SKU: 92809712964

FIDDLEHEAD - BETWEEN THE RICHNESS (LP)

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FIDDLEHEAD - BETWEEN THE RICHNESS (LP)OPAQUE VIOLET VINYL LP. "Fiddlehead wasn't supposed to make a second record. But, if we're being totally honest, they weren't supposed to make their first record either. Formed in what singer Pat Flynn describes as "a deeply, deeply, laughably depressing part of my life," Fiddlehead was born with modest intentions. Flynn and his then roommate, guitarist Alex Dow, decided to work on some songs, and with Basement having just broken up, guitarist Alex

OPAQUE VIOLET VINYL LP.

"Fiddlehead wasn't supposed to make a second record. But, if we're being totally honest, they weren't supposed to make their first record either. Formed in what singer Pat Flynn describes as "a deeply, deeply, laughably depressing part of my life," Fiddlehead was born with modest intentions. Flynn and his then-roommate, guitarist Alex Dow, decided to work on some songs, and with Basement having just broken up, guitarist Alex Henery entered the fold. Drummer Shawn Costa and bassist Adam Gonsalves—who has since been replaced by Casey Nealon—linked up with them and, all together, they wrote what would become the Out Of The Bloom EP. Those five songs established what Fiddlehead would be, a band that merged elements of post-hardcore, post-punk, and classic '80s emo into something that felt distinctly theirs.

After the release of their debut album Springtime & Blind, the band did some weekend-long tours, and saw that their music was hitting people harder than they ever expected. "Kids were singing along in a very desperate way and we realized it wasn't just resonating with us, it was resonating with these people in a really meaningful way," says Flynn. Springtime & Blind was a hit for many reasons, but chief among them was Flynn's open-hearted exploration of his father's passing, which saw him use his lyrics as a means of relating to and understanding his mother's grief. So when it came time for Fiddlehead to work on a second record, people weren't just curious what the songs would sound like, they were curious what they'd even be about. Between The Richness effectively picks up where Springtime & Blind left off, as Flynn dives headfirst into that same subject. But astute listeners will notice a major difference this time: Flynn is singing about himself. "These massive things happened in my life between the first record and this record. It just so happened that I ended up getting married, I had a child, and it was around the 10-year anniversary of my father’s passing. So what if I want to write another record about how I feel about the loss of my father? Will people be like, 'Pick another topic, dude.' So, the opening track is called 'Grief Motif' because it's the idea that this is an eternal struggle that will never go away. Take it or leave it, but it will be part of this dude as long as he's got a pen in the hand.

Between The Richness explodes with an energy that usurps that of Springtime & Blind. The guitar riffs of Dow and Henery are their most anthemic and combustive yet, making songs like "The Years," "Get My Mind Right," and "Down University" not just serve as the backbone for Flynn's personal ruminations, but empathetic, emotional musical stabs that hit the listener just as hard. Meanwhile, Costa and Nealon give the songs a propulsive heft, allowing a track like "Million Times" to dart into unexpected territories without ever feeling alien. But at the center if it all is Flynn. He's a different person than he was on Springtime & Blind, because he's now a father himself. And that experience colors the journey he goes on throughout the album. "My son’s name is Richard and my father's name is Richard, so it's literally between the two of them. But it's also the richness of life and the richness of death. It was important for me to capture that perfectly paradoxical feeling," says Flynn. "We started writing this record two weeks after my son was born, and it's a really great way for him when he's older—and when I'm gone—to say, 'My father wrote this in the first year of my life. What does that mean?'" It's an attempt to put words to that strange place we all exist in, that place between the richness."

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SKU: 92809712964

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Amil andrade
Boise, US
★★★★★ 5
Excelente producto
Size: 11"×17" 20Sheets & 8.5"×11" 10Sheets, Color: Teflon Paper
Pensé que era un poco más grande pero es súper bueno este producto
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Reviewed in the United States on April 11, 2026
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Sonnya Wilkins
Belleville, US
★★★★★ 5
🧵✨ Teflon Paper: The Unsung Hero of Appliqué Chaos
Size: 11"×17" 20Sheets & 8.5"×11" 10Sheets, Color: Teflon Paper
If you’re like me and enjoy assembling 37 microscopic pieces of fabric into something that hopefully resembles a dog, person, or llama in a sweater—this stuff is magic. I use it to build my appliqué masterpieces one tiny ironed layer at a time. The best part? Once your Franken-dog is assembled, you can just slide it off and fuse it to your quilt like a boss. No sticking, no scorched disasters—just smooth, glorious precision. Honestly, I love it more than I love some people.
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Reviewed in the United States on August 5, 2025
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kelroy Richardson
West Palm Beach, US
★★★★★ 5
Good
Size: 11"×17" 20Sheets & 8.5"×11" 10Sheets, Color: Teflon Paper
I am satisfied with this product.
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Reviewed in the United States on March 27, 2026
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katina noland
Omaha, US
★★★★★ 5
Works as expected
Size: 11"×17" 20Sheets & 8.5"×11" 10Sheets, Color: Teflon Paper
Protected my project as expected. Excellent quality
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Reviewed in the United States on December 27, 2025
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Kelly
Battle Creek, US
★★★★★ 5
Excellent quality and value!
Style: All-in-One Printer, Style: All-in-One Printer
I bought the Epson EcoTank 2400 yesterday and set it up today. If it continues performing this well for the next ten years, I’ll be very happy with this purchase. I bought it to replace my old Canon MP190. The print quality on the Canon suddenly became very poor, which may honestly have been more of a cartridge issue than a printer issue, but testing that would have been expensive. On top of that, the printer was old enough that modern operating systems no longer support the scanner drivers, so I couldn’t even use the flatbed scanner anymore. At that point, replacing the whole printer made more sense. The ET-2400 is not quite as wide as the MP190 which is a nice plus. The biggest advantage of the EcoTank line is the refillable ink tanks. Printer ink is already expensive, but traditional cartridges also include microchips and hardware that drive the cost even higher. With this printer, I can refill only the specific color I need instead of replacing an entire color cartridge because one channel ran out. I mostly print proxies and alternate art for Magic: The Gathering, so I regularly print nearly full-page, full-color images (eight cards per page). Because of that, image quality matters a lot to me. I also wanted a working flatbed scanner so I could scan my paintings instead of photographing them. I did not use the wireless features. Instead, I connected the printer directly to my computer with a USB cable after downloading Epson’s management software. Setup was straightforward, the software updated itself automatically after asking permission, and my computer recognized the printer immediately. It showed up in Photoshop right away with no issues. The only thing I disliked during setup was that the registration process appears to require opting into marketing emails. I’ll unsubscribe later. Print Quality: Colors are bright and vibrant, blacks are deep and dark, and the images come out crisp and clean. Some reviewers mentioned getting “light gray” blacks, but I haven’t experienced that problem at all. Scanning: The flatbed scanner is slightly too small for a full 9x12 painting, but I expected that and don’t consider it a flaw. The scans came out vibrant, sharp, and detailed. It couldn’t fully capture the shimmer of my metallic paints, but that’s normal — I usually need angled lighting in photographs to show metallic effects accurately anyway.
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Reviewed in the United States on May 24, 2026

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