SKU: 76652865390

Surrealism

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SurrealismHet toonaangevende boek voor het honderdjarig jubileum van het surrealisme. Van september 2024 tot januari 2025 viert het Centre Pompidou de 100e verjaardag van Andr Bretons Surrealistisch Manifest. De komende twee jaar zal hun ongekende surrealistische tentoonstelling door de kunstgalerijen van de wereld reizen, vergezeld van deze speciale catalogus. Misschien wel meer dan welke andere artistieke stroming ook, had het surrealisme een omwentelend

Het toonaangevende boek voor het honderdjarig jubileum van het surrealisme.
Van september 2024 tot januari 2025 viert het Centre Pompidou de 100e verjaardag van André Bretons Surrealistisch Manifest. De komende twee jaar zal hun ongekende surrealistische tentoonstelling door de kunstgalerijen van de wereld reizen, vergezeld van deze speciale catalogus.
Misschien wel meer dan welke andere artistieke stroming ook, had het surrealisme een omwentelend effect op de moderne geest en veranderde het voorgoed de manier waarop we denken over het ervaren van de wereld. Door de grove lineariteit te verwerpen die kenmerkend was voor eeuwen van eerdere kunstwerken, reikten de legendarische surrealisten – Magritte, Ernst, Carrington, Dalí, Tanning en vele anderen – verder dan de façade van het zichtbare en vonden ze iets meer.

Net als de grote werken die de pagina's vullen, biedt het surrealisme een afwijking van het eenzijdige denken, met een multidirectionele opmaak en een ongeremd ontwerp. Met originele essays van vooraanstaande academici en fragmenten uit het Surrealistische Manifest zelf behoort dit tot de meest essentiële surrealistische catalogi die ooit zijn gepubliceerd.

Officieel boek bij de spraakmakende viering van het honderdjarig bestaan van het surrealisme in het Centre Pompidou, Parijs; 4 september 2024 – 13 januari 2025. Deze onmisbare catalogus verkent de erfenis van de kunststroming die alles op zijn kop zette.

“De organisatoren zeggen dat het een ongekende manier is om een tentoonstelling te organiseren: terwijl sommige werken en thema’s in elke stad hetzelfde blijven, veranderen andere en vertelt elk museum zijn eigen verhaal. Perfect dus voor een beweging die er altijd op gericht was traditionele artistieke normen te ondermijnen.” — The Guardian

“… Deze mix van wetenschappelijk inzicht en artistieke verkenning maakt de catalogus niet alleen visueel verbluffend, maar ook intellectueel verrijkend.” — Artlyst

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I was fairly happy with my Epson ET 2800, but was told that I'd get better colors with the F170. So I bit the bullet. The installation went smoothly and I was printing in short order. It was when I started printing items that had some dark gray that I noticed the problem. It was printing green. I contacted Epson tech support and they answered the phone almost immediately. (And how rare is that??) The woman I spoke with seemed to be familiar with the problem and advised me to modify the printer preferences and change the color correction from "ICM" to "No color correction". Well, it wasn't printing green anymore. Now the grays were brown. At this point, she ran out of ideas and gave me an email address for the second level of tech support and asked if I'd send a photo of the printed fabrics showing the problem. I did. That was over three weeks ago. I've sent a couple of followup emails, but they're ignoring me. But the best news was discovering that there are no returns on this product. I didn't think that was a thing with Amazon and I've never had any problems before. So now the 30-day return window is about to elapse and it appears that I'm stuck with an oversized doorstop. In the photo I'm including with this review, the fabric on the upper-left was printed with my Epson ET 2800. On the upper right, the F170 with ICM color correction. On the bottom, the F170 with no color correction.
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