SKU: 34273927529

LR44 Batterie für Minolta X-700, Nikon FE, Olympus OM-2 (3er-Pack)

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Description

LR44 Batterie für Minolta X-700, Nikon FE, Olympus OM-2 (3er-Pack)Kamera lst nicht aus oder Belichtungsmesser tot? Oft liegt es nur an leeren Batterien der hufigste Grund fr scheinbare Defekte bei elektronisch gesteuerten Kameras. Keine Reserve in der Fototasche? Mit diesem 3er Pack hast du sofort Ersatz (die meisten Kameras bentigen 2 Stck) und noch eine Zelle als Backup. Lieferumfang 3x LR44 Knopfzellen Batterie (1,5V) Technische Spezifikationen Spannung: 1,5 V Typ: Alkalisch (Alkaline) Mae: 11,6 mm x 5,4 mm

  • Kamera löst nicht aus oder Belichtungsmesser tot? Oft liegt es nur an leeren Batterien – der häufigste Grund für scheinbare Defekte bei elektronisch gesteuerten Kameras.
  • Keine Reserve in der Fototasche? Mit diesem 3er-Pack hast du sofort Ersatz (die meisten Kameras benötigen 2 Stück) und noch eine Zelle als Backup.

Lieferumfang

  • 3x LR44 Knopfzellen Batterie (1,5V)

Technische Spezifikationen

  • Spannung: 1,5 V
  • Typ: Alkalisch (Alkaline)
  • Maße: Ø 11,6 mm x 5,4 mm
  • Baugleich mit: AG13, G13A, A76, L1154, V13GA, PX76A, GPA76, S76

Beschreibung

Die LR44 ist der absolute Standard unter den Knopfzellen für analoge Kameras. Sie passt in unzählige Modelle von Nikon, Minolta, Olympus, Pentax und vielen mehr. Meistens werden zwei Stück gestapelt benötigt, um die 3V Betriebsspannung für den Belichtungsmesser oder den elektronischen Verschluss zu liefern.

Ehrliche technische Einordnung:
Dies sind Alkaline-Batterien. Sie sind die günstige und weit verbreitete Standardlösung. Im Gegensatz zu Silberoxid-Zellen (SR44), die ihre Spannung bis zum Ende sehr konstant halten, fällt die Spannung bei Alkaline-Zellen über die Lebensdauer langsam ab. Für die meisten Kameras (wie die Minolta X-Serie oder Nikon FE) ist das kein Problem, da die Brückenschaltungen dies kompensieren. Wenn du jedoch maximale Präzision über Jahre suchst, greif zu SR44. Für den normalen Alltag und als günstiger Ersatz sind diese LR44 perfekt.

Hinweis zu alten Quecksilber-Zellen (PX675):
Diese Batterien haben die gleichen Maße wie die alten, verbotenen PX675 Quecksilberzellen, aber eine höhere Spannung (1,5V statt 1,35V). Wenn deine Kamera zwingend 1,35V benötigt, führt die LR44 zu Fehlmessungen. In diesem Fall raten wir zu Zink-Luft Hörgerätebatterien (Typ 675).

Kompatibilität

Passend für eine Vielzahl an Kameras, unter anderem:

Chinon: Bellami, LED Promaster

Cosina: C1, C1S, C2, CS-1, CS-2, CS-3, CSL, CSM, CSR, CT-1 Super, CT-10, CT-1A, CT-2, CT-20, CT-3, CT-7, CT-9, CX-1, CX-2

Fuji/Fujica: AZ1, Compact Deluxe, ST605, ST605N, ST705, ST705W

Konica: C35 EFD

Mamiya: MSX 500, NC1000, NC1000S, Sekor 1000DTL, 500DTL, 500TL, 528TL, diverse Sucher (CDS Porrofinder/Prism Finder)

