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Description
Donttellmum Waterpokken behandeling 50.00 MilliliterDonttellmum Waterpokken behandeling donttellmum soft brush bij Waterpokken: Verkoelende en verzachtende huidverzorging bij waterpokken Tijdens waterpokken kan de huid van je kindje extra gevoelig en onrustig aanvoelen. donttellmum soft brush bij Waterpokken is speciaal ontwikkeld voor de verzorging van de gevoelige huid tijdens waterpokken. De milde formule met collodaal havermout, zinkoxide en plantaardige vaseline helpt de huid zacht en verzorgd aan
Donttellmum Waterpokken behandelingdonttellmum soft brush bij Waterpokken: Verkoelende en verzachtende huidverzorging bij waterpokken
Tijdens waterpokken kan de huid van je kindje extra gevoelig en onrustig aanvoelen. donttellmum soft brush bij Waterpokken is speciaal ontwikkeld voor de verzorging van de gevoelige huid tijdens waterpokken. De milde formule met colloïdaal havermout, zinkoxide en plantaardige vaseline helpt de huid zacht en verzorgd aan te laten voelen.
Dankzij de innovatieve Soft Brush-applicator breng je de emulsie hygiënisch en gericht aan, waardoor je dus niet direct contact hoeft te maken met je handen en de aangetaste huid. Ideaal te gebruiken bij baby’s en kinderen vanaf 6 maanden.
Wat te doen bij Waterpokken?
Tijdens waterpokken kan de huid gevoelig, droog en onrustig aanvoelen. Veel ouders zoeken naar een milde en hygiënische manier om de huid tijdens waterpokken extra comfort en verzorging te geven.
donttellmum soft brush bij Waterpokken biedt:
• Verkoeling en verzachting van de huid
• Milde verzorging voor de gevoelige huid
• Hygiënische “no-touch” applicator
• Eenvoudig en gericht aanbrengen
De zachte brush-applicator helpt het product prettig over de huid te verdelen zonder de huid direct met de handen aan te raken.
Verkoelende verzorging tijdens Waterpokken
donttellmum soft brush bij Waterpokken bevat zorgvuldig geselecteerde ingrediënten die bekend staan om hun verzorgende eigenschappen:
• Colloïdaal havermout helpt de huid zacht en soepel aan te laten voelen
• Zinkoxide ondersteunt de verzorging van de gevoelige huid
• 100% plantaardige vaseline helpt de huid te beschermen tegen uitdroging
De transparante emulsie trekt prettig in en is eenvoudig aanbrengen.
Waarom kiezen voor donttellmum soft brush bij Waterpokken?
donttellmum soft brush bij Waterpokken combineert verzorgende ingrediënten met een innovatieve Soft Brush applicator die speciaal is ontwikkeld voor de gevoelige huid tijdens waterpokken.
Voordelen van donttellmum soft brush bij Waterpokken
• Verkoelend en verzachtend effect
• Speciaal ontwikkeld voor de huid tijdens waterpokken
• Hygiënische Soft Brush applicator voor zachte en gerichte applicatie
• Helpt de huid soepel aan te voelen
• Dermatologisch getest
• Geschikt voor baby’s en kinderen vanaf 6 maanden
Over donttellmum
• donttellmum is het Nederlandse zelfzorgmerk voor de behandeling van Eczeem, Luizen & Waterpokken.
- Verzorgt en verzacht de huid tijdens waterpokken
- Verkoelt & helpt bij verlichten van jeuk
- Soft brush: makkelijk & hygiënisch
- Vermindert risico op krabben en littekenvorming bij waterpokken
- Bewezen effectief
Werkzame bestanddelen
Aqua, Glycerin, Caprylic/Capric triglyceride, Panthenol, Zinc oxide, Methylpropanediol, Colloidal OATMEAL, Sucrose stearate, Sucrose distearate, Hydrogenated rapeseed oil, Caprylyl glycol, Xanthan gum, Triethoxycaprylylsilane, Phenylpropanol.
Waarschuwingen
- Uitsluitend voor lokaal, uitwendig gebruik op de huid.
