SKU: 29428373757

Glenn Gould - Johann Sebastian Bach - Glenn Gould Joue Bach (12xCD + Box, Comp)

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Glenn Gould - Johann Sebastian Bach - Glenn Gould Joue Bach (12xCD + Box, Comp)Media Condition: Very Good Plus (VG+) Sleeve Condition: Very Good Plus (VG+) Comments: General notes about this release (please note: our version may differ a little. see the comments above): 2004 Sony Music Entertainment Inc. Distribution Sony Music. CD1: tracks 1 30 recorded at 30th Street Studio, New York City, 10, 14 & 16 6 1955, mono; tracks 31 32 recorded at 30th Street Studio, New York City, 29 31 7 & 1 8 1957, mono. CD2: recorded at 30th

Media Condition: Very Good Plus (VG+)
Sleeve Condition: Very Good Plus (VG+)

Comments:

General notes about this release (please note: our version may differ a little. see the comments above):
℗ © 2004 Sony Music Entertainment Inc. Distribution Sony Music. - CD1: tracks 1-30 recorded at 30th Street Studio, New York City, 10, 14 & 16/6/1955, mono; tracks 31-32 recorded at 30th Street Studio, New York City, 29-31/7 & 1/8/1957, mono. - CD2: recorded at 30th Street Studio, New York, April/May 1981. - CD3: recorded at Eaton's Auditorium, Toronto, Canada, 11/3 & 4/11/1973 (Suite No. 1); 23/5/1971 (Suite No. 2); 21 & 22/6/1974 (Suite No. 3). - CD4: recorded at Eaton's Auditorium, Toronto, Canada, 14 v& 15/12/1974; 23 & 24/5/1976 (Suites Nos. 4 & 5); 10 & 11/10/1975; 23 & 24/5/1976 (Suite No. 6). - CD5: recorded at Eaton's Auditorium, Toronto, Canada, 16/11/1972 (Suite No. 1); 5/11/1972 (Suite No. 2); 12/12/1972 & 17/02/1973 (Suite No. 3); 17/2/1973 (Suite No. 4); 27/2 & 23/5/1971 (Suite No. 5); 13/3 & 23/5/1971 (Suite No. 6). - CD6: recorded at 30th Street Studio, New York City, 18/9/63 & 19/3/64. - CD7: tracks 1-19 recorded at 30th Street Studio, New York City, 1 & 8/5, 22/9/1959 (Partita No. 1); 22 & 23/6/1959 (Partita No. 2); 18 & 19/10/1962 (Partita No. 3); tracks 20-37 recorded at Eaton's Auditorium, Toronto, Canada, 10 & 11/10/1979 (tracks 20-30); 20/1 & 2/2/1980 (tracks 31-37). - CD8: tracks 1-21 recorded at 30th Street Studio, New York City (mono recordings except track 1 to 8, 14, 15 & 21), 11 & 12/12/1962, 19 & 20/3, 9/4/1963 (Partita No. 4); 29-31/7, 1/8/1957 (Partita No. 5); 29-31/7, 1/8/1957 (Partita No. 6); tracks 22-27 recorded at Eaton's Auditorium, Toronto, Canada, 20/1 & 2/2/1980. - CD9: recorded at Eaton's Auditorium, Toronto, Canada, 16, 17, 31/10 & 1/11/1976 (BWV 912); 31/10 & 1/11/1976 (BWV 910); 16 & 17/10/1976 (BWV 913); 15 & 16/5/1979 (BWV 911). - CD10: tracks 1 & 2 recorded at Eaton's Auditorium, Toronto, Canada, 12/6/1979 (BWV 915); 15 & 16/5/1979 (BWV 916); track 3 recorded at 30th Street Studio, New York City, 8/4/1963; tracks 4-14 recorded at Eaton's Auditorium, Toronto, Canada, 10, 11, 24 & 31/1 and 27/2/1971, 5/11/1973. - CD11: tracks 1-5, 12 & 16-19 recorded at Eaton's Auditorium, Toronto, Canada, 11/6/1979 (tracks 1-3), 5/8/1979 (tracks 4 & 5), 18/4/1971 (track 12), 11/10/1979 (track 16), 5/4/1980 (tracks 17-19); tracks 6-11 & 13-15 recorded at 30th Street Studio, New York City, 30/1/1968 (tracks 6 & 8), 6/2/1968 (track 7), 30/1/1968 (tracks 9-11), 22-26/6/1959 (tracks 13-15). - CD12: recorded at 30th Street Studio, New York City, 11 & 30/4/1957, Mono. The 12 CDs are housed in 12 separate jewel cases, each including a booklet in French or English.

