SKU: 78832583173

Tractor UTE Van Camper road roller bulldozer crane 2X 2ft RGB LED APP Whip Lights Antenna W/ Flag Remote Control

$62.59 $69.55
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Description

Tractor UTE Van Camper road roller bulldozer crane 2X 2ft RGB LED APP Whip Lights Antenna W/ Flag Remote Control2X 2ft RGB LED APP Whip Lights Antenna W Flag Remote Control For Polaris UTV ATV Features Operating Voltage: DC12V 24V Chasing Color Model: 366 Brightness: 32 Level Flash Speed: 10 Level LED Type: RGB LED Chips Size: 2ft 61cm Mount Base: Billet Aluminum Mount with Quick Release Weatherproof: ip68 LED Lifespan: Over 50000 hours Specifics: There are two remote control methods: Bluetooth APP and remote control. RF Remote Control offers 300 patterns, 366

2X 2ft RGB LED APP Whip Lights Antenna W/ Flag Remote Control For Polaris UTV ATV

Features
Operating Voltage: DC12V/24V
Chasing Color Model:366
Brightness:32 Level
Flash Speed:10 Level
LED Type: RGB LED Chips
Size: 2ft/61cm
Mount Base: Billet Aluminum Mount with Quick Release
Weatherproof:ip68
LED Lifespan: Over 50000 hours

Specifics:
There are two remote control methods: Bluetooth APP and remote control. RF Remote Control offers 300 patterns, 366 modes, 32 brightness and 10 speed settings to chasing, flashing, even sequential lighting effects.

APPLICATIONS - The universal LED whips perfect for Truck, ATV, UTV, RZR, Can-am, Dune Buggy, Sand Rail, 4 Wheeler, Golf Cart, Go Kart, Motorcycles, industrial equipment.The universal LED whips can be installed in any location you see fit so that no matter what make and model you drive, you're sure to find the perfect position for it.

SAFETY & DURABILITY - These LED lighted whips are covered by EVA transparent heat shrink tube and high-toughness silicone , and protect the LED chips from water and dust. It features the enhanced shockproof mechanism and an updated base, which improving products durability and protecting the from mechanical damage.

EASY INSTALLATION - Installation is really quick and easy as the lighted whips come with Plug & play components which anyone can put it together quickly. Sliding the quick disconnect base "UP" to release, then drill a hole to tighten the LED whip, connect the battery wire, finally you can control it by just controlling a remote controller

Fitment:
For Pickup Wagon UTB Cab ATV SUV Jeep Truck Boat Bus
For Sport Utility 4WD 4X4 Mining Marine Car excavator
For Tractor UTE Van Camper road roller bulldozer crane
For Polaris RZR XP1K RZR 1000 RZR 900.
For RZR Offroad Jeep Rhino Sandrail Canam Buggy UTV.
For Ford F150 F250 F350.
Applications Widely Support, except for off road vehicle lighting, it can also be applied to Material handling, Agricultural machinery lighting, Marine LED lighting and Emergency & rescue LED lights. Such as:Off-Road Vehicles: UTV, sand rail, buggy, ATV, SUV, truck, train, motorbike, bus, tank etc. Engineering Vehicles: excavator, road roller, bulldozer, crane, fork lift and mining truck etc. Specialized Vehicles: fire engine, police car, rescue vehicle, communication vehicle, military command vehicle etc. Others: boat, fishing, courtyard lamp, yacht, road/ street lamp, etc.

Package:
2* RGB LED Whip Lights
1* Controller Driver
2* Snap-On Mounting Base and Fasteners
2* Flag Holder Set
2* X- Flag
1* Instruction Manual

Warranty:
Returns: Customers have the right to apply for a return within 60 days after the receipt of the product
24-Hour Expert Online: Solve your installation and product problems

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
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Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
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SKU: 78832583173

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4.2 ★★★★★
Based on 15 reviews
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Product Reviews
D
Verified Purchase
David R. Papke
Dallas, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Dallas, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
M
Verified Purchase
Matt M.
New York, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
Chelsea, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
C
Verified Purchase
Classics professor
Whiting, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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