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Description
Blackmagic Studio Camera 4K PlusAdd a powerful studio camera to your 4K broadcast when using an ATEM Mini or DaVinci Studio with the Blackmagic Design Studio Camera 4K Plus G2. Updated from the HDMI Studio Camera 4K Plus, this compact and lightweight broadcast camera now features a 12G SDI input, 12G SDI output, and HDMI 2. 0 output for even more compatibility with SDI switchers. This camera has all the same features as the Studio Camera 4K Plus, including an active MFT lens mount,
Add a powerful studio camera to your 4K broadcast when using an ATEM Mini or DaVinci Studio with the Blackmagic Design Studio Camera 4K Plus G2. Updated from the HDMI Studio Camera 4K Plus, this compact and lightweight broadcast camera now features a 12G-SDI input, 12G-SDI output, and HDMI 2.0 output for even more compatibility with SDI switchers. This camera has all the same features as the Studio Camera 4K Plus, including an active MFT lens mount, 25,600 ISO, 13 stops of dynamic range, a tally light, two USB-C ports for recording and control, built-in dual microphones, a 7" HDR LCD, and a redesigned sun hood. And now it can output 12G-SDI video as well as utilize the program feed and talkback features via SDI.
Designed for Live Production:
While Blackmagic Studio Camera is designed for live production, it's not limited to use with a live switcher because it records Blackmagic RAW to USB disks, so it can be used in any situation where you use a tripod. The large 7" viewfinder makes it perfect for work such as chat shows, television production, broadcast news, sports, education, conference presentations, and even weddings. The large bright display with side handles, touchscreen, and physical controls makes it easy to track shots while being comfortable to use for long periods of time. Because it's so lightweight, it's perfect when you're constantly changing locations and doing different kinds of work.
Studio Camera Design:
The distinctive Blackmagic Studio Camera has all the benefits of a large studio camera because it's a combination of camera and viewfinder all in a single compact design. It features a lightweight carbon fiber reinforced polycarbonate body with innovative technology in a miniaturized design. The camera is designed for live production, so it's easy to track and frame shots with its large 7" viewfinder. The touchscreen has menus for camera settings, and there are knobs for brightness, contrast, and focus peaking. Plus, a tripod mount and mounting plate are included for fast setup.
Advanced Low-Light Performance:
The Blackmagic Studio Camera features gain from -12 dB (100 ISO) up to +36 dB (25,600 ISO), so it's optimized to reduce grain and noise in images while maintaining the full dynamic range of the sensor. The primary native ISO is 400, which is ideal for use under studio lighting. Then, the secondary high base ISO of 3200 is great when shooting in dimly lit environments. The gain can be set from the camera or remotely from a switcher using the SDI or Ethernet remote camera control.
Cinematic Images in Live Production:
Sensors combined with Blackmagic generation 5 color science give you the same imaging technology used in digital film cameras. When combined with the built-in DaVinci Resolve primary color corrector, you get much better images than simple broadcast cameras. The color corrector can even be controlled from the switcher. With 13 stops of dynamic range, the camera has darker blacks and brighter whites, which is ideal for color correction. Great for both HD and Ultra HD production, the 4K models feature a resolution of 3840 x 2160 from 23.98 to 60 fps.
Affordable Photographic Lenses:
With the popular EF or MFT lens mounts, Blackmagic Studio G2 cameras are compatible with a wide range of affordable photographic lenses, and the active lens mount lets you adjust the lens remotely. To eliminate the need to reach around to adjust the lens manually, the optional focus and zoom demands let you adjust the lens from the tripod handles just like a large studio camera. This means you avoid camera shake when adjusting the lens so you can track shots and operate the camera without taking your hands off the tripod. It gives you the same feel as an expensive B4 broadcast lens.
