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Description
DWC 18-2500 HPC 4,0 I-Plus Accu Schroefautomaat DURADRIVE - 577194In elk detail gespecialiseerd in de droogbouw: De korte constructie en het uitgebalanceerde zwaartepunt zorgen voor een optimale gewichtsverdeling ook bovenhands. De magazijnadapter voor schroeven op band maakt deze de eerste keuze voor snel en nauwkeurig schroeven met n hand met een exacte diepte en een enorme snelheid. Dankzij de innovatieve Stop and Go functie werkt de koolborstelloze EC TEC motor alleen als deze wordt gebruikt. Het resultaat: tot
In elk detail gespecialiseerd in de droogbouw: De korte constructie en het uitgebalanceerde zwaartepunt zorgen voor een optimale gewichtsverdeling – ook bovenhands. De magazijnadapter voor schroeven op band maakt deze de eerste keuze voor snel en nauwkeurig schroeven met één hand – met een exacte diepte en een enorme snelheid. Dankzij de innovatieve Stop-and-Go-functie werkt de koolborstelloze EC-TEC motor alleen als deze wordt gebruikt. Het resultaat: tot wel 40% meer schroefcapaciteit per acculading.
Kenmerken en sterke punten
- Robuust en bestendig: koolborstelloze, onderhoudsvrije EC-TEC-motor voor een lange levensduur, een enorme efficiëntie en maximaal uithoudingsvermogen
- Snelheid bij seriematig schroeven: snel en zonder gereedschap wisselen naar magazijnadapter mogelijk – voor de verwerking van schroeven op band
- Energiebesparende start/stop-functie: de motor werkt alleen als deze wordt gebruikt
- Precies werken: slijtvaste, elektronische uitschakeling voor een exacte inschroefdiepte
- Individuele accupower: Voor maximaal gemak bij korter gebruik en minder veeleisende toepassingen met het 3,1 Ah Compact-accupack. Of voor volle kracht en uithoudingsvermogen met het 4,0 Ah Li-HighPower Compact-accupack (krachtig genoeg voor elke toepassing, en 20% lichter en 50% compacter dan een 5,2 Ah-standaardaccupack). Of gebruik bestaande accupacks met de Basic-variant of selecteer uw favoriete accu daarbij afzonderlijk
- In twee varianten verkrijgbaar: DWC 18-2500 met optimaal draaimoment voor het vastschroeven van gipsvezelplaten en houten platen.
- DWC 18-4500 met de hoogste toerentallen voor seriematig schroeven in zeer korte tijd – optimaal geschikt voor gipskarton
- Extreem duurzaam: Met welk accupack u uw basis-versie ook combineert: dankzij de hoogwaardigste accucellen hebben onze accupacks een uiterst lange levensduur. En vanzelfsprekend met de Festool SERVICE volledig verzekerd. Inclusief onze gratis volledige reparatie. Snel, grondig en absoluut uniek ook voor accupacks en oplaadapparaten: in de eerste drie jaar gratis. (garantievoorwaarden, zie www.festool.nl/service)
Zwaartepunt toepassing
- De accu-specialist voor de droogbouw met gipsvezelplaten en spaan- of OSB-platen
- DWC 18-2500 met optimaal draaimoment voor het vastschroeven van gipsvezelplaten en houten platen (tot een schroefdiameter van 5 mm)
- Bevestiging van gipsvezel- en houten platen op metalen en houten constructies
Technische gegevens
- Accuspanning: 18 V
- Versnellingen: 1
- Onbelast toerental: 0 - 2 500 min?¹
- Max. draaimoment hout/staal: 7/18 Nm
- Max. bewerkbare schroeflengte: 55,00 mm
- Spindelschroefdraad: 1/4
- Gewicht met diepteaanslag: 1,6/1,8 kg
- Gewicht met magazijnadapter: 2,0/2,2 kg
- Type aandrijving: Accu
Technische kenmerken
- Electronic: Regelbaar toerental voor op het materiaal afgestemd werken.
- Start/Stop: AUTO-modus ook zonder bediening van de hoofdschakelaar.
- Elektronische bewaking van de wikkelingstemperatuur: Elektronische bewaking van de wikkelingstemperatuur beveiligt tegen motorschade.
- EC-TEC-motor: Het EC-TEC aandrijfconcept staat voor een buitengewone krachtontplooiing bij een uiterst gering energieverbruik.
- Rechts- / linksloop: Voor het in- en uitdraaien van schroeven.
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4.7 ★★★★★
Based on 9 reviews
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Product Reviews
★★★★★ 5
Find yourself, your heritage and the wonder of words!
Format: Hardcover
Get this book! "If we are Black it should be Perfect. Crystal has shared a wonderful book. Curl up with a cup of soul and enjoy it."―Nikki Giovanni, Poet
I could not say anything more than Nikki or others who’s reviews stare more eloquently the wonder of Crystal’s words!-Regina
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Reviewed in the United States on September 18, 2021
★★★★★ 5
Amazing Collection!
