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Description
LV429650Main Range Compact Product name Compact NSX Product or component type Circuit breaker Device short name Compact NSX100F Device application Distribution Poles description 4P Protected poles description 4t Neutral position Left Network type AC Network frequency 50 60 Hz [In] rated current 100 A at 40 C [Ui] rated insulation voltage 800 V AC 50 60 Hz [Uimp] rated impulse withstand voltage 8 kV [Ue] rated operational voltage 690 V AC 50 60 Hz Breaking
Main
| Range | Compact |
| Product name | Compact NSX |
| Product or component type | Circuit breaker |
| Device short name | Compact NSX100F |
| Device application | Distribution |
| Poles description | 4P |
| Protected poles description | 4t |
| Neutral position | Left |
| Network type | AC |
| Network frequency | 50/60 Hz |
| [In] rated current | 100 A at 40 °C |
| [Ui] rated insulation voltage | 800 V AC 50/60 Hz |
| [Uimp] rated impulse withstand voltage | 8 kV |
| [Ue] rated operational voltage | 690 V AC 50/60 Hz |
| Breaking capacity code | F 36 kA 415 V AC |
| Breaking capacity | 10 kA at 600 V AC 50/60 Hz conforming to UL 508 25 kA at 480 V AC 50/60 Hz conforming to UL 508 85 kA at 240 V AC 50/60 Hz conforming to UL 508 22 kA Icu at 525 V AC 50/60 Hz conforming to IEC 60947-2 25 kA Icu at 500 V AC 50/60 Hz conforming to IEC 60947-2 35 kA Icu at 440 V AC 50/60 Hz conforming to IEC 60947-2 36 kA Icu at 380/415 V AC 50/60 Hz conforming to IEC 60947-2 8 kA Icu at 660/690 V AC 50/60 Hz conforming to IEC 60947-2 85 kA Icu at 220/240 V AC 50/60 Hz conforming to IEC 60947-2 |
| [Ics] rated service breaking capacity | 11 kA at 525 V AC 50/60 Hz conforming to IEC 60947-2 35 kA at 440 V AC 50/60 Hz conforming to IEC 60947-2 36 kA at 380/415 V AC 50/60 Hz conforming to IEC 60947-2 4 kA at 660/690 V AC 50/60 Hz conforming to IEC 60947-2 85 kA at 220/240 V AC 50/60 Hz conforming to IEC 60947-2 12.5 kA at 500 V AC 50/60 Hz conforming to IEC 60947-2 |
| Suitability for isolation | Yes conforming to EN 60947-2 Yes conforming to IEC 60947-2 |
| Utilisation category | Category A |
| Trip unit name | TM-D |
| Trip unit technology | Thermal-magnetic |
| Trip unit protection functions | LI |
| Pollution degree | 3 conforming to IEC 60664-1 |
Complementary
| Control type | Toggle |
| Mounting mode | Fixed |
| Mounting support | Backplate |
| Upside connection | Front |
| Downside connection | Front |
| Auxiliary contact composition | Without |
| Mechanical durability | 50000 cycles |
| Electrical durability | 10000 cycles 690 V In conforming to IEC 60947-2 20000 cycles 690 V In/2 conforming to IEC 60947-2 30000 cycles 440 V In conforming to IEC 60947-2 50000 cycles 440 V In/2 conforming to IEC 60947-2 |
| Connection pitch | 35 mm |
| Local signalling | Positive contact indication |
| Neutral protection setting | 1 x Ir (4t) |
| Protection type | L : for overload protection (thermal) I : for short-circuit protection (magnetic) |
| Trip unit rating | 100 A at 40 °C |
| Long time pick-up adjustment type Ir | Adjustable |
| Long time pick-up adjustment range | 0.7...1 x In |
| Long time delay adjustment type | Fixed |
| [tr] long-time delay adjustment range | 120…400 s at 1.5 x In 15 s at 6 x Ir |
| Short-time pick-up adjustment type Isd | Fixed |
| [Isd] short-time pick-up adjustment range | 800 A |
| Short-time delay adjustment type | Fixed |
| Height | 161 mm |
| Width | 140 mm |
| Depth | 86 mm |
| Net weight | 2.4 kg |
| Compatibility code | NSX100 |
Environment
| Overvoltage category | Class II |
| Electrical shock protection class | Class II |
| Standards | EN/IEC 60947 UL 508 |
| Product certifications | EAC CCC Marine |
| IP degree of protection | IP40 conforming to IEC 60529 |
| IK degree of protection | IK07 conforming to IEC 62262 |
| Ambient air temperature for operation | -35…70 °C |
| Ambient air temperature for storage | -55…85 °C |
Offer Sustainability
| Sustainable offer status | Green Premium product |
| REACh Regulation | REACh Declaration |
| EU RoHS Directive | Pro-active compliance (Product out of EU RoHS legal scope) EU RoHS Declaration |
| Mercury free | Yes |
| RoHS exemption information | Yes |
| China RoHS Regulation | China RoHS declaration |
| Environmental Disclosure | Product Environmental Profile |
| Circularity Profile | End of Life Information |
Contractual warranty
| Warranty | 18 months |
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4.3 ★★★★★
Based on 25 reviews
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Product Reviews
★★★★★ 4
Interesting Mutter
interesting
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Reviewed in the United States on May 13, 2026
★★★★★ 5
Convenient Accessibility
It's great to have a company card that my employees can have access to for office supplies and other purchases. Thank you Amazon 🙏
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Reviewed in the United States on May 13, 2026
★★★★★ 5
The Christmas movie no TV stations ever seem to show during the holidays
Since Amazon lumps the reviews for all the various releases of this movie together, I want to be clear that this review is for the single disc, 132 minute blu-ray version with the cover picture of smiling man made of bricks with the word "Brazil" flying out of the top of his head.
