SKU: 94666142182

Stacker2 Europe Giant Mass Gainer 2270 gram Choco

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Stacker2 Europe Giant Mass Gainer 2270 gram ChocoGIANT Mass Gainer Stacker2 Europe 2. 27kg Hoog in eiwit, hoog in calorien en laag in suiker: dat is waar GIANT Mass Gainer voor staat. Je neemt een weight gainer omdat je gewichtstoename nastreeft, maar je wilt niet dat je vet wordt. Om dit voor elkaar te krijgen is het essentieel dat je jouw spieren continu de juiste voeding geeft. GIANT Mass Gainer is samengesteld met als uitgangspunt de beste verhouding tussen eiwitten, koolhydraten en vetten voor

GIANT Mass Gainer Stacker2 Europe 2.27kg

Hoog in eiwit, hoog in calorieën en laag in suiker: dat is waar GIANT Mass Gainer voor staat. Je neemt een weight gainer omdat je gewichtstoename nastreeft, maar je wilt niet dat je vet wordt. Om dit voor elkaar te krijgen is het essentieel dat je jouw spieren continu de juiste voeding geeft. GIANT Mass Gainer is samengesteld met als uitgangspunt de beste verhouding tussen eiwitten, koolhydraten en vetten voor het stimuleren van groei in massa. De hoge kwaliteit mass-gainer levert 850 kCal, bestaande uit de best kwaliteit eiwitten, suikervrije koolhydraten, gezonde meervoudig onverzadigde vetzuren en MCT’s. Het is de meest complexe en hoogwaardige weight-gainer die verkrijgbaar. Verkrijgbaar in 2,27kg en 6,8kg.

Wat mag ik verwachten van deze weight gainer, hoe snel en hoe veel kilo’s gewicht kom ik aan?

Om één kilo in gewicht aan te komen heb je circa 7.000 kCal nodig, bovenop je normale voeding. GIANT Mass Gainer levert 850 kCal per shake. Door dagelijks twee shakes te nuttigen is het mogelijk om tot 7 kilo aan te komen in slechts één maand tijd!

Wat is het verschil tussen GIANT Mass Gainer en merken die een eenvoudigere samenstelling weight gainer hebben?

Bij GIANT Mass Gainer draait alles om kwaliteit en kennis van ingrediënten. Om te voorkomen dat je vooral vet kweekt heb je een gainer nodig met koolhydraten die traag worden opgenomen door je lichaam. Het hoofdbestanddeel van GIANT Mass Gainer is Waxy Maize (99% amylopectine), een koolhydraat met een lage glycaemische index. Er komt geen piek in je bloedsuiker en je lichaam krijgt dus geen seintje om een overschot aan energie op te slaan als vet. Dit is het grootste voordeel van GIANT Mass Gainer: je kan snel in gewicht groeien zonder dat je vetpercentage de lucht in schiet.

Naast deze traag opneembare koolhydraten bevat GIANT Mass Gainer gezonde vetten en drie natuurlijke bronnen van hoogwaardig eiwit: whey proteïne, micellar caseïne en melkproteïne. Hiermee voed jij je spieren met de brandstof die het nodig heeft om groter en sterker te worden.

Wil je dus wel snel aankomen in gewicht, maar vind je het belangrijk dat je vetpercentage laag blijft, dan kan dat alleen met een uitgekiende samenstelling van de juiste nutriënten in de juiste kwaliteit: GIANT Mass Gainer.

Hoogtepunten van GIANT Mass Gainer

  • Hoog in proteïne, hoog in calorieën en laag in suiker
  • Groei 7 kilo in één maand tijd
  • Bevat waixy maize als langzaam verteerbare koolhydraatbron
  • Geeft 45 gram proteïne per shake
  • Geeft 10 gram BCAA’s per shake
  • Ongelofelijk goede smaak

Ingrediënten: waxy mais, protein pro blend (bestaande uit wei proteïne concentraat, wei proteïne isolaat, micellar caseïne, melkproteïne isolaat, melkproteïne concentraat), havermout, maltodextrine, dextrose, mct-olie (medium tri-glycerides), smaaksysteem (bestaande uit aroma, fructose, natuurlijke kleurstof), emulgator (soja-lecithine), verdikker (guar gom), zoetstof (sucralose).

Gebruiksaanwijzing: mix of roer 5 maatscheppen met 700 ml koud water. Circa 15 seconden roeren of schudden met een shakebeker. Voor maximale resultaten 2-3 shakes per dag drinken.

Aanduiding en waarschuwing: dit is een voedingssupplement. Een evenwichtige voeding bevat voldoende vitamines en mineralen om aan de menselijke behoefte te voldoen. Een gezonde levensstijl is belangrijk, evenals een gevarieerde voeding. Te gebruiken vanaf 18 jaar en buitenbereik van kinderen houden. De aanbevolen dosering niet overschrijden. Droog bewaren opkamertemperatuur. Het batchnummer en de ten minste houdbaar tot(exp) staan vermeld op de achterkant van dit product.

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SKU: 94666142182

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4.3 ★★★★★
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David R. Papke
Carnegie, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
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DoubtfulReader
Lexington, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
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Matt M.
Phoenix, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
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J. Christian
West Palm Beach, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
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Verified Purchase
Classics professor
Lexington, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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