SKU: 38363837393

Gele Vlier - Sambucus nigra 'Golden Tower' (Zuilvlier)

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Description

Gele Vlier - Sambucus nigra 'Golden Tower' (Zuilvlier)Zoekt u een opgaande soort Vlier die smal blijft? Dit is een compacte zuilvlier met groengeel blad. Deze Vlier Sambucus nigra 'Golden Tower' heeft ons bijzondere kenmerken dat de jonge, diep ingesneden bladeren eerst geel en later naar groengeel verkleuren. De volwassen hoogte van deze opgaande struik is ongeveer 4 meter. De Golden tower vlier is zeer goed winterhard tot ongeveer 25 graden Celsius. Wij leveren deze struiken door heel Nederland en

Zoekt u een opgaande soort Vlier die smal blijft? Dit is een compacte zuilvlier met groengeel blad. Deze Vlier Sambucus nigra 'Golden Tower' heeft ons bijzondere kenmerken dat de jonge, diep ingesneden bladeren eerst geel en later naar groengeel verkleuren. De volwassen hoogte van deze opgaande struik is ongeveer 4 meter. De Golden tower vlier is zeer goed winterhard tot ongeveer -25 graden Celsius. Wij leveren deze struiken door heel Nederland en Vlaanderen. Ontdek ook eens de andere vogelvriendelijke struiken.

Bloei en besjes Vlier Sambucus nigra 'Golden Tower'

Deze redelijk snel groeiende vlier struik wordt tussen de 3 en 5 meter hoog en geeft geurende, witte bloemen in schermvorm medio mei/juni/juli. Na de bloei komen de glanzend zwarte bessen, deze steken mooi af bij het gelige blad. De besjes zijn populair bij vogels en ook voor de mens eetbaar. Deze bladverliezende heester is winterhard en laat zich goed combineren met andere struiken in grote borders. Ook vormt het een perfecte achtergrond van een vaste planten border vol bloei.

Standplaats en bodem Vlier Sambucus nigra 'Golden Tower'

Deze Zuilvlier heester groeit compact en opgaand. Qua standplaats heeft deze sierheester weinig wensen, het doet het zowel in de zon als halfzon goed. Qua bodem heeft de Vlier weinig eisen, als deze maar als normaal bestempeld wordt, dus niet extreem zuur of extreem arm is.

Vlier Sambucus nigra 'Golden Tower' combineren

Deze zuilvormige Vlier Sambucus nigra 'Golden Tower' is geen wintergroene struik en daarom erg leuk om te combineren met een groenblijvende bodembedekker. Ontdek ook onze kant-en-klare bosplantsoen borderpakketten. Hiermee creëert u meer foerageer mogelijkheden voor bijen, vlinders en vogels. In de kant en klare bosplantsoen borderpakketten hebben wij al verschillende tuinplanten voor u gecombineerd. Ook te combineren met vaste planten borderpakketten van Yarinde, zoals pakket Fenne, Feline, Dries, Henk jan of Ilse. Bestel deze plantpakketten eenvoudig per m2. Zelf combinaties maken? Denk aan Salie 'Salvia', Lampenpoetsersgras 'Pennisetum', Prachtkaars 'Gaura', IJzerhard 'Verbena', Daglelie 'Hemerocallis' en halfhoge Ooievaarsbek 'Geranium' soorten. 

Bij elke bestelling ontvangt u uitgebreide aanplantinstructies en een snoeikalender. Yarinde is er daarom ook voor mensen zonder groene vingers.

Zuilvlier Sambucus nigra 'Golden Tower'  zelf combineren met

Deze compacte, opgaande Zwarte Vlier wordt vaak gecombineerd met verschillende heesters zowel als boshaag als ook binnen een (grotere) border. Denk bij grote plantvakken en bosplantsoen stroken aan combinaties met Haagbeuk, Laurier, Boerenjasmijn, Sneeuwbal Viburnum, Zwarte (zuil) Vlier, Meidoorn, Krentenboompje of Lijsterbes.

Een directe combinatie met borderplanten is wat lastiger te maken aangezien deze Zuilvlier zeer oppervlakkig wortelt en daarmee een grote afnemer van oppervlakkige vocht en voeding is. Of enige afstand kunt u wel Akelei, (roze bloeiende) Herfstanemoon, Spierstruik Astilbe, Maagdenpalm, bodembedekkende laurier, Blauw Schapengras en Leliegras planten.

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SKU: 38363837393

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4.9 ★★★★★
Based on 14 reviews
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D
Verified Purchase
David R. Papke
Omaha, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Whiting, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
M
Verified Purchase
Matt M.
Birmingham, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
Massapequa, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
C
Verified Purchase
Classics professor
Omaha, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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