For those who don't know the history of this movie - there are at least three different versions. It was originally released in Europe as a nearly two and half hour long film. The studio who financed it didn't like that version because it A. was too long, B. was too uncommercial and C. had a dark, depressing ending. The contract they had with Gilliam stipulated that the movie had to be less than 2 hours and 15 minutes, so it could have multiple prime-time showings in theaters. They suggested he cut the ending.
Gilliam refused, so the studio took it upon themselves to create the "Love Conquers All" version, which chopped out almost an hour of footage - they only kept the parts that showed the main character Sam in a heroic light, anything that contributed to the Sam/Jill love story and anything that featured Robert DiNero. And, of course, the ending was changed to a happy ending by removing the final scene. Also, to make the plot easier to follow, they used some alternate takes, some deleted footage and hired voice actors to overdub dialog.
Unsurprisingly, Gilliam didn't want that version released, so he finally edited the movie down to 2 hours and 12 minutes, kept the dark ending and made a few other minor changes and the studio was contractually obligated to release that version to theaters in the United States.
It's this US version that appears on the blu-ray, with absolutely no additional features (not even the Gilliam commentary that's included on most other releases of the film). Annoyingly, they also added advertisements for other movies to the main menu screen. But I'm still happy to have this version, because it's the first time I've seen the "US edit" since originally seeing the film in a theater on the campus of Penn State back in my college days.
I can't really write an unbiased review of the movie itself, because from that first viewing I became obsessed with both Brazil and Terry Gilliam's films in general. I bought all his movies on VHS as soon as they came out and eventually replaced them with DVDs. I bought the 3-DVD Criterion "Final Cut" version of Brazil back when it was an expensive new release. I was surprised that it included scenes I'd never seen before - I think it's based mostly on the European version, with some additional tweaks by Gilliam. It also included the "Love Conquers All" version of the movie and a ton of bonus features. Sadly though, it wasn't animorphic, so on my widescreen TV it put black letterboxing bars on all four sides, shrinking the picture down to about 60% of the screen.
This blu-ray was exactly what I was looking for. While it's missing a few (non-essential) scenes, it's the version of the movie that I "grew up" with and is presented in full 16X9 animorphic widescreen. It's the best looking version I've seen since originally seeing it in the theater. For example, I never really noticed the makeup on Katherine Hellmond at the beginning of the movie to make her look older (pre-surgery), but it's clearly visible on the blu-ray. I've always felt bad for one actress during the explosion scene in the restaurant because it looks like she really does get hit by some of the flying debris - the blu-ray is maybe a little too clear there, because now I can tell it's just a dressed-up mannequin.
As for the movie itself - it's one of those films you'll either love or hate. Its alternate-reality, retro-futuristic look makes it seem nearly as fresh and amazing today as it did when it first came out. And the background plot of a government bureaucracy turning a country into a surveillance state in response to a perceived terrorist threat - I know it was based on things happening in England at the time, but it's like Gilliam had a crystal ball and looked 30 years into the United States' future. The alternating between "reality" and dream sequences and the general Gilliam quirkiness will probably put a lot of people off, but it's what drew me to this movie in the first place.
If you become fanatical about the movie like I am, you'll need both this blu-ray and the Criterion release. To fully experience the film you need to see every version (even the Love Conquers All version) because each one includes bits that aren't in any of the others.
If you do decide to watch Brazil and find that you like it, give some of Gilliam's more recent movies a try, like The Imaginarium of Dr. Parnassis and The Zero Theorem. Really, if you like odd, out-of-the-mainstream movies that you'll be thinking about for days after you see them, you can't go wrong with pretty much any Terry Gilliam film.
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Reviewed in the United States on January 11, 2016
★★★★★ 5
One Of My Top Ten Movies
It's a Terry Gilliam masterpiece that blends a touch of Monty Python, Twilight Zone, and Broadway! Worth the watch!
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Reviewed in the United States on May 3, 2026
★★★★★ 5
Visually Brilliant, Darkly Funny, and Still Uncomfortably Relevant
I rented Brazil through Amazon primarily because I’d heard it described as a dystopian sci-fi classic, but I wasn’t fully prepared for just how strange, creative, and visually dense this movie actually is. It feels like George Orwell had a stress dream after getting trapped inside a malfunctioning government office building designed by someone obsessed with ducts and paperwork.
The film does an incredible job blending dark comedy, bureaucracy, paranoia, retro-futurism, and outright absurdity into something that somehow still feels coherent. The world-building is fantastic in a very grimy, claustrophobic way where technology exists everywhere but almost none of it works properly. Everything feels intentionally inefficient and overcomplicated, which makes the setting weirdly believable.
Jonathan Pryce does a great job playing a character slowly unraveling under the weight of an increasingly surreal system, and Robert De Niro’s appearance is memorable despite limited screen time. The production design is honestly one of the standout elements of the entire film. Nearly every scene has some strange visual detail happening in the background that adds to the oppressive but oddly humorous atmosphere.
This definitely is not a fast-paced mainstream sci-fi movie, though. The pacing can feel slow at times, and the tone swings between satire, anxiety, fantasy, and bleakness in ways that probably won’t work for everyone. It’s the kind of movie where you occasionally stop and think, “What exactly am I watching?” while still wanting to keep watching.
The Amazon streaming quality itself was good with no playback issues during my rental, and the film benefits from a decent screen because there’s so much visual detail packed into the sets and cinematography.
Overall, Brazil is one of those movies that feels increasingly relevant the older it gets. Strange, unsettling, funny, visually inventive, and much more layered than I expected.
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Reviewed in the United States on May 23, 2026