SKU: 31470508955

Vintage Silver Omani Makhnaq Choker Necklace

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Description

Vintage Silver Omani Makhnaq Choker NecklaceThis is a silver Omani necklace is known as makhnaq which literally means 'choker'. It is also known as lu'lu'at arraqba (pearl of the neck), in reference to the central bead which is called lu'lu'a (pearl). This type of necklace was worn by women in the interior and western regions of Oman. It is from the first half of the twentieth century. The central oval bead is made of resin or wood and coated with a thin sheet of gold over silver. The bead is

This is a silver Omani necklace is known as makhnaq which literally means 'choker'. It is also known as lu'lu'at arraqba (pearl of the neck), in reference to the central bead which is called lu'lu'a (pearl). This type of necklace was worn by women in the interior and western regions of Oman. It is from the first half of the twentieth century.

The central oval bead is made of resin or wood and coated with a thin sheet of gold over silver. The bead is decorated with a band of circles at its center. Comparing the band with other sources, I believe that the circles were once bosses but were flattened with wear. A smaller gilded bead with bosses is attached on only one side (the other bead is missing). Red glass beads flank the central bead on either side and are followed by barrel beads of the same composition as the central bead. The string of beads is threaded through a thick silver rod, crudely twisted around the next element of the necklace.  

Inverted triangles, made of silver beads attached to rods, connect to the finials with five handmade chains. The bead composition is 3-4-5. There are two missing beads on one side of the necklace. The finials are arrow-shaped structures made of twisted wire and ending in a loop. The cord used to secure the necklace at the back is missing. A similar necklace is found in the British Museum's collection (item 2009,6023.188), in Ruth Hawley's book Silver: The Traditional Art of Oman, London, 2000, and in Jehan S. Rajab's book Silver Jewellery of Oman, Kuwait, 1997

Dimensions:

  • Length is 36.5 cm (14 1/2").
  • The width is 3.5 cm (1 3/8").
  • Weight:110 grams.

For more Bedouin jewelry visit the Bedouin Jewelry Section. 

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SKU: 31470508955

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Talia Bhatt’s Trans/Rad/Fem is a powerful and thought-provoking collection of essays that delves deep into the intersection of radical feminism and trans liberation. This book challenges the idea that trans and radical feminism are at odds, instead arguing that transfeminism is a natural extension of radical feminist thought. Bhatt’s sharp, compelling writing makes the case that a materialist, radical transfeminism is key to dismantling the oppressive structures of patriarchy. What makes Trans/Rad/Fem such a captivating read is the way Bhatt blends academic analysis with personal narrative. Her essays are intellectually rigorous, yet accessible and relatable, striking a perfect balance between theory and lived experience. The electrifying prose has the profound impact of books like Stone Butch Blues. There’s something incredibly powerful in the way Bhatt’s words cut through, offering fresh perspectives on issues that often feel tangled or misunderstood. The essays feel like a conversation with someone who’s been thinking deeply about these subjects for a long time, offering not just insight but a vision for a different, more inclusive future. Some readers have noted that familiarity with radical feminist theory will enhance the experience, but even for newcomers, the book offers eye-opening and challenging ideas. Trans/Rad/Fem has clearly made a mark. Bhatt’s ability to engage readers while encouraging critical thought is part of what makes this collection so important. Whether you’re a seasoned feminist theorist or someone looking to understand more about the intersections of gender and social justice, this book is an essential read.
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I’d just finished reading Jules Gil-Peterson’s A Short History and felt a little unsatisfied and uncomfortable with all the orientialism. I picked this up and was immediately sure I had the antidote. Bhatt is clear, direct, and uncompromising. She avoids filler and gets right to the heart of things—“how is this not like blackface?” gets dealt with more thoroughly and decisively than I have ever seen it within the first few pages. She reveals the transmisogyny lurking in even nominally queer social and intellectual movements, and also finds pockets of beautiful solidarity and common ground in some surprising places. Above all, her love for women shines through every word. This book cleared up some misconceptions I had, made me cry, and will make me a better partner and comrade to trans women. Buy it.
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This is a really excellent book. A lot of anthologies of essays have great essays in them, as this one does, but not all of them work as well as a cohesive text as Trans/ Rad/Fem does. I'd recommend this for anyone interested in transfeminism, even if you'd already read individual essays from Bhatt's newsletter by the same name. As with the essays in their newsletter format, The Third Sex and The Questions Has an Answer were my favorite. Bhatt's writing has such force and clarity that I look forward to reading whatever she chooses to write about next.
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Reviewed in the United States on February 25, 2025

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