 

. Variations Goldberg, BWV 988 (Enregistrement De 1955)
. Aria Avec 30 Variations (Exercice Pour Le Clavier - Partie IV)
. Extrait Du Livre II Du Clavier Bien Tempéré
1-33. Fugue En Fa Dièse Mineur, BWV 883 3:14
1-34. Fugue En Mi Majeur, BWV 878 4:17
. Variations Goldberg, BWV 988 (Enregistrement De 1981)
. Aria Avec 30 Variations (Clavier-Übung - IV. Partie)
. English Suites - Volume 1
. Suite No. 1 In A Major, BWV 806
. Suite No. 2 In A Minor, BWV 807
. Suite No. 3 In G Minor, BWV 808
. English Suites - Volume 2
. Suite No. 4 In F Major, BWV 809
. Suite No. 5 In E Minor, BWV 810
. Suite No. 6 In D Minor, BWV 811
. The French Suites
. Suite No. 1 In D Minor, BWV 812
. Suite No. 2 In C Minor, BWV 813
. Suite No. 3 In B Minor, BWV 814
. Suite No. 4 In E-Flat Major, BWV 815
. Suite No. 5 In G Major, BWV 816
. Suite No. 6 In E Major, BWV 817
. The Two And Three Part Inventions (Inventions & Sinfonias)
6-1. Inventio 1 In C Major, BWV 772 1:30
6-2. Sinfonia 1 In C Major, BWV 787 0:43
6-3. Inventio 2 In C Minor, BWV 773 2:54
6-4. Sinfonia 2 In C Minor, BWV 788 3:00
6-5. Inventio 5 In E-Flat Major, BWV 776 1:21
6-6. Sinfonia 5 In E-Flat Major, BWV 791 3:05
6-7. Inventio 14 In B-Flat Major, BWV 785 1:37
6-8. Sinfonia 14 In B-Flat Major, BWV 800 1:07
6-9. Inventio 11 In G Minor, BWV 782 0:54
6-10. Sinfonia 11 In G Minor, BWV 797 3:43
6-11. Inventio 10 In G Major, BWV 781 0:40
6-12. Sinfonia 10 In G Major, BWV 796 0:55
6-13. Inventio 15 In B Minor, BWV 786 0:51
6-14. Sinfonia 15 In B Minor, BWV 801 1:02
6-15. Inventio 7 In E Minor, BWV 778 0:54
6-16. Sinfonia 7 In E Minor, BWV 793 1:30
6-17. Inventio 6 In E Major, BWV 777 2:42
6-18. Sinfonia 6 In E Major, BWV 792 0:48
6-19. Inventio 13 In A Minor, BWV 784 0:45
6-20. Sinfonia 13 In A Minor, BWV 799 2:12
6-21. Inventio 12 In A Major, BWV 783 0:56
6-22. Sinfonia 12 In A Major, BWV 798 1:13
6-23. Inventio 3 In D Major, BWV 774 1:00
6-24. Sinfonia 3 In D Major, BWV 789 1:05
6-25. Inventio 4 In D Minor, BWV 775 0:45
6-26. Sinfonia 4 In D Minor, BWV 790 3:13
6-27. Inventio 8 In F Major, BWV 779 1:03
6-28. Sinfonia 8 In F Major, BWV 794 0:57
6-29. Inventio 9 In F Minor, BWV 780 2:48
6-30. Sinfonia 9 In F Minor, BWV 795 4:18
. Partitas BWV 825-827
. Partita No. 1 In B-Flat Major, BWV 825
. Partita No. 2 In C Minor, BWV 826
