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catalogus illustreerde dagbommen n 82 jinta hirayamaCatalogus gellustreerde dagbommen nr. 82: een duik in het absurde In deze kunstdruk van het schilderij "Catalogus gellustreerde dagbommen nr. 82" neemt Jinta Hirayama ons mee in een universum waar het absurde en de realiteit elkaar ontmoeten. De felle kleuren en geometrische vormen creren een sfeer die zowel dynamisch als verontrustend is. De techniek van de kunstenaar, die collage en schilderkunst combineert, brengt een intrigerende compositie tot
Catalogus geïllustreerde dagbommen nr. 82: een duik in het absurde In deze kunstdruk van het schilderij "Catalogus geïllustreerde dagbommen nr. 82" neemt Jinta Hirayama ons mee in een universum waar het absurde en de realiteit elkaar ontmoeten. De felle kleuren en geometrische vormen creëren een sfeer die zowel dynamisch als verontrustend is. De techniek van de kunstenaar, die collage en schilderkunst combineert, brengt een intrigerende compositie tot leven, waarin elk element lijkt een verhaal te vertellen. Het werk roept een reflectie op over oorlog en de gevolgen ervan, terwijl het speelt met de codes van de visuele representatie. Dit schilderij is een uitnodiging om de diepten van de menselijke ziel te verkennen door de lens van de kunst. Jinta Hirayama: een pionier van de Japanse hedendaagse kunst Geboren in Japan, is Jinta Hirayama een kunstenaar die zich heeft weten te vestigen in de wereld van de hedendaagse kunst dankzij zijn unieke stijl. Geïnspireerd door dadaïstische en surrealistische bewegingen, verkent hij thema's zoals oorlog, herinnering en identiteit. Zijn actieve periode, die zich uitstrekt van de jaren 2000 tot heden, wordt gekenmerkt door een wil om de gevestigde normen ter discussie te stellen. Hirayama gebruikt diverse materialen om werken te creëren die de toeschouwer aanspreken. Zijn werk wordt vaak beschouwd als een spiegel van de moderne samenleving, waar het absurde de tragedie ontmoet, waardoor hij een onmisbare figuur is in de hedendaagse kunst. Een decoratief kunstdruk met vele voordelen Kiezen voor een kunstdruk van "Catalogus geïllustreerde dagbommen nr. 82" is een gedurfde keuze voor uw interieur. Of het nu in een woonkamer, kantoor of slaapkamer is, dit doek brengt een vleugje originaliteit en reflectie. De afdrukkwaliteit garandeert een trouwheid aan de kleuren en details van het originele werk, terwijl het een onmiskenbare esthetische aantrekkingskracht biedt. Door dit schilderij in uw inrichting te integreren, nodigt u niet alleen een kunstwerk uit in uw ruimte, maar ook een gesprek over diepe en hedendaagse thema's. Deze kunstdruk is een echt pluspunt om uw omgeving te verrijken.Shipping Notes
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4.5 ★★★★★
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★★★★★ 5
he has passed it on to family and friend because its a good and one of his favorites
Husband read this book. he has passed it on to family and friend because its a good and one of his favorites.
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Reviewed in the United States on July 22, 2016
★★★★★ 3
Very interesting reading.
Very interesting reading. He gives a very different picture (and more accurate picture, I'm sure) of the Indians in North and South Americas than what we've been told in our history books. They could very well be the lost tribes of Israel.
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Reviewed in the United States on April 23, 2021
★★★★★ 5
Five Stars
great book
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Reviewed in the United States on May 8, 2016
★★★★★ 2
No page numbers
Format: Paperback
This book doesn't have ANY page numbers, NONE
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Reviewed in the United States on March 3, 2025
★★★★★ 5
This book is a 'Fraud'... perhaps not
Format: Paperback
This is my first Review ever on Amazon and I am doing this for the love of Hafiz. I am originally of Persian origin and a life long lover of Hafiz... Have visited his tomb and the beautiful city of Shiraz. For people who are looking for a perfect translation, let me tell you that this is not it, not even close. To translate Hafiz, is to try and reproduce Shakespeare in another language and have it somehow come out with the same texture for the modern age (perhaps impossible). So reading Hafiz in Farsi requires years and years of cultural, intellectual and spiritual studies. To me he was an enlightened artist that had walked the esoteric Sufi path to full and authentic comprehension/liberation, in the process one can sense his love for existence and connection to the source (his own being). It feels like he had reached a place where like any great artist he had the necessary tools developed physically/mentally/intellectually to be able to translate his mystical experiences fluently and effortlessly into an external art form (in his case lyric poetry and who knows what else). I am explaining my understanding of him/her to make a point here. Mr. Ladinsky has somehow connected to the essence of Hafiz. In order to comprehend Hafiz in another language (and a whole different time/setting), one has to somehow try the impossible and reproduce the texture by trying to remove vague cultural, intellectual and spiritual references with ideas and thoughts that resonate with people today. Ladinsky has tried and somehow succeeded with giving us a glimpse (just a glimpse) of Hafiz and his loving/playful spirit. In my opinion, this book is mainly an intro to Hafiz, but even an intro is enough to open the door for those that like to venture deeper. In Iran Hafiz (or Hafez) and his main and perhaps only book 'Divan' is read like an Oracle (like the I Ching) - with intention and perhaps a lingering question one opens up to a page to receive his guidance. Well this book, carries the same fire if you're able to get past your ideas of right and wrong and just tune into it. For many Iranians (lots of my own friends), this book brings up a lot of challenges and I can understand that because it's so different from the original, but yet if you are able to realize that his poetry was from over 600 years ago, from a time when the culture was so different and language was a lot more evolved, than maybe you can put into context what this book is actually doing. And yes, language was more evolved, just look at the older writings by poets and writers and it should be obvious (that's a whole other subject). Mr. Ladinsky, has tried his best and this seems like the only book so far that allows one to get a glimpse of Hafiz in the english language, but he also does fall short in many aspects obviously (There probably isn't anyone that could perfectly translate Hafiz, even in Iran people argue about the deeper meanings of most of his writings). Hafiz's words are from another dimension and brought to life in Farsi, so to truly feel Hafiz, one has to study Farsi.
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Reviewed in the United States on July 27, 2022