Frame Shots with Large 7" Viewfinder:
The large 7" high-resolution screen is big enough to make framing shots much easier. On-screen overlays show status and record parameters, histogram, focus peaking indicators, levels, frame guides, and more. You can even apply 3D LUTs for monitoring shots with the desired color and look. The touchscreen also has menus and you can load and customize presets for different jobs. The included sun hood can be folded to protect the screen for transport, plus it is compatible with the sun hood from the Blackmagic Studio Viewfinder.
Physical and Touchscreen Controls:
Blackmagic Studio G2 cameras feature physical buttons and knobs, as well as touch controls on the screen. Knobs on the right side of the camera allow adjusting of the brightness, contrast, and focus peaking. The focus peaking knob is useful as it lets you fine-tune the detail highlight so you can get accurate focus as you zoom. The three function buttons on the left can have functions assigned to them, such as zebra, false color, focus peaking, LUTs, and more. Plus you can change the function assigned to each button in the menus. The touchscreen also includes a heads-up display with the most important shooting information, as well as menus for all camera settings, LUTs, and custom presets.
Communicate with the Director via Talkback:
Unlike consumer cameras, Studio G2 cameras have SDI connections that include talkback so the switcher operator can communicate with cameras during live events. That means the director can talk to the camera operators to guide shot selection, eliminating the problem where all cameras could have the same shot at the same time. All models support 3.5mm headsets that are designed for smartphones. Talkback uses audio channels 15 and 16 in the SDI connection between the camera and the switcher, as well as in the program return from the switcher to the camera, so any embedded SDI audio device can work with talkback.
Multiple Ways to Connect:
The HDMI supports video, tally, control, and record trigger for a broadcast-style workflow using a single HDMI cable. They also have 12G-SDI so you can connect to SDI-based switchers such as the ATEM Constellation. There's a 12G-SDI connection for camera video and one for program return. The program return also includes tally, talkback, and remote camera control.
Low-Cost Camera Control via SDI:
All Blackmagic Design ATEM switchers can control cameras via a protocol embedded into the camera's SDI video connections. Setup is easy because all ATEM switchers broadcast control commands from the switcher's SDI program output to the camera via the SDI program input. The switcher can perform color correction, tally, and lens control, and these are sent to all cameras. All you need to do is select the correct camera number and it all works. Even ATEM Mini switchers can control Blackmagic Studio Cameras because the HDMI output to the switcher has return data communication that can send control information back to the camera, so the camera operator is free to focus on framing shots.
Blackmagic RAW Quality:
Blackmagic RAW is designed to capture and preserve the quality of the sensor data from your camera. Some file formats such as H.264 are highly compressed, adding noise and artifacts, causing sensor detail to be lost forever. Blackmagic RAW eliminates this problem so you get stunning images with incredible detail and rich color throughout the whole post-production pipeline. Blackmagic RAW also saves camera settings as metadata so you can change ISO, white balance, and exposure later in DaVinci Resolve. Plus the files are small and fast, so editing responsiveness is incredible. Only Blackmagic RAW gives you the highest quality, smallest files, and fastest performance.
USB Expansion Port for Accessories:
The Studio G2 camera features a high-speed USB-C expansion port that allows you to record to external disks, control the camera via a network, or connect to a wide range of accessories. Plug in an external USB flash disk, and the camera can record high-quality 12-bit Blackmagic RAW files for later editing and color correction. That means you can just move the disk to a computer to work, and you don't need to waste time copying files. Or add a USB-C to Ethernet adapter to control your camera over a network via easy-to-use REST APIs. You can even copy files off the camera via the network. Optional focus and zoom demands allow full lens control, just like a large studio camera.
Built-In Microphones:
The Studio cameras include built-in microphones so you get sound included in the design, making setup much faster. Plus the built-in microphones are shock and wind resistant, so you get great sound even in tough conditions. With each microphone placed at the edges of the screen, you get the advantage of the studio camera design for better stereo separation than what is possible on a regular video camera. There's also a 3.5mm audio input for connecting video camera microphones as well as a 3.5mm headphone jack.
