SKU: 94436023580

second skin foundation spf25 warm beige

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Description

second skin foundation spf25 warm beigeMaak kennis met de Second Skin Foundation (SPF25) Warm Beige (50ml) van Eye of Horus. Dit natuurlijke make up merk introduceert een perfecte, zachte vloeibare foundation die een absolute game changer gaat worden in de wereld van beauty. Deze prachtige formule biedt niet alleen een feilloze dekking, maar biedt ook de nodige bescherming tegen de zon met SPF25. De tint Warm Beige is perfect voor een medium huid met een beige ondertoon. Coverage: medium

Maak kennis met de Second Skin Foundation (SPF25) - Warm/Beige (50ml) van Eye of Horus. Dit natuurlijke make-up merk introduceert een perfecte, zachte vloeibare foundation die een absolute game-changer gaat worden in de wereld van beauty. Deze prachtige formule biedt niet alleen een feilloze dekking, maar biedt ook de nodige bescherming tegen de zon met SPF25.

De tint Warm/Beige is perfect voor een medium huid met een beige ondertoon.

Coverage: medium-full
Finish:
 silky smooth
Huidtype:
 alle huidtype

Deze natuurlijke foundation is ontworpen met het welzijn van de huid in het achterhoofd en is doordrenkt met een zorgvuldig samengestelde mix van huidbevorderende ingrediënten. Geformuleerd met een uniek fytocomplex van plantaardige ingrediënten, aminozuren en 'sacred' ingrediënten zoals Moringa, Abyssinian, Witch Hazel, Ectoin, en Vitamine E. Deze krachtige componenten werken samen om fijne lijntjes te verminderen, je teint te verbeteren en langdurige hydratatie te bieden. Bereid je voor om versteld te staan van deze radiance boosting formule die met de huid versmelt en je de perfecte, natuurlijke look geeft. De dekking kan naar eigen inzicht worden opgebouwd en de foundation heeft een prachtige natuurlijke finish.

Geschikt voor alle huidtypes en verkrijgbaar in 4 verschillende tinten, een die past bij elke huidskleur. De verpakking van deze duurzame knaller is geproduceerd met PCR plastic, goed voor jou en de planeet.

Weet je niet zeker welke kleur bij je past? Lees dit artikel 'How to Choose Your Dream Foundation' en ontdek je droommatch!

Vegan. Cruelty- Free. Ethically Sourced. Made in Australia. SPF25. All Skin Types. 

Ingredients: Hamamelis Virginiana Water / Hamamelis Virginiana ( Witch Hazel ) Water, Zinc Oxide, C9-12 Alkane, Glycerin, Hexyl Laurate, Dicaprylyl Carbonate, Polyglyceryl – 3, Polyricinoleate, Oleic / Linoleic / Linoleic Polyglycerides, Macadamia Intergrifolia Seed Oil, Polyglyceryl – 4 Isostearate, Sorbitan, Isostearate, Silica, Sodium Chloride, Vegetable Oil, Oryza Sativa Bran Oil, Oryza Sativa ( Rice )Bran Oil, Mica, Sodium Dehydroacetate, Coco – Caprylacte / Caprate, Oryza Sativa Bran Wax, Oryza Sativa ( Rice) Bran Wax, Rhus Succedanea Fruit Cera / Rhus Succedanea Fruit Wax, Helianthus Annus Seed Cera / Helianthus Annus (Sunflower) Seed Wax, Ectoin, Benzyl Alcohol, Parfum /. Fragrance, Tocopheryl, Aluminium Hydroxide, Crambe Abyssinica Seed Oil, Moringa Oleifera Seed Oil, Sodium Benzoate, Sodium Lauroyl, Glutamate, Potassium Sorbate, Helianthus Annus Seed Oil / Helianthus Annus ( Sunflower) Seed Oil, Lysine, Magnesium Chloride, Tin Oxide. MAY CONTAIN: CI 77891 / Titanium Dioxide, CI 77491 /. Iron Oxides, CI 77492 /. Iron Oxides, CI 77499 / Iron Oxides

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SKU: 94436023580

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4.2 ★★★★★
Based on 16 reviews
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D
Verified Purchase
David R. Papke
Birmingham, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Louisville, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
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Matt M.
Birmingham, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
J
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J. Christian
New York, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
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Reviewed in the United States on March 20, 2014
C
Verified Purchase
Classics professor
Pawtucket, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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