along the way we see still that Vader has some decency still left inside of him, as we meet Doctor Aphra and her droids, and he has a chance to kill her off several times but spares her life for certain reasons. This book collects Star Wars: Darth Vader (2015 Marvel) #1-12, #1 Director's Cut, and Star Wars: Darth Vader (2015 Marvel) Annual #1. The story is written by Kieron Gillen. Art by Salvador Larroca and Leinil Francis Yu
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 13, 2025
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Ryan of the East Coast
Chelsea, US
★★★★★ 5
Source material for Nolan's trilogy is powerful writing and art...
Format: Paperback
The Long Halloween is great, but I actually had more fun reading through Dark Victory. It's a crime mystery that consistently had me guessing through to the conclusion about who The Hangman's true identity was. What I really loved most was the evolution of the characters' personalities--from Jim Gordon to Harvey Dent to Bruce (who really is more in his iconic "Batman" persona here)--that began in Batman: Year One to Batman: The Long Halloween and into Batman: Dark Victory. It really does work like a trilogy. It's also notable to include Gotham city's underworld itself as a character of its own. Batman begins (pardon the pun) in Year One with a quest to sort of rid the city of the mafia, which is and has been the main criminal body up until this point. In The Long Halloween, the mafia begins to lose power because of the rise of the Batman's presence. During that time, some of the most insane and dangerous criminals escape Arkham Asylum and begin quietly terrorizing the city anew, spreading like a virus. Slowly, the "freaks"--as the mafia calls them--start to gain more and more power by simply being a more unorganized crime source (as opposed to organized crime). Characters like Pamela Isley, Solomon Grundy, Mr. Freeze, the Penguin, Scarecrow, the Joker, and others, establish and strengthen their grips on Gotham's criminal underworld. It's nice that these villains--these "freaks"--also aren't the main conflict in Dark Victory (or The Long Halloween or Year One, for that matter); they appear when it is effective for them to appear, slowly taking more prominence in the setting of the story as it progresses. The main conflict has to deal with the solving of the mysteries behind The Hangman killings. The Long Halloween and Dark Victory are, primarily, crime mysteries, which is what makes them interesting. What makes them great literature, however, is the creative team that is Jeph Loeb and Tim Sale. Loeb's writing is really well-crafted here: the entire arc unfolds at a consistent pace and he balances out dialogue with Batman's internal narration very smoothly. And, as I mentioned previously, personality and narrative arcs of the main characters (Gordon, Batman, and Dent) have fully matured by this point in the trilogy, leaving the supporting characters a chance to evolve and come into their own. Much of these progressions are not just depicted by the writing, however; Tim Sale (who worked previously with Loeb on The Long Halloween) elevates and perfects his artwork in this story. There's not a change in the look of the characters, so you know it's definitely his style, but you sense immediately (especially if reading Dark Victory right after finishing The Long Halloween) the new level of attention paid to composition of the drawings. Shadows and silhouettes, contrasts between setting and characters, everything adds to the mood and atmosphere of the characters and the scenes they're a part of. In terms of the print itself, the paperback is excellent. This and The Long Halloween have really nice paper, which I'll catch myself sometimes randomly sniffing in the middle of a read to enjoy the new paper smell. The ink is really crisp, the colors pop, and the design of the book itself is laid out very clearly. There aren't page numbers or a contents page, but every issue is separated by chapter pages that include gorgeous, high-contrast artwork to help distinguish which issue you're on. Additionally, the print comes with an introduction by David S. Goyer, who co-wrote the Nolan film trilogy. Overall, I can't stress enough how gorgeous this trade paperback is and how excellent and top-tier this story arc is. I really enjoyed it just as much, if not more so, then The Long Halloween. No other Batman story arc has topped my enjoyment of this particular trilogy. Highly recommended in addition to Batman: Year One and Batman: The Long Halloween.
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Reviewed in the United States on June 9, 2019
K
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Kris
Belleville, US
★★★★★ 5
I love this comic book!
Format: Paperback, Format: Paperback
I love DC comics and obviously the Batfam are some of the most well known and loved characters within the DC universe. I love the art style and story in this comic. If you are debating whether or not to purchase this comic, DO IT!
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Reviewed in the United States on December 23, 2025
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Alex Lamberd
Dallas, US
★★★★★ 5
One of the best Bat stories that I've read.
Format: Paperback
Coming off from The Long Halloween, Jeff Loeb and Tim Sale give us the sequel to their popular story tale in which we see Batman go at it with another year long mystery, while also giving us an origin story for the first Robin, Dick Grayson. After reading this book, I have come away having with even more love of the Dark Knight's mythology, while coming to see this as my favorite Batman story that I have read, even if it doesn't stand as well on its own. ON the narrative side of things, Loeb delivers a story fairly similar to the one he gave in The Long Halloween, though I feel this one is a bit more polished than Halloween was. Some have said that the retreading of plot structure have limited the way Loeb's later works are read, but I myself have no problem with it (for the most part), Loeb manages to do enough differently that you don't feel like you're reading the exact same story. The real big negative I'd have to give this graphic novel is that it really doesn't stand as well by itself than if you had read The Long Halloween. While I myself read that story before coming in to this one, I did see many connections that I would assume would through off any newcomers who hadn't read the prior story. But I will say that this is the story that had me invested the most emotionally. Without giving away any spoilers, that last page in the novel gave me such a cathartic experience that I really came to appreciate certain aspects of the Dark Knight's mythology, and how themes of loneliness were touched upon in a very genuine way. Looking at the art for the novel, Sale's work has improved much from The Long Halloween. I always mention in reviews concerning Sale that I was originally not a fan of his art, but after going through his work, you can't help but admire the level skill he manages to put in his drawings. There is a very big noir feeling in this novel (a plus for ) that is just delivered so well that any preferences in art I may have against Sale are put away in admiring the way he plays with lighting in the story. My biggest complaint for the art, which is a more of a personal thing really, is that I do not like the "pixie" costume they gave Robin (which is his default costume that many would associate him with). I have never really liked this costume, probably never will, but again, this is just me. Overall, I would say I really enjoyed the novel and would have to recommend it to any fans of the Batman (although I'd make sure you have read The Long Halloween first). This has come to be one of my most favorited Batman stories I've read, and I hope others will receive the same level of satisfaction that I have.
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Reviewed in the United States on April 22, 2014
L
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Logan Fogg
Battle Creek, US
★★★★★ 5
MUST READ
Format: Kindle
Best Batman! This and the long Halloween are peak! Listening and reading the dc high vol on spotify is amazing
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Reviewed in the United States on October 16, 2025

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