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Eduardo Santana - Equilibrio permanente

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Eduardo Santana - Equilibrio permanenteThis work is 16" x 16" (40 x 40cm.). Acrylic, graphite and watercolor on paper. Done in 2005. Eduardo Santana is a teacher of fine art at one of the Universities in Havana. He is a highly skilled artist, with a substantial degree of conceptual brilliance. Surrealism is a challenging genre for any artist. Some of the Cuban artists tackle this challenge as well as artists anywhere in the world today. Where do these influences come from? Throughout Latin

 

This work is 16" x 16" (40 x 40cm.). Acrylic, graphite and watercolor on paper. Done in 2005.

Eduardo Santana is a teacher of fine art at one of the Universities in Havana. He is a highly skilled artist, with a substantial degree of conceptual brilliance. Surrealism is a challenging genre for any artist. Some of the Cuban artists tackle this challenge as well as artists anywhere in the world today. Where do these influences come from?

 

Throughout Latin America, the European art movement Surrealism was enthusiastically accepted by certain segments of the artistic community. Many artists were drawn to Surrealism’s emphasis on the irrational, the emotional, the personal, and the subconscious. In general, European Surrrealist artists examined “primitive” art and folk art to discover an instinctive spirit, a reference point that was relevant to Latin American artists searching to establish a distinctive art based on their own multifaceted traditions.

 

Highly influential in the implantation of Surrealism in Latin America was the founder of the movement, the French poet-philosopher Andre Breton. In 1934 the Chilean artist Roberto Matta, who had worked in France for Le Corbusier, abandoned his training in architecture, so that he could pursue art in Paris, where he became associated with Breton and the Surrealists. His early paintings placed nonrecognizable biomorphic forms onto a receding spatial grid. In his later works scratched and drawn figures occasionally take on the appearance of menacing Latin American generals, operating as one of the few references to his homeland in his otherwise generalized time and space.

 

Surrealism also allowed many Latin American artists to explore their individual ancestry. Cuban artist Wifredo Lam joined Breton and his Surrealist circle in 1940, after they went into self-exile in Martinique. When Lam returned to Cuba, he began to examine his own African heritage: his mother was Afro-Cuban, and his godmother was a Santeria priestess. He explored this heritage in his work, depicting tropical fantasies filled with forms suggestive of African sculpture, masks, and figures. This emphasis on African forms also related to his contact with the Surrealists, who saw all “primitive” (narrowly meaning non-Western) artistic expression as connected with humanity’s common subconscious forms and experiences. Lam was particularly influenced by his contact with Picasso, who early in the century had used African sculpture as an important inspiration for Cubism.

 

 

Some biographical notes:

CURRICULUM: Eduardo Santana Navarro. (Ciudad de La Habana, 24 de octubre de 1966.)

Studied at Artes Plásticas in 1980, in the foundation of the Museum Ernest Hemingway, San Ffrancisco. de Paula, although much of his training was self taught.

Solo shows: 1. “Paisajes”, Galería de Arte “10 de Octubre”, 1991. 2.“Pinturas” Galería Sala de Arte “Tretze”, Castellón, España, 1992. 3. “Habana de estos Tiempos”, Galería “Imago”, Gran Teatro de La Habana 2001. 4. “Manipulaciones”, Galería Fernando Boada, 2006. 5. “Vindicación de la armonía" 2010.Galeria Virgen del Camino. San Miguel el Padrón. 6.Sutil-Lente,exposicion de fotografias,Galeria Virgen del Camino,2014. 


Group shows:

Salón Provincial de Jóvenes y Adultos, auspiciado por el Departamento Provincial de Cultura; 1980.

“Primer Salón Nacional de Pequeño Formato”, “Salón Lalo Carrasco”, Hotel Habana Libre, 1981.

Salón de la Ciudad 1982. Centro Provincial de Artes Plásticas y Diseño.

Salón "Paisaje 82” Museo Nacional de Bellas Artes, 1982.

Invitado por el Grupo "Versiones del Paisaje", por el X .Aniversario del Parque Lenin. Galería Amelia Peláez 1982.

Salón de la Ciudad 1983 Centro Provincia de Artes Plásticas y Diseño. Con el grupo "La Vigía", expone en la Galería de Arte del municipio 10 de octubre en 1984.

Salón 13 de marzo, 1986. Departamento de Actividades Culturales de la Universidad de La Habana. Exposición "Fiesta". Museo Ernest Hemíngway. 1988.

Exposición “20 Años de la Galería L” Direcci6n de Extensión Universitaria, 1988.