- Niet gebruiken in of nabij de ogen, mond of schaamstreek.
- Niet gebruiken op open wonden en/of beschadigde huid.
- Niet gebruiken bij overgevoeligheid voor een van de ingrediënten
- Geschikt voor kinderen van 6 maanden en ouder
Bewaaradvies
Bewaar in de koelkast voor een direct verkoelend effect.
Verantwoordelijk voor het in de handel brengen
OTC Health & Beauty I
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4.4 ★★★★★
Based on 17 reviews
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Product Reviews
★★★★★ 4
Make Sure You Read the Vintage Edition with the Afterword
I initially purchased this book to read for two reasons: First, it was written by William Styron, who wrote the great "Sophie's Choice;" and second, it won a Pulitzer Prize. It was only after I was into the book that I learned that this vintage sixties' book was the subject of a major controversy over the depiction of the title character, Nat Turner.
I learned that Styron openly acknowledged fictionalizing large portions of Turner's life, including his motivations for leading the slave revolt. I also learned that Styron's largely fictionalized portrait of Turner outraged many black leaders of the time. Rather than painting Turner (entirely) as a hero, called to action by the injustices of slavery, Styron created a darker picture of a man fixated on religion, a vision of himself as a prophet, and frustrated by lust and desire (particularly, for a young, blond haired white girl).
As I read the book, I search my own feelings, and felt that if I were black, I would certainly have objected similarly. We all need our heroes, who become much larger as symbols than they could ever be as people. For the sake of those that come after, such icons are perhaps entitled to be treated with a greater level of sensitivity and care--even at the cost of literary restraint.
It is here that the story gets fascinating. After I finished the novel, I read Styron's Afterword. Styron was truly stung by the criticism and in the Afterword, provided an elegant and persuasive defense of his writings. While I will not say that Styron entirely changed my position, he definitely made me see the other side of the argument. The dialogue between Styron and his critics not only allows the reader to consider one of the great social and political issues of our time, but permits the reader a unique insight into the thinking of a great writer--and suffices, in and of itself, as a reason for reading this novel. MAKE SURE YOUR VERSION OF THE NOVEL HAS THIS AFTERWORD.
Putting the issue aside as to the real "Nat Turner," the novel itself is beautifully written. The characters are fully developed and believable. The description of the system of slavery and the relationship between whites and blacks feel very real, and very accurate. Styron shows us good and bad of each race, and how all of them are bound by the system of slavery and their actions directly the product of it.
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Reviewed in the United States on September 26, 2008
★★★★★ 5
I loved this book.
I read this book for my book club and I thought it was beautifully written. It has stayed with me for weeks now. I love when a book does that. I'm glad I wasn't swayed by controversy. I had no problem with the fact that the author was white and using a black voice(maybe because I'm white - but I do like when an author gets the voice right and I thought Styron did that). I didn't understand the charges of racism after reading the book. Sometimes I wonder if, what some people find uncomfortable, they label as racist or sexist or whatever. Anyway, I would encourage everyone to read this book because it gave me a fresh awareness of a huge part of U.S. history, it reminded me that there are always gray areas to consider and it was a great novel. You might think so too.
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Reviewed in the United States on February 8, 2007
★★★★★ 5
great read
I enjoyed this book. As a person who enjoys history this book was a great read for me and the author gives an in depth vision on the trial.
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Reviewed in the United States on September 14, 2023
★★★★★ 3
Nat Turner was NOT happy
I think Mr Styron may have took some liberties with Nat Turner's "orientation" without the research or data to support his opinion.
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Reviewed in the United States on October 20, 2016
★★★★★ 5
A book for the ages...historically concise and horrific at once
William Styron, a gifted writer outdid himself with this book. His concise detail gives us an inside view on the depth of feeling employed by the subject of this book. The book while concise and tender pulls us in as these events take place. As Mailer delves deeper into the mind of Nat Turner, we cannot help but feel a sense of the suffering this man endured and this is what gives us perspective into this tragedy as it unfolds. A compelling masterpiece of literature.
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Reviewed in the United States on December 20, 2012