SKU: 16012075918

TALL BITOSSI ‘FASCIE COLORATE’ DÉCOR CYLINDER VASE

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Description

TALL BITOSSI ‘FASCIE COLORATE’ DÉCOR CYLINDER VASEA tall cylinder vase in the Fascie Colorate (Colored Bands) dcor, designed in the 1960s by Aldo Londi for BITOSSI CERAMICHE. The vase's exterior is glazed in a very dark matt olive green color with vibrant stripes in yellow, black, orange, burgundy, and white. ALDO LONDI (1911 2003) was one of Italys most celebrated master ceramists. He spent most of his long and successful career creating exceptional works of great art and craft for the Italian

A tall cylinder vase in the Fascie Colorate (Colored Bands) décor, designed in the 1960s by Aldo Londi for BITOSSI CERAMICHE. The vase's exterior is glazed in a very dark matt olive-green color with vibrant stripes in yellow, black, orange, burgundy, and white.


ALDO LONDI (1911-2003) was one of Italy’s most celebrated master ceramists. He spent most of his long and successful career creating exceptional works of great art and craft for the Italian ceramics firm Bitossi Ceramiche.

Just outside of Florence, Londi’s hometown of Montelupo Fiorentino had been an important center of pottery production in Tuscany since the Renaissance. At the age of eleven, in 1922, Londi went to work for the region’s then-premier ceramics workshop, Fratelli Fanciullacci (Fanciullacci Bros.). There he would master the time-honored methods of the local industry. Following WW II—upon his return to Italy from South Africa, where he was held captive as a prisoner of war—Londi became creative director at a second Montelupo manufactory, Bitossi Ceramiche. He would retain the position for more than 50 years.

Londi’s high-level technical expertise and vast experience in traditional artisanal methods allowed him to create distinctively expressive and whimsical forms and finishes for Bitossi. His best-known collection is perhaps the 1950s-era Rimini Blu, a now-iconic midcentury series that encompasses over 150 designs. The décor is a vibrant blue, densely embossed with abstract shapes and motifs that often create a frieze—fantastic loops of geometric elements endlessly chasing each other, enhanced by touches of green and cobalt. This proprietary decoration holds historical importance as it helped to bring handcrafted works into the modernist design conversation in Italy. Although not the only color Londi utilized, blue has become closely associated with his work. Londi’s last solo collection, ARKitectura, is a striking exception—it features elegantly minimalistic animal figures—fish, cats, shorebirds—glazed in monochromatic black, white, or platinum.

Starting in 1958, Londi began a fruitful collaboration with the legendary architect-designer Ettore Sottsass (1917-2007), who considered Londi an important mentor. During his tenure with Bitossi, Londi would also work with Piero Fornasetti (1913-1988), Matteo Thun (b. 1952), and Karim Rashid (b. 1960).

Most of Londi’s collections, are still in production today and are widely collected by ceramics enthusiasts. Many of his original works can be seen at the MAIB–Artistic Industrial Bitossi Museum in Montelupo, which is dedicated to the history of the company.


BITOSSI CERAMICHE was established in 1921 as Manifattura Ceramica Cav. Guido Bitossi & Figli by Guido Bitossi in Montelupo Fiorentino—a medieval hilltop Tuscan town with an ancient tradition of ceramic production, located a few kilometers outside Florence. The Bitossi family, documented in the area as early as 1536, had for centuries worked there as sculptors, as painters, but especially as potters. In the 20th century, under Guido’s leadership, they would introduce an extraordinary stylistic and formal renewal of their craft.

In the late 1940s, the master ceramist Aldo Londi (1911-2003) was named creative director at BITOSSI CERAMICHE. He would hold the position for more than 50 years and would design over 1,000 objects for the company. Himself a Montelupo native, Londi brought to BITOSSI a deep expertise in the traditional production of ceramics. At the same time, he keenly appreciated the streamlined forms of the mid-century moment. He is perhaps best known for his Rimini Blu collection, an iconic series comprised of over 150 designs; it is still in production today and widely collected by enthusiasts.

During Londi’s tenure, BITOSSI collaborated successfully with a host of famous designers, including the legendary architect-designer Ettore Sottsass (1917-2007). An avatar of 1960s counter-culture, Sottsass thought design should be provocative and sensual, and his avant-garde style blended well with BITOSSI’s mid-century aesthetic. Besides Sottsass, BITOSSI partnered with designers Piero Fornasetti, Karim Rashid, Arik Levy, Fabio Novembre, Benjamin Hubert, Matteo Thun, Monica Förster, and Cédric Ragot.

Today BITOSSI CERAMICHE is justly considered an institution. The Bitossi family and its foundation have amassed an archive of over 7,000 historical documents and materials related to the production of ceramics. The assemblage is housed in the Bitossi Artistic Industrial Museum in Montelupo. In 2014, BITOSSI became an official member of the Registry of Italian Historical Companies, appointed by the Italian National Union of Chambers of Commerce.


DETAILS

Maker – BITOSSI CERAMICHE

Production Period/Year – 1960s

Designer – ALDO LONDI

Design Period/Year – 1960s

Origin – ITALY

Styles/Movements – MID-CENTURY MODERN

Materials – CERAMIC

Colors – OLIVE, ORANGE, WHITE, YELLOW

Condition – Excellent vintage condition. May show slight traces of wear consistent with age and use.

Dimensions – 5" DIAM. × 11 ¾" H

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SKU: 16012075918

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Debbie Hagney
Louisville, US
★★★★★ 5
Came fast!
Works great ! I love it!!!
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Reviewed in the United States on June 5, 2026
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Katy
San Leandro, US
★★★★★ 4
Great Yard Helper!
So easy to use and affordable! This edger is a great time saver, easy to operate, and relatively easy to adjust although you may need a pliers or screwdriver to help with the adjustment levels, but its not difficult. I would have given this 5 stars but just one thing that is a sticking point for me is I wish this had its own stand or hanger because of its odd shape, it doesn't necessarily balance upright too well. It’s long and the guide wheel in the front sticks out. So, it is always awkward to get it tidy in the garage when not in use. Now maybe this is what it's like for landscapers…I’m not a professional. Just a homeowner doing my own upkeep. With what this costs, I’ll figure it out, and is worth the money.
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Reviewed in the United States on December 30, 2024
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Texas Gal
Port Orchard, US
★★★★★ 5
First use was great!
I've used it just the one time today. I had previously "edged" with a string weedwhacker, so while the grass was cut back some, there wasn't a trench dug out. I did a gentle push and pull, taking on about 18" at a time to get a new trench dug next to the sidewalk edge. It did a great job! The entire unit was much heavier and sturdy looking than I was afraid it would be for the price, so pleasantly surprised. Assembly wasn't complicated, but it did take two of us to hold it steady because getting the screws to seat in the square hole and not have the cord in the way was a bit tricky. I'm a 70+ lady, not large and not athletic, but I was able to handle this edger with ease. Now, to see how long it lasts!
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Reviewed in the United States on July 11, 2025
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James E Morris
Waukegan, US
★★★★★ 5
Not expensive
Gets the job done
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Reviewed in the United States on April 27, 2026
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steven f
Grantham, US
★★★★★ 1
Initially defective poor quality
This item was initially defective and I needed one so I ordered another thinking it was a fluke. Both devices would not turn on. The second one briefly turned on for about 30 seconds and died. The major inconveniences that I can't return it in the normal way. I have to bring it to UPS and there isn't one near my house. I am very disappointed with this item and also with the return policy
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Reviewed in the United States on June 8, 2026

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