SKU: 25938737082

Ü-KERAMIK FAT-LAVA TABLE LAMP WITH PERIOD SHADE

Sale price$247.50 Regular price$275.00
Save 10%

Pay in installments of $68.75 with ShopPay, AfterPay and Klarna

Shipping Estimate
USA
  • USA
  • CAN

Ships within 48 hours · Estimated delivery Aug 18 - Aug 23

Promo Codes Available:

For Your Every Summer RSVP, with Code: SUMMER15

Description

Ü-KERAMIK FAT-LAVA TABLE LAMP WITH PERIOD SHADEA small 1970s relief dcor table lamp in red and tan with a crusty white volcanic fat lava top glaze from KERAMIK. Paired with a nubby period shade. Fully tested and in perfect working order. The cord has an in line switch and has been fitted with a US plug. KERAMIK (aka BELACKER) began as a tin foundry in 1909 in the small town of Ransbach Baumbach in the southwest German state of Rhineland Palatinate. Master tinsmith Johann belacker initially

A small 1970s relief décor table lamp in red and tan with a crusty white volcanic fat-lava top glaze from Ü-KERAMIK. Paired with a nubby period shade. Fully tested and in perfect working order.

The cord has an in-line switch and has been fitted with a US plug.

Ü-KERAMIK (aka ÜBELACKER) began as a tin foundry in 1909 in the small town of Ransbach-Baumbach in the southwest German state of Rhineland-Palatinate. Master tinsmith Johann Übelacker initially produced simple pewterware, but he was soon experimenting with pieces that incorporated stoneware elements—in the manner of the common beer stein. The popularity of these led to Ü-KERAMIK's expansion into, first, the manufacture of terracotta and fine earthenware goods and, in the 1930s, the production of glazed ceramics.

At some point following WWII, Ü-KERAMIK began collaborating with Siershahner Feinsteinzeugfabrik, a maker of "klinker" pottery in nearby Siershahn, and by 1949 it had taken over that company's operations. Combined the two factories employed more than 550 people. They were well positioned to help supply war-weary Europe with the domestic trappings of a brighter, more prosperous future.

Übelacker was an early adopter of his industry's technical innovations. To cite one late example, working with Ü-KERAMIK's resident chemist and artistic director Heinz Hommerich in 1954, he pioneered the mass-scale production of objects glazed in selenium red. The newly-formulated fiery finish gave Ü-KERAMIK an enormous upper-hand in the marketplace. Sadly it would be the last advance Übelacker would introduce personally as he died the next year in 1955.

The business was left in the hands of his three sons, who had learned the trade from childhood. By then Ü-KERAMIK was one of the largest producers in the region. Its impressive range of products included all kinds of ceramic forms, both utilitarian and ornamental. The 1958 catalogue featured 25 different models of vases (not counting wall vases and pitchers) available in 66 sizes and 15 designs. A relatively large portion of Ü-KERAMIK's output was exported to Austria and Scandinavia.

In 1960 Johann's sons were enticed by government incentives to co-establish Kilrush, a ceramics factory on Ireland's west coast. Unfortunately, the concern failed after only two years. (It was eventually acquired by Rosenthal in 1973.) A second Irish factory was built in the 1980s to better service Scandinavian markets—where Ü-KERAMIK products remained extremely popular, even as German interest in decorative ceramics waned. However this second time proved no charm. The venture was a financial debacle and left the three brothers struggling with debt; the factory in Siershahn had to shutter as a result. Finally the main plant in Ransbach filed for bankruptcy in 1990.

A note on identification: Ü-KERAMIK pieces were generally made of white or off-white clay and were usually marked on the bottom with only a form number and height. Foil stickers with the company logo were frequently used; occasionally the logo can be found impressed on the base. Consisting of a circled u-umlaut (ü), the logo bears a striking resemblance to a smiley face.

