SKU: 45352619728

Cyanotype DIY Kit

Sale price$49.46 Regular price$54.95
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Ships within 48 hours · Estimated delivery Aug 18 - Aug 23

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Description

Cyanotype DIY KitMet deze Cyanotype Kit maak je zelf prachtige botanische kunstwerken. Cyanotype is een printtechniek die ontstaat door de kracht van de zon! Met jouw eigen compositie met alles wat de natuur te vinden is, zoals (droog)bloemen en bladeren. Ook het printen van andere voorwerpen en foto's is mogelijk. Volg deze stappen (ook vindbaar in de bijbehorende gebruiksaanwijzing) om een negatief op print te creren. 1. Meng 10 ml van de inhoud van de flacon A1, 10

Met deze Cyanotype Kit maak je zelf prachtige botanische kunstwerken.
Cyanotype is een printtechniek die ontstaat door de kracht van de zon!
Met jouw eigen compositie met alles wat de natuur te vinden is, zoals (droog)bloemen en bladeren. Ook het printen van andere voorwerpen en foto's is mogelijk. Volg deze stappen (ook vindbaar in de bijbehorende gebruiksaanwijzing) om een negatief op print te creëren.

1. Meng 10 ml van de inhoud van de flacon A1, 10 ml van flacon B en 100 ml water door middel van de maatcilinder in het mengbakje. Deze hoeveelheid is voldoende voor twee prints op A2-formaat.

1. Gebruik de foamkwast om een vel aquarelpapier met deze mix in te smeren. Laat het papier een half uur tot een uur drogen op een donkere plek. 

3. Wanneer het papier goed droog is (anders blijft je botanisch materiaal plakken) leg je het papier op de plank en plaats het botanisch materiaal in een gekozen compositie.
Leg vervolgens de de glasplaat hier overheen. 

4. Leg de plank met jouw ontwerp en de glasplaat voor twintig tot dertig minuten (afhankelijk van de zonsterkte) op een zonnige plek en aanschouw het papier door UV-licht geel kleuren, daarna groen en vervolgens purper.

5. Laat een gootsteen vol met water lopen en leg het papier voor twintig minuten in het water, tot de purper veranderd in blauw. 

6. Na een dag drogen is je kunstwerk klaar!

De inhoud van deze kit:
– 200 ml cyanotypie emulsie in poedervorm 
– Een glazen plaat
– 24 vellen papier met verschillende texturen op A6 formaat
– Een foamkwast 
– Een maatbeker
– Mengbakje 
– Wegwerphandschoenen.
– Uitgebreide instructies (ook in Nederlands) en een handige video tutorial.

Shipping Notes
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Exchange/Return Notes
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SKU: 45352619728

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Stephanie Kelly
Lake Worth, US
★★★★★ 5
Silly little book
Format: Hardcover
My daughter love this book. We read it over and over again until I had to make her choose something different t. The story is so cute and the illustrations are really fun.
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Reviewed in the United States on March 29, 2026
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Keri
Cuba, US
★★★★★ 5
Great book
Format: Hardcover
Love this book. I bought two of the other books in this series. My niece loved it.
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Reviewed in the United States on April 3, 2026
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Samantha Laubenstine
Boise, US
★★★★★ 5
Perfect for spring time!
Format: Hardcover
Such a great book series I love reading it to my boys!
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Reviewed in the United States on March 31, 2026
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Ashley Mandrell
Cuba, US
★★★★★ 5
Good buy
Format: Hardcover
This is a super cute book! It teaches about spring and we enjoy reading it!
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Reviewed in the United States on February 19, 2026
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Don Morris
Omaha, US
★★★★★ 5
"Racial Capitalism"
Format: Paperback
Cedric J. Robinson’s Black Marxism is first a history of Black people appearing in historical texts as far back as Herodotus (c. 484 – c. 425 BCE) in ancient Greece, and second a history of “the collisions of the Black and white ‘races’ beginning in the fifteenth and sixteenth centuries.” Robinson’s thesis connects the evolution of capitalism to its roots in racism (racialism) understood in broad terms to comprise the subjugation of one class/group/nation/race by another (the Irish by the English in the nineteenth century, for example). He uses the term “racial capitalism” to express this process—the necessity of opposing classes for the function of capitalism. As a result, “racialism,” he says, “would inevitably permeate the social structures emergent from capitalism.” Keynes attributed the slow change in the “standard of life of the average man” until the beginning of the eighteenth century to “the remarkable absence of important technical improvements and to the failure of capital to accumulate.” Capital is accumulated, in Marx’s view, through the accretion of “surplus labor” which is the extra time a worker “must add to the working time necessary for his own maintenance . . . in order to produce the means of subsistence for the owners of the means of production.” Robinson ties capitalism’s early exploitation of surplus labor to slave labor and the slave trade noting, “historically, slavery was a critical foundation for capitalism.” Robinson traces the forced transport of Black people from Africa (the diaspora) to Europe, as well as Central, South, and North America as a foundation of early capitalism (and slavery as its form of “primitive accumulation” of capital). In his discussions of slavery, Robinson stresses the sense of the enslaved people with respect to their captors in terms of the slaves’ resistance, hostility, and defiance of the masters—their “Black radicalism.” As Robinson’s text approaches the twentieth century and the influence of Marx, his focus narrows to the significance and character of specific Black leaders including W. E. B. Du Bois, C. L. R. James, and Richard Wright and their respective connections to Marxism’s diverse interpretations. Marxism, says Robinson, “has proven insufficiently radical to expose and root out the racialist order that contaminates its analytic and philosophic applications or to come to effective terms with the implications of its own class origins.”
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Reviewed in the United States on September 2, 2022

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