SKU: 90631824913

Hooked

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Description

HookedHooked the gripping new novel from the author of global sensation BUTTER Yuzuki has become the poster girl of a British boom for Japanese fiction THE TIMES Tender and thrilling its Yuzuki at her best ELLE A MOST ANTICIPATED BOOK OF 2026 IN GUARDIAN, VOGUE, NEW YORK TIMES, FORBES, THE TIMES, SUNDAY TIMES STYLE, ELLE, STYLIST, BBC, GRAZIA, BRICKS MAGAZINE, RADIO TIMES, LITHUB, OPRAH DAILY and DAILY EXPRESS. The unmissable new novel of friendship and

Hooked

the gripping new novel from the author of global sensation BUTTER

‘Yuzuki has become the poster girl of a British boom for Japanese fiction’ THE TIMES

‘Tender and thrilling it’s Yuzuki at her best’ ELLE

A MOST ANTICIPATED BOOK OF 2026 IN GUARDIAN, VOGUE, NEW YORK TIMES, FORBES, THE TIMES, SUNDAY TIMES STYLE, ELLE, STYLIST, BBC, GRAZIA, BRICKS MAGAZINE, RADIO TIMES, LITHUB, OPRAH DAILY and DAILY EXPRESS.

The unmissable new novel of friendship and dangerous obsession from Asako Yuzuki, the award-winning author of the global bestselling sensation Butter.

Eriko really wouldn't mind being savaged, if it was her best friend doing the savaging …

Eriko's life appears perfect – devoted parents, pristine apartment and a high-flying job in the seafood division of one of Japan's largest trading companies. Her latest project, to reintroduce the controversial Nile perch fish into the Japanese market, is characteristically ambitious. But beneath her flawless surface she is wracked by loneliness.

Eriko becomes fascinated with a popular blog written by a housewife, Shoko. Shoko’s posts about eating convenience-store food and her untidy home are the opposite of the typical Japanese housewife’s manicured lifestyle. When Eriko tracks Shoko down at her favourite restaurant and befriends her, Shoko is at first charmed by her new companion. But soon Eriko's obsession with Shoko begins to spiral out of control, threatening her carefully laid plans. How far will she go to hold on to the best friend she’s ever had?

Beautifully translated by Polly Barton, Hooked is an unsettling story of the line between friendship and dangerous obsession, and a delicious exploration of food, loneliness and womanhood in contemporary Japan.

‘An exciting new thriller that you won't be able to put down’ RADIO TIMES

‘Expect to see this distinctive pink cover everywhere’ GRAZIA

‘[A] razor-edged story about women, appetite and what we'll do to feel chosen … Safe to say, we're already hooked’ OPRAH DAILY

‘No one writes about the hidden depths and lurking monstrosities of womanhood quite like Asako Yuzuki’ ALICE SLATER, author of Let the Bad Times Roll

‘A brilliant, shocking, unforgettable page turner … I couldn't stop reading’ COSTANZA CASATI, author of Babylonia

‘Remarkable … dark, tender and unforgettable’ JANE CASEY, author of The Secret Room

‘A thrilling and deliciously sharp examination of the extremes of female friendship. Achingly tender and wickedly funny’ EDEL COFFEY, author of In Glass Houses

‘A fantastically dark, sticky book about endlessly layered women, and fish’ ERIN KELLY, author of The House of Mirrors

‘Dark, spiny and slippery, this haunting tale of loneliness and longing in the modern age will leave you gasping’ TOBI COVENTRY, author of He’s the Devil

SPECIFICATIONS:

Author:Asako Yuzuki - Асако Юзуки

Publisher:HarperCollins Publishers

Language:English

Publication Date:2026

Format:Paperback

Width:135 mm / 5,3'

Height:216 mm / 8,5'

Weight:270 g

ISBN:9780008753832

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SKU: 90631824913

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4.7 ★★★★★
Based on 19 reviews
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David R. Papke
Houston, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
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DoubtfulReader
Charlottesville, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
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Matt M.
Belleville, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
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J. Christian
Lexington, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
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Verified Purchase
Classics professor
Alexandria, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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