. Partita No. 3 In A Minor, BWV 827
. 6 Little Preludes, BWV 933-938
. Prelude And Fughetta In D Minor, BWV 899
7-28. Prelude In G Major, BWV 902 3:20
7-29. Prelude In G Major, BWV 902/1a 0:53
7-30. Fughetta In G Major, BWV 902 0:55
. Extrait Du Petit Livre De Wilhelm Friedemann Bach
7-31. Fugue In C Major, BWV 952 1:17
7-32. Fughetta In C Minor, BWV 961 2:25
7-33. Fugue In C Major, BWV 953 1:20
. Prelude And Fugue In A Minor, BWV 895
. Prelude And Fughetta In E Minor, BWV 900
. Partitas BWV 828-830
. Partita No. 4 In D Major, BWV 828
. Partita No. 5 In G Major, BWV 829
. Partita No. 6 In E Minor, BWV 830
. 6 Little Preludes, BWV 924-930 (From The Wilhelm Friedemann Bach Büchlein)
8-22. Praeambulum In C Major, BWV 924 1:47
8-23. Praeambulum In F Major, BWV 927 0:36
8-24. Praeludium In D Minor, BWV 926 0:49
8-25. Praeludium In D Major, BWV 925 0:56
8-26. Praeludium In F Major, BWV 928 1:08
8-27. Praeambulum In G Minor, BWV 930 3:21
. Toccatas Vol. 1
9-1. Toccata In D Major, BWV 912 14:01
9-2. Toccata In F-Sharp Minor, BWV 910 11:43
9-3. Toccata In D Minor, BWV 913 17:08
9-4. Toccata In C Minor, BWV 911 11:13
. Toccatas Vol. 2
10-1. Toccata In G Minor, BWV 915 8:44
10-2. Toccata In G Major, BWV 916 8:52
10-3. Toccata In E Minor, BWV 914 8:35
. Ouverture In The French Style, BWV 831 (Partita In B Minor From Clavier-Übung, Part II)
. The Italian Album
. Concerto In D Minor After Alessandro Marcello, BWV 974
11-4. Fugue In B Minor On A Theme By Tomaso Albinoni, BWV 951 4:36
11-5. Fugue In A Major On A Theme By Tomaso Albinoni, BWV 950 4:13
11-6. Sonata In D Major, K. 430 (L. 463) - Non Presto Mà A Tempo Di Ballo 1:44
11-7. Sonate In D Minor, K. 9 (L. 413) - Allegro 1:48
11-8. Sonata In G Major, K. 13 (L. 486) - Presto 2:22
. Sonata In A Minor "Württemberg" No. 1 Wq. 49 No. 1 (H. 30)
11-12. Aria Variata Alla Maniera Italiana In A Minor, BWV 989 9:42
. Italian Concerto In F Major, BWV 971
11-16. Chromatic Fantasy In D Minor, BWV 903 6:20
11-17. Fantasy In G Minor, BWV 917 2:59
11-18. Fantasy In C Minor, BWV 919 2:13
11-19. Fantasy (And Fugue) In C Minor, BWV 906 7:02
. Keyboard Concertos - Vol. I
. Concerto For Piano & Orchestra No. 1 In D Minor, BWV 1052
. Concerto For Piano & Orchestra No. 4 In A Major, BWV 1055
. Concerto For Piano & Orchestra No. 5 In F Minor, BWV 1056

