SKU: 80608448105

Protec C239X 'Explorer Series' Tenor Trombone Gig Bag

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Description

Protec C239X 'Explorer Series' Tenor Trombone Gig BagProtec C239X Tenor Trombone Gig Bag Overview The Protec C239X Explorer Series Tenor Trombone Gig Bag is a lightweight, durable carrying solution designed to fit most tenor trombones, including models with valves and different wrap styles. Built with an abrasion resistant, water resistant nylon exterior, thick internal padding, and reinforced protection at key impact points, it is designed to reduce bumps and scratches during transport while providing

Protec C239X Tenor Trombone Gig Bag Overview

The Protec C239X Explorer Series Tenor Trombone Gig Bag is a lightweight, durable carrying solution designed to fit most tenor trombones, including models with valves and different wrap styles. Built with an abrasion-resistant, water-resistant nylon exterior, thick internal padding, and reinforced protection at key impact points, it is designed to reduce bumps and scratches during transport while providing generous storage for music and accessories.

Protec C239X Explorer Series Features

  • Fits most tenor trombone makes / models and is designed for slim lightweight horn protection with generous storage capacity for sheet music and other accessories
  • Durable abrasion resistant nylon exterior with thick protective 20mm padding along with reinforced puncture resistant bell protection against damage
  • Comfortable carrying handles with padded handle wrap, subway handle, includes shoulder strap, and built-in backpack straps with tuck-away pocket
  • Rear side sheet music pocket and reinforced puncture resistant slide storage pocket

Protec C239X Specs & Fit Info

  • Bell Diameter: Fits up to a 9.5” (24.1cm) bell
  • Overall Exterior Dimensions: 35(l) x 12(w) x 12(h)” ; 89 x 30.5 x 30.5cm 
  • Overall Interior Length: 33" ; 83.8cm
  • Slide pocket Interior Storage Dimensions: 32 x 1.5 x 5” ;  81.3 x 3.8 x 12.7cm
  • Sheet Music Pocket Interior Storage Dimensions: 13.5 x 1 x 9” ;  34.3 x 2.5 x 22.9cm
  • Bag: 4.1lbs ; 1.9kg

Condition

Brand new with tags

Who the C239X Tenor Trombone Gig Bag Is For

The Protec C239X is a protective soft gig bag for transporting a tenor trombone with streamlined bulk and practical storage. It is designed for students, commuters, and working players who want a lighter alternative to a hard case while still prioritizing padding, puncture-resistant reinforcement around the bell and slide areas, and multiple carry options.

The C239X stands out for its instrument compatibility and carry comfort: it fits most tenor trombones (including valve models and varied wraps), includes backpack straps that tuck away when not in use, and adds purpose-built storage for sheet music and accessories so your essentials stay organized for rehearsals, school, and gigs.

Common Questions About The Protec C239X

Will the Protec C239X fit a tenor trombone with an F-attachment?

Yes. The C239X is designed to hold most tenor trombone models regardless of valve or wrap, and it fits bells up to 9.5 inches in diameter.

How much storage does the C239X include for music and accessories?

It includes a rear sheet music pocket plus additional exterior storage for items such as mouthpieces and small accessories, along with a reinforced slide storage pocket.

What are the main carry options on the Protec C239X?

You can carry it using the padded handle wrap, the subway handle, the included shoulder strap, or the built-in backpack straps (which store in a tuck-away pocket when not needed).

We are proud to be an authorized Protec dealer

Shipping Notes
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SKU: 80608448105

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4.4 ★★★★★
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TheInternets
Alexandria, US
★★★★★ 4
Nice gold paper towel holder on a budget
Color: Gold-aa
For a less expensive option I was please with the assembly and the look. It did come a little scratched but mostly in hidden spots and for the price, can’t be beat. It is not super heavy feeling though, so if you want a really solid heavy holder this might disappoint, however I like that feature since I don’t want heavy things scratching and breaking my counter or tile floor. It doesn’t wobble and I like the color so I am mostly pleased, only giving it a little less of a review because it did come a little scratched
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 1, 2026
K
Verified Purchase
Kindle Customer
Omaha, US
★★★★★ 5
Does the job.
Works as a paper towel holder. Its a stick. It doesnt look like a cheap stick and it didn't break. Which means it met all my criteria. Great job.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 3, 2026
L
Verified Purchase
Lisa S.
Phoenix, US
★★★★★ 5
Nice product
Color: Gold-aa
when having guests over, it's nice for each one to use their own towel instead of having a 'community' guest towel, or those fancy ones that people feel guilty using. This solved the problem.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 7, 2026
A
Verified Purchase
Anonymous B
West Palm Beach, US
★★★★★ 5
Rich
Format: Paperback
A wonderful book that illuminates the reality of the God of Israel compared to the ANE deities.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 28, 2026
F
Verified Purchase
F. Gwin
Cuba, US
★★★★★ 5
Excellent. An invaluable resource!
Format: Paperback
Recently I have been reading a lot of books that have told me that the Bible's story of Adam and Eve plus the Exodus etc. are all myths that are extremely similar. Therefore, we should rethink the Bible and change our understanding of it to a more modern worldview that incorporates this knowledge and denies any sort of originality in the biblical account. John Oswalt thinks differently. He thinks that the Genesis story of origins is not some random piece of Semitic or Mesopotamian literature, but that is really unique revelation from God (and is prepared to back that statement up!). The book is divided into two sections: The Bible and Myth The Bible and History Oswalt spends the first few chapters defining the world of the Old Testament and trying to find a definition for the word myth. He comes to the conclusion that a myth "the reflection of a certain way of thinking about the world. To be sure, because of the way in which it thinks, the fantastic is often found in myth. But it is not the presence of the fantastic that makes a piece of literature myth; rather, it is the presence of the mythic worldview." This worldview, he asserts, is based off of what he calls "continuity," which he describes as "when the human, natural, and divine realms are expressed and actualized [together]." The worldview that assumes continuity is based on the here and now, and is very panentheistic. Primordial time is a key factor and the gods are dependent on the humans. This is not so with the biblical worldview. The worldview of the Bible assumes transcendence - an independent God meeting with people on his own terms. He then compares and contrasts these views and shows the real differences between stories like Enimu Elish and Genesis 1. He doesn't deny similarities in the narratives, but he shows the differences in the worldviews. He then moves on to history. Just like the word "myth," Oswalt has to define history, because how civilizations have viewed history in the past has never been the same as Western civilization views history. Then he asks whether or not the Bible is history, and whether or not it matters. He makes several great points here, one of which is that ancient annuals and chronicles never recorded the defeats of kings, yet we find Israel's holy book littered with their failures and mess ups. This is a serious deal when looking at whether or not the Bible is history, because in the ancient way of thinking this surely stands out. He then looks at other questions, like "Are Biblical Faith and Biblical History Inseparable?" and responds to some critics (including Bultmann!). He then looks into the origins of the Israelites' worldview by means of authorship. Is the Bible a late text that was updated from an older, polytheistic one? "No!" says Oswalt. He deals with critiques here as well before moving on to a brilliant conclusion where he sums up the book and gives us a view of how modernism and rationalism are taking us back to the worldview based on continuity. Overall, this was a brilliant book and I wish I had read it sooner!!! It seems like so many authors today are trying to convince us that the Bible has so much in common with the other stories of origin out of an anti-biblical or liberal worldview (like ). However, under close scrutiny these criticisms do not stand up. I thank John for this book, and I will be recommending it to countless others!
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Reviewed in the United States on August 11, 2012

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