POSE x REVOK 'Uphill Both Ways' (2025) Archival Pigment Print

POSE x REVOK 'Uphill Both Ways' (2025) Archival Pigment Print'Uphill Both Ways' by Pose + Revok, 2025 Limited Edition print based on the artist's legendary 2013 Houston Bowery Wall mural, New York. 22 x 33 Inches 55. 88 x 83. 82 Centimeters Full bleed archival pigment print on 240gsm Premium Archival Matte Paper with hand deckled edges. Limited Edition of 150 (#91 150). Hand signed by graffiti art legend Revok in black marker bottom left. Hand signed by graffiti art legend Pose in black marker bottom right.

'Uphill Both Ways' by Pose + Revok, 2025
Limited Edition print based on the artist's legendary 2013 Houston Bowery Wall mural, New York.
22 x 33 Inches
55.88 x 83.82 Centimeters
Full-bleed archival pigment print on 240gsm Premium Archival Matte Paper with hand-deckled edges.
Limited Edition of 150 (#91/150).
Hand-signed by graffiti art legend Revok in black marker bottom left.
Hand-signed by graffiti art legend Pose in black marker bottom right.
Hand-numbered in black marker bottom center.

ABOUT THE ART

Uphill Both Ways is the new limited edition print from POSE & REVOK featuring their mural from 2013 painted on the famous Bowery Wall. Own your own limited edition print now!

POSE, the moniker of artist Jordan Nickel, showcases the transformation of a renowned graffiti writer into an acclaimed painter. His work, combining sign-painting, Pop Art, printmaking, and graffiti, captures the essence of 21st-century hypermodernity. POSE's artwork, whether paintings or murals. seamlessly merge polished graphics with spontaneous creativity, balancing commercial success and personal fulfillment.

Entirely self-taught, Jason REVOK is known for pushing creative boundaries that began in the street. Although his story begins with graffiti, the artist has spent the last decade focusing on his studio practice and the evolution of process and concept. Refusing to be limited by his early recognition, REVOK allows only certain elements from graffiti culture to transition to his contemporary work—modest materials and industrial tools, ingenuity, his name—but his proclivity towards minimalism and post-painterly abstraction has become the driving force behind his practice.