SKU: 32305572063

Hofmann, Leopold: Missa Sancti Aloysii (Badley D8) (AE409)

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Hofmann, Leopold: Missa Sancti Aloysii (Badley D8) (AE409)Description Hofmann, Leopold (1738 1793) Product Code: AE409 Description: Missa Sancti Aloysii (Badley D8) Edited by: Allan Badley Year of Publication: 2014 Instrumentation: SATB 2clno 2trbn timp 2vn va vc b org conc Binding: Score: Perfect Parts: Unbound Duration: 30 min(s) ISBN: 978 1 927163 41 2 ISMN: 979 0 67451 002 8 Solo Instrument(s): SATB Details Mass D8 Missa Sancti Aloysii (Missa Sancti Gabrielis) appears to have been one of Hofmanns more

Description

Hofmann, Leopold (1738-1793)

Product Code: AE409
Description: Missa Sancti Aloysii (Badley D8)
Edited by: Allan Badley
Year of Publication: 2014
Instrumentation: SATB 2clno 2trbn timp 2vn va vc/b org conc
Binding: Score: Perfect / Parts: Unbound
Duration: 30 min(s)
ISBN: 978-1-927163-41-2
ISMN: 979-0-67451-002-8
Solo Instrument(s): SATB

Details

Mass D8 Missa Sancti Aloysii (Missa Sancti Gabrielis) appears to have been one of Hofmann’s more popular masses. Like most of Hofmann’s masses, D8 is a compact work that is clearly conceived with liturgical practicality in mind.

This edition is based principally on a copy of the work preserved (unusually in score) in the archive of the Gesellschaft der Musikfreunde in Wien with additional material – namely the timpani and ripieno viola, which are printed here in smaller type – taken from the Hofkapelle copy. Both of these copies agree closely with the parts from the St Peter’s archive which were presumably used by Hofmann himself. The non-autograph score is headed: ‘Missa in honore Gabrielis Del Sig. Leop. De Hoffmann M:D: / Ca: S: St: ”. The right hand margin carries an old catalogue number “Nro i6 / Litt P:” The designation of the work as being in honour of St Gabriel is interesting since virtually every other source names St Aloysius.

The layout of the score is idiosyncratic by modern standards with the organo at the top followed by the choir (designated Sopran, Alt, Tenor and Basso), violini, violone and clarini. Beginning on the last page of the score, contemporaneous with it and in the hand of the copyist, is an arrangement of the organ part for flute.

As is common in many scores of the period, the text underlay is entered into the top (soprano) part only. The exceptions to this are the beginnings of the ‘amen’ in the ‘Credo’ (which is in double counterpoint) and the loosely contrapuntal ‘Dona nobis’. The Hofkapelle copy is preserved as a set of performing parts: ‘No.ii / Missa in D / a / 4 Voci in pieno / 2 Violini / Oboe unis / 2 Tromboni / 2 Clarini, e Timpani / 2 Trombe / Viole / Violoncello Violone Fagotto. Organo Concto / M:D:C: / Del Sigl: Leopol: Hoffmann / Maestro di Capella di St. Stefano / Parti 40’.

In the absence of both the autograph score and an authentic set of parts, this edition presents as faithfully as possible the intentions of the composer as transmitted in the two sources. The style and notation of articulation and dynamic markings have been standardised throughout, and, where missing from the respective sources, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets. Like most eighteenth century sources, the present manuscripts are inconsistent at times in its notation of appoggiature; these too have been standardised to minimise confusion.

Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. The text underlay is for the most part unproblematic but in the two sections referred to above the editor has crosschecked the underlay with the Hofkapelle and St Peter’s copies.

Allan Badley

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SKU: 32305572063

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Whiting, US
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Great book
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It’s nice and it came in very good shape
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Reviewed in the United States on July 6, 2022
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Whitney Atkinson
Louisville, US
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Diverse, hilarious, and fun
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This was soooo fun, and what it lacked in patchy storytelling made up for in its incredible art and lovable characters. The main character is latina, fat, and queer, the love interest is black and queer (yes, it's f/f romance!), and the prominent side character is non-binary, queer, and literally a mix of kenji and kuzco from the emporer's new groove (they were SO sweet but funny and definitely my favorite part of the book). Not to mention all of these characters are mythological creatures! I loved reading the characters' interactions because the banter was so cute and fun, both platonic and romanticly. The action began to get a bit confusing toward the end and I wish it was explained better what was happening, but I loved the world building and the characters' relationships with each other so I'm definitely continuing this series.
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Reviewed in the United States on June 30, 2019
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K. Rogers
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Very cute, the plot is great, and the art is amazing I just love this book. It is one of my favourite graphic novels
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courtney
West Palm Beach, US
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the art is great and really helps to set the scene of this ...
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It's cute book. the art is great and really helps to set the scene of this magical world. I took issue with the characters and the narrative. The main character is a werewolf who is very self conscious about it but it's never really clear since apparently, there are not only plenty of werewolves but also people who can shift into other animals. Her best friend is a centaur who I found a little grating with his "lol XD so random" personality. I didn't find much fault with the girlfriend character but I didn't understand their relationship. the main character starts the book having had one date with her girlfriend they seem to have some issues (over what I thought was very minor things) and decide at the end of the book to go to couple's therapy to solve them but like, they weren't together for that. I assume maybe a month has passed, just break up. I just didn't understand that. The narrative itself didn't seem tight. One character has cryptic visions that didn't really seem to pan out or really have the gravity she seemed to put to them. there is a meta narrative involving a book the main character likes and the events in that book mirror the events in the comic but I didn't really see it that strongly and it seemed to have little use. The main conflict seems to be solved very quickly and with little fanfare. All in all, it's not a bad book. i just found it a bit weak. It's not amazing, nor above average. But it's also not garbage or terrible. It's won't have the greatest of appeal but I'm not upset I bought it and it's not a waste of time. However, I wouldn't read any additional work of this series.
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Kendra
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