Monitor Program Video:
The camera lets you view program video from the switcher at the press of a button. Simply press the camera's PGM button and the viewfinder will switch from the camera display to the program return feed from the switcher. Plus, the built-in speaker lets you monitor the switcher audio. Program return is often used on large live shows, and camera operators can be left waiting a long time for their camera to be used, so program return lets them watch the show while they wait. This means even if the camera operator is a large distance away from the switcher, they can still keep up with what's happening and remain alert.
Powered by Blackmagic OS:
With the advanced Blackmagic OS, you get an intuitive and user-friendly camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. It features the same controls and menus as other Blackmagic Design cameras, so you can move between cameras on the set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata, and view recording status. You also get full control over advanced camera features such as on-screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings, and more.
Supports 3D LUTs for Film Looks:
When Blackmagic RAW files use logarithmic film gamma to preserve the camera dynamic range, 3D LUTs can be used to convert the images on the viewfinder display from looking flat and washed out. 3D LUTs solve this problem because they convert the image just before it's displayed on the LCD. This allows the film gamma images being recorded to be converted to nicer-looking images on the LCD. 3D LUTs are also saved into the Blackmagic RAW files so they can be used in later post-production, but they are never burned into the Blackmagic RAW image data, so you always have the option to disable them. This means the 3D LUT is transported in the Blackmagic RAW file but only used when you enable it.
Localized in 13 Popular Languages:
The Blackmagic Studio Cameras are designed to be used worldwide, so they support 13 popular languages. When setting up your camera, you can choose to work in English, German, French, Spanish, Polish, Portuguese, Italian, Russian, Turkish, Ukrainian, Chinese, Japanese, or Korean. It's easy to switch to another language simply by going into the menu settings. When switching between languages, all the on-screen overlays, heads-up displays, and setup menus will be displayed in the selected language, and you can change languages any time you like.
Powers via DC:
Blackmagic Studio cameras have a common 12 VDC locking power connector, so the cable won't be accidentally pulled out. Plus, the camera includes a power supply with five different AC socket adapters for different countries.
Shipping Notes
- Free Standard Shipping on $100+ Orders to the USA.
- Except Preorder products are shipped in 48 hours.
- Delivery to the USA:
- Standard Shipping : 3-10 business days
- If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
- To process your return/exchange, please contact us at [email protected]
- Please click here for more details>>> Return & Exchange Policy
4.5 ★★★★★
Based on 30 reviews
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Product Reviews
★★★★★ 5
REAL PHYSICAL SUBBASS
Color: White
You can actually physically feel the bass. The bass boost 1 mode is super super amazing its sound quality parallels the JBL Ultimates which i have 2 of and this color is marvelous. The weight is also amazing my infant daughter loves this speaker and I'm soo soo impressed on the progress the boom box has made in the past 5 years this version completely outshines previous generations. LOVE IT!!
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Reviewed in the United States on June 7, 2026
★★★★★ 4
Badass speaker🔊
Color: Black
It’s one powerful speaker. 🔈 I’ll have to do another survey after I use it for a couple day I’ve only turned it on once for only 10 minutes but so far so good
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 4, 2026
★★★★★ 5
Fast, Reliable, and Stunning Print Quality — Best 3D Printer Value!
Set name: Ender 3 V3 SE
The Creality Ender 3 V3 SE is an absolute powerhouse for the price! At 250mm/s print speed with CR Touch auto leveling, this thing sets up fast and prints reliably right out of the box. The Sprite direct extruder handles flexible and rigid filaments with ease, and the print quality is stunning. Whether you're prototyping custom parts, printing jigs and fixtures, or cranking out creative projects, this printer delivers every time. Best 3D printer value on the market — period!
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Reviewed in the United States on June 2, 2026
★★★★★ 5
Not the biggest kid on the schoolyard, but plays a solid ground game.
