SKU: 94376171

JASON ISBELL & THE 400 UNIT - WEATHERVANES (LP)

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JASON ISBELL & THE 400 UNIT - WEATHERVANES (LP)BLACK VINYL 2xLP. "A Jason Isbell record always lands like a decoder ring in the ears and hearts of his audience, a soundtrack to his world and magically to theirs, too. Weathervanes carries the same revelatory power. This is a storyteller at the peak of his craft, observing his fellow wanderers, looking inside and trying to understand, reducing a universe to four minutes. He shrinks life small enough to name the fear and then strip it away, helping

BLACK VINYL 2xLP.

"A Jason Isbell record always lands like a decoder ring in the ears and hearts of his audience, a soundtrack to his world and magically to theirs, too. Weathervanes carries the same revelatory power. This is a storyteller at the peak of his craft, observing his fellow wanderers, looking inside and trying to understand, reducing a universe to four minutes. He shrinks life small enough to name the fear and then strip it away, helping his listeners make sense of how two plus two stops equaling four once you reach a certain age -- and carry a certain amount of scars.

“There is something about boundaries on this record,” Isbell says. “As you mature, you still attempt to keep the ability to love somebody fully and completely while you’re growing into an adult and learning how to love yourself.”

Weathervanes is a collection of grown-up songs: Songs about adult love, about change, about the danger of nostalgia and the interrogation of myths, about cruelty and regret and redemption. Life and death songs played for and by grown ass people. Some will make you cry alone in your car and others will make you sing along with thousands of strangers in a big summer pavilion, united in the great miracle of being alive. The record features the rolling thunder of Isbell’s fearsome 400 Unit, who’ve earned a place in the rock ‘n’ roll cosmos alongside the greatest backing ensembles, as powerful and essential to the storytelling as The E Street Band or the Wailers.

They make a big noise, as Isbell puts it, and he feels so comfortable letting them be a main prism through which much of the world hears his art. He can be private but with them behind him he transforms, and there is a version of himself that can only exist in their presence. When he plays a solo show, he is in charge of the entire complicated juggle. On stage with the 400 Unit, he can be a guitar hero when he wants, and a conductor when he wants, and a smiling fan of the majesty of his bandmates when he wants to hang back and listen to the sound.

The roots of this record go back into the isolation of the pandemic and to Isbell’s recent time on the set as an actor on Martin Scorsese’s Killers of the Flower Moon. There were guitars in his trailer and in his rented house and a lot of time to sit and think. The melancholy yet soaring track “King of Oklahoma” was written there. Isbell also watched the great director work, saw the relationship between a clear vision and its execution, and perhaps most important, saw how even someone as decorated as Scorsese sought out and used his co-workers’ opinions.

“It definitely helped when I got into the studio,” Isbell says. “I had this reinvigorated sense of collaboration. You can have an idea and you can execute it and not compromise -- and still listen to the other people in the room.”

The first of five focus tracks from the album, “Death Wish,” is about being in love with someone suffering from depression, with a powerful universal undercurrent about the fragility of life and the power and limits of love. That grown-up kind of love. Musically the track is beautiful and fascinating. Isbell, clearly, has been listening to The Cure and tiny little tracers of post-punk find their way into this song and others. Matt Pence, the drummer and engineer, came into the studio to help with the drum sound. He got a bunch of kits set up and they arrived on structure for “Death Wish.” The kick drum hits on the two, which was weird and disconcerting, even upsetting, until it clicked. Now it feels complicated and intricate, yet never fragile, like the subject of the song itself. As the first track it announces that Isbell is an artist growing, exploring new musical frontiers. The Sylvia Massy-added strings make it big and ambitious, almost like a James Bond theme song.

“Middle of the Morning" was a lockdown song. Melancholy, honest, with those Isbell phrases that will sneak into your vocabulary – ahem, “farmhand’s ghost” – the narrator, who both is and is not Jason himself, describes the feeling of being stuck in place, wheels and mind spinning, feeling like some essential part of yourself lives just outside your reach.

“It was about trying to keep my mind from unraveling over the couple of years there,” he says now.

In “Cast Iron Skillet,” which will be sung by audiences and printed on merch for years to come, Isbell returns to a common theme. He is southern in accent, and family tree, and in musical ancestors, but he uses his art to tear down the worst of the south and try to build a new, better, more loving region in its place. The engine in this song is breaking open the myths and legends he learned, from the small and insignificant to the large and deadly. The characters are murderers and racists, human beings who weren’t always those things, and in between the lines is an author grappling with the forces of nurture and nature.

“I think nostalgia is an abomination,” he says. “I think it is a crime. I think it’s unnatural.”