III Salón de Pequeño Formato. 1988. Dirección Provincial de Cultura de Camagüey. IV Salón de Pequeño Formato. 1988.

Galería L. III Salón de Artes Plásticas "Arístides Fernández" Galería de Arte Universal. Güines, 1990.

IV Salón de Artes Plásticas “Arístides Fernández”, 1991 Salón de la Ciudad, 1994.

Exposición “Reencuentro”, Galería 10 de octubre 1996. VIII Salón de Artes Plásticas "Arístides Fernández, 1996.

Exposición “Oh La Habana”, Galería Ciudades del Mundo, 1997.

Exposición "Proyecto Horizontal en Portugal" Vidigueira e Beja 1998.

Homenaje del Grupo Proyecto Horizontal a Amelia Peláez, Hotel Habana Libre Tryp, 1998.

Exposición Proyecto Horizontal en: "Mito: esperanza ecléctica de la luz". 1998.

La Madriguera, Sede de la Asociación Hermanos Saiz. Exposición "Fe Horizontal". Convento de San Francisco de Asís. Oficina del Historiador de la Ciudad, 1998.

Exposición de Proyecto Horizontal, Galería Imago, 1998

Exposición de Proyecto Horizontal, "Son Arte”, Pintura Cubana de Fin de Siglo. Barcelona, Exposición de Proyecto Horizontal, "Hecho en Cuba” Prestige, arte y antigüedades. Barcelona Exposición de Proyecto Horizontal, Galería Galiano, 1999.

VII Salón “La Copa”, Galería de Arte de Marianao, 2001.

Salón “Waldo Luis Leyva”, Brigada Hnos. Saiz, La Madriguera, Quinta de los Molinos, 2001.

Salón de la Ciudad 2002, Centro Provincial de Artes Plásticas y Diseño, Ciudad de La Habana. Salón “13 de Marzo” Galería L, Extensión Universitaria.

Salón de Pequeño Formato “Fayad Jamis”, Galería L, 2002.

Exposición “Mas allá de los muros”, Galería de San Miguel del Padrón, 2002.

Exposición “Del Paisaje sus Aristas” Galería “Orígenes” 2004.

Exposición “Acción Virgen” Galería de San Miguel del Padrón, 2005.

Grupo Proyecto Virgen. 36 Exposición segunda edición del concurso de arte digital de la Fundación CLIC, El Salvador 37 Exposición permanente LIVING IN HARMONY en El Centro de Fotografía documental en Austin, Texas 2005

38 Exposición Sinastría Galería de Arte Virgen del Camino 2006.

39 III Salón Panorama 42, Galería del anfiteatro de Marianao 2006.

40 Salón de Arte erótico Fayad Jamis, Galería de Arte de Alamar 2007.

41 Exposición de fotografías en la ciudad de Hamilton por la celebración de la semana de la cultura Hamilton, Canada 2007

42 Salón de Arte Digital ¨Pixelart¨, concurso de arte digital. Sancti Spíritus.2008.

43Salón Sancti Spíritus Abstracto 2008.

44 Exposición ¨Imagen Sonora¨, asociación Faticart, Italia. Obra donada para el Museo de Arte Contemporaneo. 2008

45 Salón de Arte Digital ¨Pixelart¨, concurso de arte digital. Sancti Spíritus.2009.

46 Exposición colectiva en homenaje a Antonia Eiriz.2009.

47 Exposición colectiva dedicada a Antonia Eiriz 2014 en la Galería de SMP

48 Exposicion colectiva La Columna Infinita,San Fco de Asis,2016 .

 

Awards and honorable mentions:

1 Mención “Primer Salón Nacional de Pequeño Formato”, “Salón Lalo Carrasco”, Hotel Habana Libre, 1981.

2 Mención II Salón “Arístides Fernández” Galería de Arte Universal, Güines, Coauspiciado por la UNEAC, 1986.

3 Mención “Concurso 26 de Julio”, Dirección Política de las FAR, 1990.

4 Primer Premio en Exposición “Paisajes en Homenaje a Amelia Peláez” Taller de Cerámica Parque Lenin, 1990.

5 Premio en “Arte Colonial”, Salón Convocado por la ACAA, 1996 . Premio en Pixelart, concurso de arte digital. Sancti Spíritus.2008. 2do premio “Arte Vida”, Salón convocado por la Galería de Arte de San Miguel del Padrón 2009.

Mención en el 2do Salón de Artes Plásticas “Arte Vida” 2011.

 

Distinctions: -

“11 de Junio“. Otorgada por la Asamblea Municipal del Poder Popular de San miguel del Padrón。Año 2007. -“Gitana Tropical“。

Otorgada por la Dirección Provincial de cultura en el año 2009.