DETAILS

Maker – Ü-KERAMIK

Production Period/Year – 1970s

Origin – WEST GERMANY

Styles/Movements – MID-CENTURY MODERN

Materials – CERAMIC, FABRIC

Colors – RED, TAN, WHITE, GOLDENROD

Power – UP TO 250V (EUROPE/UK STANDARD), CORDED, TYPE "A" PLUG

Condition – Excellent vintage condition. Minor wear consistent with age and use.

Dimensions – 13 ½" DIAM. × 24" H

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 25938737082

Discover Niche Categories That Outsell

Top-Converting Item to Boost Your Average Order

4.3 ★★★★★
Based on 8 reviews
Sort
Highest Rating
Newest First
Oldest First
Product Reviews
K
Verified Purchase
Kris
Belleville, US
★★★★★ 5
I love this comic book!
Format: Paperback, Format: Paperback
I love DC comics and obviously the Batfam are some of the most well known and loved characters within the DC universe. I love the art style and story in this comic. If you are debating whether or not to purchase this comic, DO IT!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 23, 2025
A
Verified Purchase
Alex Lamberd
Charlottesville, US
★★★★★ 5
One of the best Bat stories that I've read.
Format: Paperback
Coming off from The Long Halloween, Jeff Loeb and Tim Sale give us the sequel to their popular story tale in which we see Batman go at it with another year long mystery, while also giving us an origin story for the first Robin, Dick Grayson. After reading this book, I have come away having with even more love of the Dark Knight's mythology, while coming to see this as my favorite Batman story that I have read, even if it doesn't stand as well on its own. ON the narrative side of things, Loeb delivers a story fairly similar to the one he gave in The Long Halloween, though I feel this one is a bit more polished than Halloween was. Some have said that the retreading of plot structure have limited the way Loeb's later works are read, but I myself have no problem with it (for the most part), Loeb manages to do enough differently that you don't feel like you're reading the exact same story. The real big negative I'd have to give this graphic novel is that it really doesn't stand as well by itself than if you had read The Long Halloween. While I myself read that story before coming in to this one, I did see many connections that I would assume would through off any newcomers who hadn't read the prior story. But I will say that this is the story that had me invested the most emotionally. Without giving away any spoilers, that last page in the novel gave me such a cathartic experience that I really came to appreciate certain aspects of the Dark Knight's mythology, and how themes of loneliness were touched upon in a very genuine way. Looking at the art for the novel, Sale's work has improved much from The Long Halloween. I always mention in reviews concerning Sale that I was originally not a fan of his art, but after going through his work, you can't help but admire the level skill he manages to put in his drawings. There is a very big noir feeling in this novel (a plus for ) that is just delivered so well that any preferences in art I may have against Sale are put away in admiring the way he plays with lighting in the story. My biggest complaint for the art, which is a more of a personal thing really, is that I do not like the "pixie" costume they gave Robin (which is his default costume that many would associate him with). I have never really liked this costume, probably never will, but again, this is just me. Overall, I would say I really enjoyed the novel and would have to recommend it to any fans of the Batman (although I'd make sure you have read The Long Halloween first). This has come to be one of my most favorited Batman stories I've read, and I hope others will receive the same level of satisfaction that I have.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 22, 2014
L
Verified Purchase
Logan Fogg
Dallas, US
★★★★★ 5
MUST READ
Format: Kindle
Best Batman! This and the long Halloween are peak! Listening and reading the dc high vol on spotify is amazing
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on October 16, 2025
H
Verified Purchase
Harrison Nowak
Draper, US
★★★★★ 4
Good sequel but not as good as the original.
Format: Paperback
Pretty good read only down side is it doesn’t quite live up to Long Halloween.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 18, 2026
K
Verified Purchase
Kurt
Phoenix, US
★★★★★ 5
Great Sequel to Long Halloween
Format: Paperback
This takes all of the great elements of the Long Halloween and keeps it going. The two of those books together is a great story telling. Ticks all the boxes of a great Batman book. If you like this and Long Halloween check out The Penguin show on HBO Max. and if you like The Penguin but haven't read these two books you should since the show pulls a lot of influence from them.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 22, 2024

recommand products