Isbell says “Save the World” was the hardest for him to write and record, going through several drafts and changing perspective. It is the hardest to listen to as well, describing the moment another school shooting hits the cable news ticker or the newspaper headlines. It’s not about a victim of the crime, or even anyone adjacent, merely worried parents trying to raise children in a world where something like this could happen. This is songwriting as journalism, very sophisticated journalism, and the music reflects the lyrics. There’s no reverb. No crutch. Everything feels bone dry, like the song is being played only for you.

“This Ain’t It” is a romp, with a live vocal take and live guitars except for the overdubs on the outro. This is the 400 Unit in a room playing, wings spread in flight, more southern sounding than anything Isbell has written in years. The spirit of Keith Richards is all over this track and the best part about the terrible fatherly advice being given here is that the father in the song, a totally untrustworthy narrator, really believes what he is saying.
"

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Texgurl
Lake Worth, US
★★★★★ 4
Does the trick
Bought it with urea cream for my senior dad who was diabetes. Careful with it, it will tear
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 6, 2026
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Verified Purchase
Amazon Customer
New York, US
★★★★★ 5
The really work!
Bought these or a friend with severely dry cracked feet. The change was significant and immediate. They wore them around the house for a day and that night they could already feel the difference.
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Reviewed in the United States on January 12, 2026
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Lina
Lowell, US
★★★★★ 5
Fabulously bizarre and effective
These silicone socks have to be the strangest item I have ever ordered from Amazon. However strange they are, I was pleasantly surprised with them. My order came with two pairs, and I took one pair out to wash before use. I laughed at handling them then because they were a cross between hospital socks and leftover mannequin skin…trippy. The socks dried fast, so I put on foot lotion and put the socks on. The socks are beige skin tones that cover the entire foot up to the ankle, basically booties. The silicone is very soft and makes putting on and taking off the socks easy. They are also surprisingly easy to walk around in because the bottoms have grips, again, like hospital socks. I walked on tile, hardwood, and carpet with no slipping. The booties also stayed in place with no issues. I was concerned my feet would sweat, but that didn't happen. I was able to wear them for 3 hours without sweaty feet. When I took them off, my feet were a lot more soft than before or if I had used regular socks. For reference, my feet are not terrible, but the skin around my toes is dry and peeling from my picking(gross, I know). The socks I got are a size large, which worried me because they are big, but the site said for my shoe size (9) that's what I should order, and they were right. They are the perfect size and stretchy for room. I can't believe how cool and well-thought-out these socks are, on top of working. Honestly, these are among the top 20 favorite items I've ordered from Amazon. They may look incredibly strange, and they are, but they work wonders.
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Reviewed in the United States on June 5, 2025
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Amazon Customer
Grantham, US
★★★★★ 3
Not well made
I have used these for 2 weeks now and one of them has a hole in the sole... I won't ever buy them again
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Reviewed in the United States on July 15, 2025
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avalancheryder
Natrona Heights, US
★★★★★ 5
Absolute game changer for chronically dry feet/cracked heels
Size: S (up to size 7)-Beige
I had recently bought a pair of silicone heel/ankle wraps to fill out my boot a little since I noticed my heels were lifting when I was skating. I tested them out around the house and noticed they left my heels softer while the rest of my sockless feet got quite dry. So I got these full foot silicone socks to see the effect of having my whole foot covered. I slather the entirety of my feet with Dr. Scholl's Severe Cracked Heel Restoring Balm (love how convenient it is to apply it to my feet with the solid stick form) and then slip them into these silicone socks. After just a couple hours, when I pull out my feet they're (a teeny bit sweaty at first), but then overall soft and smooth and have absorbed the balm fully leaving barely any residue in the silicone sock. I find these silicone socks generally comfortable; I wear them in the evenings while relaxing on the couch, take them off after a couple hours and let my feet breathe a bit, and then reapply my balm and socks and wear them to bed. If I wake up in the middle of the night, which I almost always do (not because of the socks), I'll take the socks off and allow my feet to breathe again. I wear a woman's size 6 shoe and the small size is pretty comfortable. However, I made the mistake of wearing them while being on my feet for a couple hours straight during household chores -- they must've somehow cut off my circulation a bit with the standing, so I wouldn't recommend wearing these silicone socks while being active. And since they're not exactly my foot size, they slide around sometimes and will start to feel tight at my big toe. But if that happens, I just tug on the toe area of the sock to give my big toe more wiggle room and problem solved. Prior to wearing these socks, I was soaking and doing heavy duty exfoliation of my feet every week. These socks seem like they'll work to help me extend the time between soakings and exfoliations. The 5 pack is a great value. So far none have torn, so they seem rather durable. Not sure what I could even do to tear a hole in these.
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Reviewed in the United States on January 16, 2026

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