Minolta: X-300, X-500, X-700, AF-C

Miranda: MS-2, ZS-3

Nikon: EM, FE, FE2, FG, Nikkormat EL/ELW, Nikkormat FT2/FT3

Olympus: OM-1 (nur mit Adapter/Umbau), OM-2, OM-2n, OM-F, XA, XA2

Pentax: ME, ME Super, MX, LX, Auto 110, Spotmeter V

Petri: GX-4

Porst: Autoflex TL, CR-1, Compact Reflex

Praktica: MTL Nova, MTL5B

Revue: Revueflex AC1, AC2, SC1, SC2, SD-1

Ricoh: A-100, FF-1, XR-1, TLS 401

Rollei: 35 RF, SL35 ME

Vivitar: 3300SE, V3800N, XV-2

Voigtländer: VSL 2 Automatic

Yashica: FX-3, FX-3 Super 2000, FX-7, FX-D, FX-70

Zenit: 122, 212K, 312M, 412DX

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SKU: 34273927529

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4.6 ★★★★★
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Clare Quilty
Alexandria, US
★★★★★ 5
A stark, brutish "Petulia" with a pistol in its pocket
It's about time this movie got released on DVD. It's odd that a film could spawn a remake ("Payback"), a glib nod ("Grosse Pointe Blank") and countless homages ("The Limey," among others) and still be as underseen as "Point Blank." The lack of a disc certainly didn't help its low profile, but of course this is a challenging, idiosyncratic movie, even three decades later. The plot is simple -- a crook is betrayed by his wife and partner and spends the rest of the movie trying to get what he's owed -- but the editing and narrative structure is unusual. What in the world did audiences possibly make of this back when it was first released? It's a remarkable film, as startling and innovative as Richard Lester's "Petulia," although admittedly it's thematically much less complex. This edition is excellent, too. Great sound, great picture and a fantastic commentary by director John Boorman and big-time "Point" fan Steven Soderbergh, who laughingly admits to Boorman that he's ripped this movie off more than a few times. Their chat is more technical than gossipy and deals heavily with the editing, the production (the script was only 70 pages long), the studio's concerns about the picture, the actors, violence, surrealism (is it all a dream?) and Boorman's elaborate use of color (the tones of clothing and sets intensify over the course of the film). I've gotten a lot of good DVD's this year but in terms of content, presentation and extas, this is one of the best.
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Reviewed in the United States on August 1, 2005
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Joe Movie
Houston, US
★★★★★ 4
One of Marvins better offerings
Like the Killers before marvin was almost destined to play the part of Walker in this fast moving gut wrenching but always realistic thriller brilliantly collaborated by Marvin and Boorman who had no peer in this type of film.For those unenlightened souls who downplay Marvins career this was the one that to my mind surpassed most of his prior efforts with the exception of the Killers which was above par in all respects.Marvin was ahead of the pack in the 60s playing this type of hard nosed no nonsense gangster type, no other actor came close and type casted him to some extent in this type of role which unlike may actors became a positive in his career. Just to show his brilliance as an actor he gave us later comedy roles which produced more acting accolades than that material for which he was better known namely what we see in Point Blank.He carries the whole movie as did all the great actors of that era and many since which in itself is the hallmark of greatness. Marvin was a man who so perfectly personified the parts he was playing that often other actors looked wooden in comparison.He was one of the rare individuals who could take a small co starring role and end up being the star of the movie, no mean feat when you were up against the best in the business at that time and there were plenty in the 60 and 70s.To my mind Point Blank will always be a MARVIN film and this is not to downplay other good workmanlike performances in the film but it will always rank highly in Marvins body of work which is a cut above his contemporaries in the roles for which he was known and appreciated.As for the film it played out in fairly predictable fashion until the final scenes under the golden gate brige which gave a nice twist and left the viewer unsure whether Walker did in fact take his money or simply leave the scene of the set up empty handed. The obvious answer is that he waited till the coast was clear and took his money. It is hard to accept that he did otherwise.In retrospect a movie that stands up 40 odd years later and is just as watchable as it was in 67. No mean feat.
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Reviewed in the United States on May 20, 2010
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Patrick Selitrenny
West Palm Beach, US
★★★★★ 5
A forerunner to Dirty Harry and Lee Marvin shining...
If you liked "The Getaway" or "Dirty Harry", then meet their forerunner. "Point Blank" is explosive, fast-paced, and still the acting is there. Good acting that is. Lee Marvin is at his best. Angie Dickinson. in her strong performance, is as beautiful as ever. Keenan Wynn and Carroll O'Connor play their parts to the hilt and it truly shows. John Vernon (who was The Mayor in "Dirty Harry") plays a slimy type with diligence and very believable. Add the killing pace of the entire picture, and you have a hot item, as sharp and cutting as "Film Noir" can be. Yes, because this is still a "Film Noir", despite the fact that it was filmed in Color and in the mid-sixties. John Boorman ("Hell in the Pacific", "Deliverance" and "The Emerald Forest"), skillfully "color coded" the entire movie, bringing it from absolute colors at the beginning, to more red-tinted ones towards the end. The only difference from a true "Film Noir" is its fast-paced storyline, that would lead us to movies as I have mentioned above. Marvin's minimalistic acting, but forceful presence, is enough to fill every frame of the movie with tension, action and complete mayhem. Compare him in "The Dirty Dozen" and "The Big Red One" and you will see what I mean. A big plus was the release on DVD. An excellent transfer with a sharp picture resolution, a clearcut sound, make it a very enticing experience to watch it at home. This is not just a Highly Recommended title. It is simply a Must!
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Reviewed in the United States on April 20, 2007
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Amazon Customer
Dallas, US
★★★★★ 5
Whiter teeth with out the trays
Size: 3.8 Ounce (Pack of 1)
Love this toothpaste! My teeth are a lot whiter and brighter. Doesn’t leave a bad taste in my mouth. Highly recommend this product.
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Reviewed in the United States on May 24, 2026
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Keith J Murphy
Natrona Heights, US
★★★★★ 5
smile time!!
Size: 3.8 Ounce (Pack of 1)
Love the whiteness! Works in a few weeks!
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Reviewed in the United States on June 8, 2026

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