Set name: K2 SE, Set name: K2 SE
The K2SE is an excellent printer for users who are still interested in learning and growing within the 3D-printing ecosystem, but who no longer want to spend the majority of their time troubleshooting basic hardware issues. While it may not be a flagship, top-tier machine by today’s standards, it represents a significant step forward—especially when compared side-by-side with older platforms like the Ender 3 Pro.
Out of the box, the K2SE delivers a level of refinement that once required extensive upgrades on earlier printers. Features such as automatic bed leveling, filament runout detection, a sturdier frame with vibration-dampening feet, and a properly supported raised Z-axis bed all come standard. The addition of cloud access and a fluid web interface—complete with optional root access for advanced users—bridges the gap between a consumer-friendly machine and a system that still rewards technical curiosity.
My first print, a simple Kirby model, was intentionally done with minimal tuning to get a baseline feel for the machine. The results were impressive, especially coming from years of compensating for aging components on my Ender 3. With that printer long overdue for a new extruder, I had grown accustomed to managing variables that simply don’t exist on the K2SE. The consistency and reliability here are immediately noticeable.
Although I didn’t have the budget to add the multi-filament CRT system at launch, the printer’s upgrade path is clearly well thought out. Planned expansions like an enclosure, camera monitoring, and multi-material support make it easy to justify future investments. I would also welcome a firmware or hardware update that introduces Bowden extruder support, as it could further improve filament switching speeds and overall print performance.
As someone who has stuck with the same Ender 3 since long before touchscreens, CR-Touch, and modern quality-of-life upgrades became commonplace, it’s refreshing to see Klipper remain a core component of the K2SE. For users who are on the fence about moving away from heavy DIY builds, this printer strikes a compelling balance—offering reliability and speed without sacrificing control.
Perhaps the most underrated benefit is time savings. The K2SE is noticeably faster than older models, and its intuitive touchscreen interface makes it accessible even for non-technical users in my household. After setup, my wife and children can confidently start prints on their own, which speaks volumes about the usability of the system.
Print quality alone justifies the upgrade for patient users. While some may find the stock cooling fans slightly underpowered, the machine compensates with excellent compatibility for multi-tool and threaded expansion systems—an advantage over many Bowden-dependent designs that require significant modification for production or multi-material workflows.
And as a final bonus, despite being scheduled for February delivery, the K2SE arrived weeks early. Getting this machine ahead of schedule was the perfect way to confirm that the upgrade was absolutely worth it for the value price point.
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Reviewed in the United States on January 8, 2026
★★★★★ 1
Don’t buy
Set name: K2 SE Combo, Set name: K2 SE Combo
This printer is pretty awesome. Here is the biggest catch to it. We have spent hundreds of dollars on the app and or validating what we could buy between buying filament and everything else. This thing does not connect properly. It is very technical if you are not smart. This is a terrible thing to buy. I’m a very educated person and so are the other 3 to 4 people in my household that have all tried to use this thing it will not let you change individuals to print off it and even the amount of money you spend to buy credit credits and or other items that you want to purchase in the store do not print properly. This sucks don’t buy it even though this equipment is awesome. This is the worst thing I wish I’d never bought. I do not say this in the test and or ignorance I have studied. I have read up. I’ve looked at forums. I’ve been on Reddit. Everyone says this creatality is extremely difficult and we have definitely found this out firsthand. I would definitely return this, but I think my window has closed. It sucks when you buy a product and you have it for like 2 to 3 weeks before you get to use it but then your window to return it is closed. The app does not match what is online and or if you have more than one person that wants to print, you cannot share unless the other person is logged out and even if the person is logged out, it does not always match the same, so for example, I have tons of money and credit on my account, but it will not let me print out certain apps and or creations then it tells me that it will work on our item that we have purchased, but then it’ll say it does not work. It will not print. 3-D printer is a scam. It sucks. It has great potential but this is not the one for you. Don’t waste your money too much money.
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Reviewed in the United States on February 18, 2026