 

Membership: La ACAA.

Proyecto Comunitario Muraleando Murals: Escuela Secundaria Básica “Luis Melián”. Municipio San Miguel del Padrón 2003.

Escuela Primaria Nguyen Van Troi”. Municipio 10 de octubre. Proyecto comunitario Muraleando 2003. Centro Provincial de Superación para la cultura.

Proyecto comunitario Muraleando 2003.

Muro de la Termoeléctrica “Antonio Maceo”, hoy escuela de capacitación del MINBAS. Municipio Regla.

Proyecto de murales Cuba-Brasil 2003.

 

Donations:

Obra de técnica mixta / cartulina a Casa Guayasamin para el proyecto la capilla del hombre 1996.

Obra de técnica mixta / cartulina para el proyecto “Una obra para Pablo” 1997. Mural, acrílico / madera de 8 m cuadrados a la ESBU “Luis Melian” 2003.

Obra acrílico /cartulina para premiar la 22 edición del concurso nacional de cuentos Ernest Hemingway, 2010.

Obra donada para premiar la 23 edición Encuentro Nacional de Video.2010.Centro Hispanoamericano de Cultura. Obra acrílico / tela para formar parte del patrimonio cultural del municipio San Miguel del Padrón entregada al Museo Municipal.2011

Obra acrílico / Cartulina para homenajear a Pedro Pablo Rodríguez, Premio Nacional de Ciencias Sociales y Humanísticas en el marco de la feria del libro en su 22 edición.2013

Colaboraciones suyas han aparecido en la Revista Revolución y Cultura.

 

Santana has work in many important collections in Spain, Germany, United Kingdom, Portugal, Holland, Norway, Guatemala, Venezuela, the United States, Puerto Rico, Canada, France, Italy, México, Argentina, Slovakia, and Switzerland.

 