Format: Hardcover
I've loved Crystal Wilkinson's fiction for so long, so I'm thrilled to see her new book of poems (along with some essays and gorgeous/compelling artwork by Ron Davis). So many memorable image systems work their ways through the poems: creek water, tobacco, the Black body, blood, knives, food and kitchens--symbols and themes which have always marked Wilkinson's oeuvre in one way or another. Her language is lyrical in describing the brutalities of farm life, abuse, grief, and loss. This poetry collection is just stunning!
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Reviewed in the United States on November 9, 2021
★★★★★ 4
Need my own copy.
Format: Kindle
Looking forward to more of her work, and rereading this book. Some very evocative lines awake my granma memories much like the granmother memories herein.
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Reviewed in the United States on February 24, 2022
★★★★★ 5
Amazing Book...
Format: Paperback
It takes a lot nowadays for me to rate any Fiction book 5 stars. I read way more non-fiction, and usually only read highly recommended fiction, or some that's given to me.
There are plenty of other reviews here that tell you how it's not a "happy" book (why that matters i dont know), so i wont go on about that part. I dont base my reading choices on whether they have a happy fantasy story.
This story is very real. The writing is really good. I have several points that i use to rate a book: the story itself, the actual writing style, the 'entertainment' value, the emotions it brings out - laughter, sadness, etc., and if it's very memorable - either by being very different than anything i've ever read, or by something else about it being very different.
The only point out of all of those that i wouldnt give a 5 would be the writing style/prose - which i'd give a 4. It's very good, but not "amazing" to me like some authors are.
The author brought me into the characters - where i could feel what they were feeling, and i understood why they did the 'bad' things they did - totally. I felt the way they lived, the area, the poverty... As the story progressed, i stayed up one night for HOURS wanting to know what happened - until the sun rose actually.
As the finale was coming - which i had no idea would be the way it was - i was literally gripping the book with both hands and holding it up to my face. I realized this and laughed to myself since i hadnt even noticed. Then - i sobbed thru the last 20 pgs - i havent cried from ANY fiction for a long time. Yes, i get into books and really let them take me away, but this book has a special kind of writing and a special story that i never expected to effect me sooo much.
The author THEN does something so amazing at the very end - when i couldnt believe it could get any better. I KNEW what i wanted to happen - and i kept thinking to myself, "no, it wont - because it will just seem to corny if it does." (Even tho i wanted it so much.) She made it happen in a special way, without making it corny but while bringing me the hope and good feeling i needed after all the sobbing. (I dont want to give anything away just in case you dont know the story.)
This book scores an A+. If you love good, moving, American fiction you will love this.
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Reviewed in the United States on October 21, 2013
★★★★★ 4
Brava, Ms. Ward
Format: Paperback
I read this novel, along with nine others, for a college literature course. Of the ten, this was the only book to elicit a strong emotional reaction from me. There were moments when I hung my head in frustration, threw up my hands in respect (God bless Ward’s writing style), and wiped my face of tears and snot after crying my eyes out. An incredibly moving and poignant novel.
The novel opens with its narrator Esch, fourteen years old and pregnant. She often follows her brothers around, and is constantly surrounded by men as well as the gruesome society of dog-fighting. Esch’s predominant male surrounding is, perhaps, the main influence that encourages her to sleep with her brother’s friends, and to submissively pine for the one boy, Manny, who unforgivingly mistreats her. Though Esch’s character was impeccably frustrating, and borderline stereotypical and archetypal, her faults lie with a motherless young girl, who wants to be wanted and loved. Both frustrating and annoying, this characterization was, at times, unlikable, yet that is exactly what made Esch so human.
I applaud Ward’s lyrical writing style, as well her ability to write such gruesome and honest depictions that made me literally cringe when reading. Ward is able to effortlessly incorporate poetic language into her novel that, at times, made me set the book in both awe and envy, knowing I would never be able to produce such a product. I did find there to be a disconnect between the poetic language and the colloquial diction. That’s to say, I found it a bit unbelievable that Esch would speak so poorly to her family and friends, yet express herself so eloquently in her narration. Regardless, I found the poetic language to be successful and moving.
I knew before reading the book that it was centered on Hurricane Katrina. However, I was surprised that the novel was centered on the build-up to the hurricane. Katrina itself is more or less twenty pages. The chapter pertaining to the hurricane, as well as the aftermath of the hurricane, were the sections of the novel that I found most captivating. Living through the hurricane with Esch and her family was difficult to read, which is perhaps why Ward chose to limit its description. That said, I wish I had more of Katrina and its aftermath. I waited for the hurricane for 200 pages, and it seemed to end as soon as it started. Though I was unsatisfied by the ending, I appreciated that the novel was a work that was not so much about Katrina as it was about survival and family.
I was captivated by Ward’s poetic writing and honest characters. I will definitely be on the lookout for her other works, as well as an avid recommender of this novel.
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Reviewed in the United States on December 10, 2015
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