SKU: 33412636729

The Brother Moves On - $/He Who Feeds You.. Owns You

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The Brother Moves On - $/He Who Feeds You.. Owns YouInternationally acclaimed outfit The Brother Moves On (TBMO) are part of a musical underground that connects London and their home city of Johannesburg. They exist in a powerful lineage of protest music and in the role that sound and music has in combating and soaking up the everyday struggles of life. They were described as the most important band in the country by online publication Platform and the last remaining protest band by saxophonist Steve

Internationally-acclaimed outfit The Brother Moves On (TBMO) are part of a musical underground that connects London and their home city of Johannesburg. They exist in a powerful lineage of protest music and in the role that sound and music has in combating and soaking up the everyday struggles of life. They were described as ‘the most important band in the country’ by online publication Platform and ‘the last remaining protest band’ by saxophonist Steve Dyer, who assisted in the recording of the 2021 Gilles-Peterson released  Indaba Is – which TBMO frontman Siyabonga co-produced with pianist Thandi Ntuli.

Their first gig in London, in 2014, was supporting The Comet is Coming at the storied Total Refreshment Centre and Yussef Kamaal opened for them the following year at a sold out gig at Bussey Building in Peckham. TBMO front person Siyabonga Mthembu got a sense of how they were being received back then by standing in the queue outside the gig. “I wanted to hear what people were saying. This young lady says ‘have you heard them? They sound like a night in Johannesburg.’ I was like ‘wow, that is dope’.”

 

Fast forward and word has been spreading beyond the two cities. The Brother Moves On’s exceptional 2021 album Tolika Mtoliki rebirthed classic South African music and messages into a stunning collection that made Apple Music’s Top Releases list of that year. Mthembu is also part of the critically-acclaimed Shabaka And The Ancestors and now, $/He Who Feeds You… Owns You is being released on Shabaka Hutchings’ Native Rebel label.

 

The album title comes from a speech by pan-African revolutionary Thomas Sankara to the Organisation of African Unity. “It takes his words into this time. It has a lot to do with food sovereignty and land – whoever feeds you, whoever owns your food system runs you.”

 

The songs on $/He Who Feed You… Owns You have been bubbling away for years. Siyabonga describes it as ‘a time capsule of a moment before the pandemic’ when they were away from home, touring Europe a lot. “All the songs became harder, stronger, thicker. They had to find their source of meaning because we were chanting them into spaces of people who got the energy but may not have got the words.”

 

This album has a different genesis than the first two Native Rebel releases by Chelsea Carmichael and CoN& KwAkE where Shabaka Hutchings composed a framework for the artists to improvise into shape. Instead, The Brother Moves On’s fourth album is made of existing songs, recorded in studio at Asylum Studios in Pretoria and live in front of an audience at Dyertribe Studios, with additional flute, clarinet and production from Hutchings himself. The music was arranged by TBMO with one song arranged by Spaza multi-instrumentalist Malcolm Jiyane and mixed by top-flight engineer Dilip Harris, who also worked on the Sons of Kemet albums and Indaba Is amongst much else.

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SKU: 33412636729

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John Keller
San Leandro, US
★★★★★ 5
Don’t be intimidated...it's detailed, but systematic and rational
Format: Paperback
Don’t be intimidated by this 700-page tome. Once you factor in the bibliography, index and footnotes, the body of the work is only about 400 pages. Licona includes an all-important, detailed outline for quick reference back to key topics, and it’s valuable because of the variety of issues he tackles. I’d say, he does a wonderful job of giving us an objective, systematic approach to addressing the historicity of the events following Jesus’ crucifixion. Licona lays the groundwork for his examination of the issue by considering the philosophy of history and tackling things like what is truth, what makes something a historical fact, who has the burden of proof, and is history a science? As a needed addition to this philosophical introduction, he spends time outlining the methods he will use to approaching relevant texts, claims of miracles, and consensus facts. Most important, I think, to his methods was his self-examination of potential bias due to personal belief and worldview. He addresses what he calls a personal “horizon” that historians must be set aside in order to be objective and get at the truth. He certainly points it out in others along the way and makes it clear throughout the book that he is trying to identify and eliminate any potential bias he may bring to the process. In his investigation, he addresses the most important sources related to Jesus’ life, crucifixion and claims of the resurrection. He deals with both Christian and non-Christian sources that were written immediately following the events as well as within the following 200 years. Licona makes the case for authenticity and credibility of the most important sources, and where there have been challenges to these sources over the centuries, he addresses those challenges head on. Ultimately, he boils the events, claims, facts and sources down to what he calls the “bedrock” pertaining to the fate of Jesus. This bedrock consists of three facts that are well supported by authentic, textual evidence which enjoy nearly consensus support by all historians (both Christian and non-Christian). For Licona, the bedrock which need be answered are (1) Jesus’ death by crucifixion, (2) the claims Jesus appeared to individuals and groups following his burial, and (3) the conversion of the Church persecutor, Paul. Ultimately, Licona breaks down six different hypotheses which claim to explain the bedrock and he uses systematic criteria for weighing those hypotheses. He concludes that a resurrection is the best explanation but admits that it’s only by setting aside a naturalistic worldview that one can embrace the conclusion. I like Licona’s methodical approach but would offer two critiques. Do we really need all the Greek citations written out? I understand that there is nuance and variations in meaning for words that are used in the original sources, but to give us all the text and the translation seemed superfluous. Second, I think it was a cop-out to skim the importance of the empty tomb. Other historians put the fact of the empty tomb as one of their top facts to be explained, but Licona punted on it because he didn’t feel it received universal consensus. Consensus aside, the fact of the empty tomb does receive support by a strong majority of scholars, even ones that do not support the resurrection. This cross-section of scholarly support, along with the volume and type of textural evidence, namely the confirmation by Christian enemies, should have elevated the fact of the empty tomb to the “bedrock” which require explanation.
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Reviewed in the United States on April 12, 2021
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Elly
Birmingham, US
★★★★★ 5
so helpful
Format: Paperback
got for school and used it a lot its been so helpful
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Reviewed in the United States on February 3, 2026
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Lake Worth, US
★★★★★ 5
Great price...
Format: Paperback
Needed this for my EKG course. Price was right.
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Reviewed in the United States on February 1, 2026
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LUCIOUS
Carnegie, US
★★★★★ 5
Satisfied
Format: Paperback, Format: Paperback
Brand new got here on time, haven’t got to indulge in the content yet but definitely exactly what I ordered.
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Reviewed in the United States on May 10, 2025
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Breanna Geyer
Alexandria, US
★★★★★ 5
EKGs are difficult and I still don’t understand
Format: Paperback
Hey I’m in nursing school and I bought this… it’s not the pocket size, it’s actually a full size book. It brought tears to my eyes many times. I have no idea what a 3rd degree block is. Hopefully you can learn and be a good nurse! EKGs are for the doctors to read. So don’t be too hard on yourself. But you should probably know what normal sinus rhythm looks like… 👍🏼
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Reviewed in the United States on January 22, 2024

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