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Karla Crum
Lexington, US
★★★★★ 5
Professional and fun to read
Format: Paperback
The book is written by a professional who provides ideas and reasons about possibilities without being dogmatic.
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Reviewed in the United States on February 20, 2022
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Mark McDonough
Fort Morgan, US
★★★★★ 4
Absolutely Not Nonsense
Format: Hardcover
At first glance, this book might be mistaken for "Chariots of the Gods" hokum -- it's about pyramids, it suggest prehistoric connections between widely scattered civilizations, and it has an entire chapter on planetary catastrophes. However, this is a very serious effort. Granted, it raises a lot more questions than it answers, and can be a little monotonous in spots. But as a former geology major, I didn't spot any pseudo-science (which is not surprising, given that the primary author has a Ph.D. in Geology from Yale) and I found much food for thought. Sure, if it turns out that the whole theory of cultural diffusion is wrong, (similarities in disparate civilizations are due to migration and interconnection rather than parallel developoment) this book will be little more than an amusing footnote in the history of science. But then, plate tectonics was once a crackpot theory. This is a serious book that deserves to be read.
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Reviewed in the United States on December 6, 2003
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Art Lover
Waukegan, US
★★★★★ 5
Great Summer Read
Format: Paperback
As an academic who spends summers reading new - well grounded - theories, this was the best read of the summer. Intriguing! Well grounded in massive amounts of data - from myth to scientific dating techniques. LOVED it!
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Reviewed in the United States on June 6, 2014
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A. Thomas
Alexandria, US
★★★★★ 5
a very serious read about ongoing and proposed climate intervention
Format: Kindle
This book has a lot of serious information. If it’s honing to of any use to you , then it will require active reading, note taking etc. The complex social involvement of political and business interests that already exist with the spread of non- native species of plants and animals in North America, Australia, South America etc. Since the 19th century gives this reader a reason to pause in his quest to find the “right, simple, effective strategy” which would require an unimaginable level of cooperation between the EU, Asia,and North America. The likely scenario is that as get closer to deadlines by the year 2030 and beyond, partial programs will be launched by various combinations of government and public, and business interest’s. The result isn’t optimistic but it will be a reality.
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Reviewed in the United States on April 2, 2022
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Jack Hicks
Belleville, US
★★★★★ 4
interesting science
Format: Hardcover
Under A White Sky, The Nature of The Future, Elizabeth Kolbert, 2021 In 2015 Elizabeth Kolbert won the Pulitzer Prize for her book the Sixth Extinction. In my review of that book, I wrote: Kolbert is not a scientist but a reporter and writer for The New Yorker magazine and as such her book is structured as a series of bylines as she travels around the world reporting on scientists investigating extinctions in both the present and the past. As in that book she adopts the same format but this time investigating “how the very sorts of interventions that have imperiled our planet are increasingly seen as the only hope for its salvation”. Ice cores from the Antarctic and Greenland have shown that the last 10,000 years of earths history have been the most benign and stable climatological periods in the last 100,000 years. During this time, we have been able to develop agriculture, an amazing technological and a pervasive globe encompassing culture with a population now of almost 8 billion people. Without this unusually stable climate most of our current civilization would probably have not evolved or been possible. Up to this point we humans have taken this for granted thinking that this benign state will somehow last forever. In Kolbert’s last book she emphasized that due to our own rapacious destruction of earth’s ecosystems and our destabilization of climate stability, this situation is coming to an end and not responding is not an option. Facing an unimaginable crisis of our own making how should we respond? When we intervene, are we smart enough not to cause newer unanticipated problems greater than the original problem we sought to solve? Kolbert travels around the world seeking an answer to this question. She visits places and examples where we historically have tried to solve problems such as sewage in Chicago or taming floods on the Mississippi only to create larger problems such as invasive species or sinking cities such as New Orleans. The most interesting part of her book is when she addresses the people and places that are using current cutting-edge technology to save ecosystems and reverse global warming. One such example is on the Great Barrier Reef of Australia, one of the most diverse and prolific ecosystems on earth, which is under dire threat from oceanic warming and acidification. Faced with the real possibility of extinction of the reef in just decades, scientists are turning to genetic modification of Corals to make them more resistant to these fast-changing conditions. Since 2012 a new gene editing technology called CRISPR-Cas has become ubiquitous. In fact, so ubiquitous that you can buy your own “genetic engineering home lab kit” from a company in California called Odin for $1800. Kolbert buys her own kit and is able to engineer a colony of E. coli bacteria into a strain that is resistant to streptomycin antibiotic. She then inserts a jellyfish gene into yeast which then glows in the dark. Sound dangerous? Yes, what could possibly go wrong, but this is also the technology to develop new global warming resistant corals or destroy malaria carrying mosquitos, control rapacious rodents on Pacific Islands or control a plague of Cane Toads in Australia, not to mention breakthrough medical benefits. We have so altered natural systems with invasive species, with climatological chaos that the only solution is further intervention. She quotes a scientist at the Australian Animal Health Laboratory: “What people are not seeing is that this is already a genetically altered environment. Invasive species alter the environment by adding entire genomes that don’t belong. By contrast Genetic engineers, by contrast, alter just a few bits of DNA here and there”. “The classic thing people say with molecular biology is: Are you playing God? Well no. We are using our understanding of biological processes to see if we can benefit a system that is in trauma”. Do you feel guilty about all the carbon you are emitting into the atmosphere when you drive around in your SUV or eat a filet mignon? Now there is a way to assuage your guilt. There is a now a company called Climeworks that will do just that for the price of $1000 per ton of sequestered CO2. Being that each American emits about 20 tons per year following the American way of life and to totally assuage your guilt will cost you a cool $20,000 per year. Do you feel that guilty? Kolbert purchases one ton of sequestration and then visits the place where the deed is done which turns out to be at a geothermal power plant in Iceland. There they inject CO2 into the hot molten basalt at the bottom of their well to form limestone. This is a way the earth has been doing this process for millions of years without payment. In fact, it is the very process that transpired when the Himalayas were pushed up by the Indian subcontinent million of years ago, sequestered billions of tons of carbon into limestone and enabled the ice ages to begin 3 million years ago. Is this process a feasible solution to our current crisis? According to the latest UN climate report at this point, some form of sequestration is almost certainly required to avoid a catastrophic global temperature rise above 2 degrees regardless of what green technologies are introduced. Almost certainly the cost of that sequestration will have to be drastically reduced. Is there another way to approach the problem? Here Kolbert interviews scientists who are studying a process called solar geoengineering which involves shooting reflective compounds or crystals into the stratosphere to reflect sun light and reduce the earths albedo or heat absorption. This the same process that occurs when large volcanic explosions expel billions of tons of dust and S02 that block incoming sunlight and cool the planet. Last time a truly global volcanic eruption occurred was Tambora in Indonesia in 1815 and caused catastrophic cooling causing mass famine in various places around the world. Is this a feasible solution? Maybe, certainly not to the extent of Tambora and one side effect might be changing the sky from blue to white and hence the title of the book. Sunsets might be improved however. This a short book and quick read and one gets the sense that it was somewhat truncated because of the pandemic restricting travel. However, there is still a lot of interesting information about the future fate of our planet and what can be done to ameliorate the damage that we have inflicted. JACK
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Reviewed in the United States on March 1, 2021

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