 

Barcode and Other Identifiers:

Barcode 5 099751 850922
Barcode 5099751850922
Rights Society SACEM SDRM SACD SCAM
Rights Society BIEM
Label Code LC 6868
Other SMK 52594
Barcode 5 099705 259429
Other SMK 52619
Barcode 5 099705 261927
Other SMK87765
Barcode 5 099708 776527
Other SMK87776
Barcode 5 099708 776626
Other SMK87764
Barcode 5 099708 776428
Other SMK87754
Barcode 5 099708 775421
Other SMK87767
Barcode 5 099708 776725
Other SMK87768
Barcode 5 099708 776824
Other SMK87762
Barcode 5 099708 776220
Other SMK87763
Barcode 5 099708 776329
Other SMK87753
Barcode 5 099708 775322
Other SMK87760
Barcode 5 099708 776022

 

Made By Sony Music
Phonographic Copyright (p) Sony Music Entertainment Inc.
Copyright (c) Sony Music Entertainment Inc.
Distributed By Sony Music
Recorded At Columbia 30th Street Studio
Recorded At Eaton's Auditorium

Data provided by Discogs
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Shannon S.
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★★★★★ 3
Be ready to question everything and everyone…
Format: Kindle
We Used to Live Here definitely nails the creeping sense of dread and paranoia throughout the story. I constantly questioned whether Eve was truly unraveling or if she was the only person actually sensing danger, and the added news articles, interviews, and scientific discussions throughout the book made the atmosphere even more unsettling. I also connected with Eve’s struggles surrounding anxiety, people-pleasing, and past religious experiences, which added an emotional layer to the horror for me. That said, the pacing felt super uneven. Most of the story takes place over only a couple of days, but it dragged at times and honestly felt like it would work better as a movie than a book. Things finally picked up around the 70% mark, but the ending left me wanting much more explanation and payoff than we as the readers received. Overall, this was an eerie, anxiety-inducing read with a fantastic atmosphere, even if the execution didn’t fully land for me.
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Reviewed in the United States on May 19, 2026
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Waukegan, US
★★★★★ 4
read-this-book-now
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I liked the pace, the story and the characters. Sadly I found it at the end a bit confusing. I think the book needed more edition work. Otherway, it is a recommendable book if you want horror with a bit of science fiction. Be advised you'll need to use your imagination to understand certain pasages.
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Reviewed in the United States on February 13, 2026
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angela
Louisville, US
★★★★★ 2
Not even a good read. Pass it.
Format: Paperback
Unfortunately, this book was basically a whole lot of nothing. It was not what I was hoping for, which was on the edge of your seat scary. It was not even alittle scary. Left me with unanswered questions and confused. Sorry..I did not like this book at all.
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Jennybee
San Leandro, US
★★★★★ 5
Easy to read and fall in love with
Format: Hardcover
one of those books that feels less like a story and more like an experience. Ray Bradbury captures the magic of summer, childhood, and all the little things in life we take for granted. I loved the way it blended nostalgia with those bittersweet moments of growing up. It’s slow at times, but that’s the beauty of it — it makes you stop and notice the small details, just like the characters do. For me, it felt like stepping back into a simpler time, but with all the emotions and lessons that still matter today. It’s warm, reflective, and beautiful. A book you don’t just read — you feel.
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Reviewed in the United States on September 20, 2025
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Kindle Customer
Lowell, US
★★★★★ 5
Vintage Bradbury
Format: Hardcover
Ray Bradbury August 22nd 1922 - June 5th, 2012 When Ray Bradbury died reactions came from everywhere including from President Obama. Surprising to me, few mentioned the one of his works that meant so much to me and affected my life so deeply. While he was most known to the general public for his science fiction, I found his mostly autobiographical novel Dandelion Wine to be the most impactful. At the same time it best illustrated Bradbury’s incredible command of the language, his ability to stir the imagination, and the way in which he could open windows on life. I couldn’t count the number of times I would reread a single sentence and become overwhelmed with admiration and envy at how he used words to create images in the mind’s eye. All this was particularly on display in Dandelion Wine and its sequel, Farewell Summer. For Bradbury, it couldn’t be just water. “Nothing else would do but the pure waters which had been summoned from the lakes far away and the sweet fields of grassy dew on early morning, lifted to the open sky, carried in laundered clusters nine hundred miles, brushed with wind, electrified with high voltage, and condensed upon cool air. This water, falling, raining, gathered yet more of the heavens in its crystals. Taking something of the east wind and the west wind and the north wind and the south, the water made rain and the rain, within this hour of rituals, would be well on its way to wine.” Essentially, Dandelion Wine is the story of a summer in the life of a twelve year old boy as he comes to understand what it means to be alive. But it is also a time capsule for the year 1928 of life in a small town when everyone’s world was much smaller and more compact. There is horror, love, comedy, wonder, nostalgia, and human relations. Bradbury could find unique ways to describe them all. I first read Dandelion Wine in 1957 when I wasn’t much older than Douglas Spaulding, the central character. It helped me put life in perspective as I was leaving high school. I read it the second time in the early ‘80s when I introduced my daughter to it. Kelly and I sat on our front porch swing one warm summer evening and I read aloud to her the story of Bill Forrester and Helen Loomis. It was all I could do to finish it and when I did we both had tears streaming down our cheeks. Such was the power of imagination and Bradbury’s ability to stroke it to life using just words. I read it the third time in preparation for reading the sequel, Farewell Summer, written 55 years after Dandelion Wine. Like a fine wine, it had only gotten better with age. Appropriately, Farewell Summer was given to me by Kelly and I read it on summer’s eve 2012. It was the perfect beginning for yet another summer. In both books the ravine in Green Town, Illinois, based on Waukegan, Illinois where Bradbury grew up was a central feature. I couldn’t resist going to Googlearth to see if the ravine was real. It was. And, it is still there even after Waukegan had changed from a small town to a satellite of Chicago. I was pleased to simply find I could locate it. But when I zoomed in and highlighted the little tree symbol I found the ravine is now Ray Bradbury Park. Perfect! Dan Winters June 29, 2012
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Reviewed in the United States on October 24, 2013

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