SKU: 95050793775

BukkitBow - Industriële Bijzettafel met Twee Niveaus en Opstaande Rand

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Description

BukkitBow - Industriële Bijzettafel met Twee Niveaus en Opstaande RandLuxe Industrile Bijzettafel Vintage Salontafel met Metalen Frame Een stijlvolle en praktische toevoeging aan uw zithoek Bent u op zoek naar een handige plek voor uw koffie, laptop of favoriete tijdschriften zonder dat deze direct van tafel glijden? Deze moderne industrile bijzettafel biedt de perfecte oplossing met zijn slimme ontwerp over twee verdiepingen. Het bovenblad van 50x25 cm is ideaal voor dagelijks gebruik, terwijl de onderste legplank is

Luxe Industriële Bijzettafel – Vintage Salontafel met Metalen Frame ✨

Een stijlvolle en praktische toevoeging aan uw zithoek
Bent u op zoek naar een handige plek voor uw koffie, laptop of favoriete tijdschriften zonder dat deze direct van tafel glijden? Deze moderne industriële bijzettafel biedt de perfecte oplossing met zijn slimme ontwerp over twee verdiepingen. Het bovenblad van 50x25 cm is ideaal voor dagelijks gebruik, terwijl de onderste legplank is voorzien van een 7 cm hoge opstaande rand. Deze bijzettafel met opstaande rand zorgt ervoor dat uw boeken, stekkerdozen of kleine plantjes veilig op hun plek blijven staan, waardoor uw woonkamer of slaapkamer er altijd opgeruimd en georganiseerd uitziet.

Duurzaam materiaal in een robuust jasje
Deze vintage salontafel met metalen frame is gebouwd om jarenlang mee te gaan in een druk huishouden. De twee bladen zijn vervaardigd uit hoogwaardig E1-houtmateriaal met een melamine afwerking, wat het oppervlak volledig waterafstotend, krasbestendig en uiterst eenvoudig te reinigen maakt. Het matzwarte metalen onderstel is roestvrij en biedt een stabiele ondersteuning met een totaal draagvermogen van maar liefst 35 kg. Dankzij de combinatie van rustiek bruin hout en stoer metaal haalt u een meubelstuk in huis dat niet alleen functioneel is, maar ook een krachtig natuurlijk statement maakt in uw interieur.

Veelzijdige eyecatcher voor elke ruimte
Dankzij het compacte formaat en de strakke lijnen is deze smalle consoletafel voor de hal of woonkamer uiterst veelzijdig inzetbaar. Gebruik hem als nachtkastje naast het bed, als handige laptoptabel naast de bank of als decoratief plateau op het balkon. Het tijdloze industriële design mengt moeiteloos met diverse woonstijlen, van modern tot klassiek landelijk. Met de meegeleverde gedetailleerde instructies en genummerde onderdelen zet u deze praktische tafel binnen een handomdraai in elkaar. Haal vandaag nog dit unieke designstuk in huis en creëer een sfeervol en geordend hoekje in elke gewenste kamer. ☕

Zoekwoorden:

  • bijzettafel met opstaande rand
  • vintage salontafel met metalen frame
  • smalle consoletafel voor de hal
  • industriële laptoptabel bank
  • rustiek bruin nachtkastje metaal
  • moderne bijzettafel met 2 niveaus

 

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SKU: 95050793775

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4.6 ★★★★★
Based on 15 reviews
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D
Verified Purchase
David R. Papke
Battle Creek, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Los Angeles, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
M
Verified Purchase
Matt M.
Lowell, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
Lake Worth, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
C
Verified Purchase
Classics professor
Chelsea, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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