SKU: 12165769809

Tunisgrad

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TunisgradOn 8 November 1942, British and American troops invaded French North Africa as part of Operation Torch, the largest amphibious operation of the war to date. The Germans responded by flooding troops into Tunisia and the stage was set for one of the most decisive clashes of the war. For months the outcome hung in the balance. The Allies failed to capture Tunis before Christmas, and early in the New Year the legendary German commander Erwin Rommel ( the

On 8 November 1942, British and American troops invaded French North Africa as part of Operation Torch, the largest amphibious operation of the war to date. The Germans responded by flooding troops into Tunisia and the stage was set for one of the most decisive clashes of the war.

For months the outcome hung in the balance. The Allies failed to capture Tunis before Christmas, and early in the New Year the legendary German commander Erwin Rommel ( the ‘ Desert Fox ’) inflicted a series of crushing defeats on inexperienced American troops in the mountain passes of central Tunisia. But once the two Allied armies – the First and the Eighth – had joined hands in southern Tunisia in early April, the defeat of Axis forces was inevitable. The end came on 13 May when the remnants of the First Italian Army surrendered to British troops in northern Tunisia, leaving the Allies ‘ masters of the North African shores ’.

It was, with Guadalcanal in the Pacific and Stalingrad in Russia, one of three Axis defeats in early 1943 that changed the course of the war. Historians have recognized the significance of the others, but not Tunisia which they have either ignored or characterized ( as the Americans did at the time ) as a sideshow. Yet it ended Axis sea power in the Mediterranean, destroyed more than 2,400 Axis aircraft ( 40 per cent of the Luftwaffe ’ s strength ), and resulted in the surrender of over 250,000 German and Italian troops, more than were captured at Stalingrad. Such was the scale of their defeat that the German public wryly dubbed it ‘ Tunisgrad ’.

It was the first campaign fought by the Anglo-American alliance, and would determine how and where the Allies would fight for the rest of the war. It was where America first brought to bear the full weight of its industrial strength, and where the Allies learned, after early setbacks, how to defeat the Germans with a combination of air, land and sea power. It featured many of the great commanders of the Second World War, including ‘ Ike ’ Eisenhower, George S. Patton Jr, Omar N. Bradley, Harold Alexander, Bernard Montgomery and Erwin Rommel. But the campaign ’ s chief significance is that it extinguished any lingering hopes in Italy that the war could be won and led, inexorably, to the dissolution of the Axis in Europe. By destroying the Axis it marked, for Hitler, the beginning of the end.

Tunisgrad is the first comprehensive 360-degree history, told from the perspective of all the combatants, and ranging in focus from politicians and senior commanders to ordinary servicemen fighting in and over the mountains of Tunisia, and across the Mediterranean. Using a variety of first-hand sources, it restores the campaign to its rightful place as a defining moment of the war

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SKU: 12165769809

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4.8 ★★★★★
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R
Reverend Skull
Bozeman, US
★★★★★ 3
for Simpson fans
Format: Hardcover
If you're a fan of the Simpsons' neighbor, this will certainly tickle your funnybone. Good old left-handed Ned tells and shows all, God bless him.
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Reviewed in the United States on April 20, 2009
M
Max
New York, US
★★★★★ 5
Anne Carson is a Genius
Format: Hardcover
There is no one writing right now -- in essays, novels, poems or short stories -- who is as consistently brilliant as Anne Carson. Her last book, AUTOBIOGRAPHY OF RED contained some of the finest, most exquisite writing I've ever read; and this next collection is a masterpiece. There is a long essay in the book titled IRONY IS NOT ENOUGH: My Life As Catherine Deneuve that is at once moving, sexy and intelligent. There are also a sequence of poems about Hoppers paintings, paired with St. Augustine's Confessions that show perfectly how Carson dances on the fault lines of the modern and the ancient. This woman will win a Nobel Prize.
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Reviewed in the United States on May 10, 2000
M
M. J. Smith
Boise, US
★★★★★ 3
Interesting juxtapositions - some successes, some failures
Format: Paperback
As is to be expected from Anne Carson, the breadth of her knowledge results in thought-provoking writing even when it fails as "poetry". An example Hopper:Confessions begins with a quotation from Edward Hopper, followed with 9 separately title poems accompanied by quotations from Augustine's Confessions, and ending with a piece by Hopper. Her essay on female pollution in antiquity is excellent scholarship made enjoyable reading for the "common reading". Several pieces, or portions of pieces, consider Lazarus raising interesting issues from the perspective of Lazarus ... what is his reaction at being called forth (rotting?) from the grave? While many of the pieces, especially the very short pieces, are not impressive, the book is worth your time - for the reflections it provokes in the reader.
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Reviewed in the United States on July 28, 2001
I
I X Key
Houston, US
★★★★★ 1
very droll
Format: Paperback
I understand the attraction to Anne Carson. I like experimental poetry, too. I like scholarship. But this book is pointless. The poems are so terrible that by the time I got to the essay at the end about hot & cold symbolism for the writers of antiquity I was so upset with the book that I just couldn't care about anything in it. These poems don't sound good. If nothing else, there should at least be the sound. & in any other respects, the experiments are to no end in themselves. I recommend forgetting this book & going for such progressive, ambitious younger poets as Karen Volkman & Brenda Shaughnessy.
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Reviewed in the United States on May 1, 2003
H
"hirofantv"
Los Angeles, US
★★★★★ 2
seems like an unspecified struggle with herself
Format: Hardcover
I don't know. It'ts a struggle for her to come up with the next line. Doesn't feel especially creative, inspired, or notably intelligent. I read other disappointed reviews people had written about this book, & bought it anyway. I tend to have avant-garde sensibilities, so I thought I'd enjoy it for its avant-garde qualities. I really tried to appreiate the experimentality of it, but I couldn't, because I realised I was readin it more for the sake of reading, & because I enjoy reading,than because this book is any good. I know a lot of unskilled teenagers who write dada-influenced poetry that's much more interesting than this uninspired book; I don't see what makes Anne Carson so special. 1 star because it's not a good book. 1 more star, bringing the total to 2, because I feel bad just giving it 1 star. At least she wrote something...
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Reviewed in the United States on June 30, 2001

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