SKU: 74157612711

HKM-893907 Feather Bell Replacement Head Accessories for Cat Teasers, Various Sizes and Materials Available

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Description

HKM-893907 Feather Bell Replacement Head Accessories for Cat Teasers, Various Sizes and Materials AvailableIntroducing the HKM 893907 Feather Bell Replacement Head Accessories for Cat Teasers, a delightful addition to your pet toy collection that keeps your feline friends engaged and entertained. Designed with various sizes and materials, these replacement heads are perfect for refreshing your cat's favorite teaser wand. Discover the diverse options available: Kaisi fur ball features a size of 4CM and feathers that range from 8 to 10CM, weighing

Introducing the HKM-893907 Feather Bell Replacement Head Accessories for Cat Teasers, a delightful addition to your pet toy collection that keeps your feline friends engaged and entertained. Designed with various sizes and materials, these replacement heads are perfect for refreshing your cat's favorite teaser wand.

Discover the diverse options available:

- Kaisi fur ball features a size of 4CM and feathers that range from 8 to 10CM, weighing approximately 10g.
- The fur ball type comes in a compact size of 3CM with feathers of the same length and weighs around 8g.
- The hair ball string has a ball size of 3CM, with a slightly heavier weight of 15g, ensuring a satisfying play experience for your cat.
- For added fun, the cartoon style features a doll size of 4 * 3CM and weighs 15g, bringing a playful aesthetic to playtime.
- The wool tops replacement head offers a length of 10CM paired with a 3CM ball size, designed for effortless attachment to your existing toy setup.

Every kitten deserves the good toys to satisfy their natural hunting instincts. The HKM-893907 Feather Bell Replacement Head Accessories are perfect for replacing worn-out components or simply diversifying your cat's playtime options. Crafted from various materials, these attachments are not only engaging but also built with quality in mind. Elevate your cat's play sessions today with these fun, enticing accessory options that promise endless hours of amusement and stimulation.

Product information:
Material: Fur
Category: Pet Toys
Kaisi fur ball: size 4CM, Feather 8 ~ 10CM£¬Weight: about 10g
Fur ball type: size 3CM, Feather 8 ~ 10CM£¬Weight: about 8g
Hair ball string: ball size is 3cm, weight is about 15g.
Cartoon style: Cartoon Doll size is 4 * 3CM, weight is about 15g
Wool tops replacement head: wool tops length: 10CM, hair ball size 3CM


Packing list:
Replace header *1?


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SKU: 74157612711

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4.9 ★★★★★
Based on 12 reviews
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D
Verified Purchase
David R. Papke
Dallas, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Birmingham, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
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Matt M.
Lowell, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
Massapequa, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
C
Verified Purchase
Classics professor
Bozeman, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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