SKU: 41792767764

B Ware SIRUI 50mm F1.8 1.33x APS-C Anamorphic Lens

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Description

B Ware SIRUI 50mm F1.8 1.33x APS-C Anamorphic LensThe very first affordable anamorphous lens for everyone For widescreen films in cinema format 2. 4: 1ust but lightweight design made from Germany made Schott glass elements Lens connection: X Mount For FUJIFILM; E mount (e. g. for Sony NEX and Alpha); M 4 3 Mount For Panasonic OLVMAPUS; M 4 3 Mount For Z CAM 33% wider field of view than conventional 50 mm lenses corresponds to about a field of view of 37. 5 mm Creates cineastic effects such as

  • The very first affordable anamorphous lens for everyone | For widescreen films in cinema format 2. 4:1ust but lightweight design made from Germany made Schott glass elements
  • Lens connection: X-Mount For FUJIFILM; E-mount (e.g. for Sony NEX and Alpha); M 4/3 Mount For Panasonic /OLVMAPUS; M 4/3 Mount For Z CAM
  • 33% wider field of view than conventional 50 mm lenses | corresponds to about a field of view of 37.5 mm
  • Creates cineastic effects such as horizontal sci-fi reflections, impressive light effects and an oval bokeh
  • Focal length: 50 mm (KB equivalent 75 mm) | Aperture: f/1. 8 - F/16 | Closest Focusing Distance: 0.85 m to infinity | focusing: manual | sensor coverage: up to APS-C | Construction: 11 glass elements in 8 groups| Filter thread: 67 mm | Max. Magnification: 1:15 38(V), 1:20 17 (H) | Focus Ring Rotation Angle: 143.6° | Focus ring diameter: 61. 7 mm | Length (without lid): 106. 6 mm | Max. Case Diameter: 68.2 mm. Weight: approx. 560 g
  • Robust lens with advanced optics for compact APS-C cameras
  • 33% horizontal field of view increase over standard 50mm APS-C lenses
  • Anamorphic 2.4:1 format in a 16:9 setting after de-squeeze
  • Aluminum housing
  • Schott optical glass
  • Multilayer Nano coatings
  • Horizontal blue streaks with less stray light
  • 10 aperture blades
  • 2.8' minimum focusing distance
  • 67mm filter thread
  • Magnification: 1:15.38 (V), 1:20.17 (H)

    Manufactured Schott optical glass lens elements, the F1.8 camera lens is compact and robust yet light enough to easily create Cinematic widescreen shots. However, with the 1.33x squeeze factor, the 50mm F1.8 1.33X anamorphic lens will widen the field of view to produce a smooth Cinematic 2.4:1 widescreen video in a 16:9 setting. 

     

    Built with a precision optical structure and multi-layer Nano coatings, our lens will produce horizontal blue streaks with less stray light to deliver unique Sci-Fi brushed and backlighting effects.

     

    Gradually turn the F1.8 aperture ring with ten aperture blades to customize the light and optimize the depth of view within the 50mm focal length whether in a high or low light environment.

     

    This lightweight lens horizontally squeezes the image to create an ultra-wide aspect ratio, long horizontal lens flares and oval bokeh features unique to anamorphic images to captivate viewers.

     

    Manufactured with high-quality German Schott optical glass lens elements, the anamorphic lens perfectly controls optical distortion and focal range to generate superior cinematic imaging.

     

    Quality built with aircraft aluminum alloy and a precision CNC machining process

     

    Smoothly turn the precision copper focus adjustment to capture high quality images.

     

    This high-quality portable camera lens only weighs approximately 560g/1.23lbs. 


    Manually adjust the focusing and light settings with precision scale marks on the comfortable focus and aperture rings.

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    SKU: 41792767764

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    4.7 ★★★★★
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    Benjamin Herzog
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    Reviewed in the United States on October 3, 2022
    A
    And So It Goes
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    ★★★★★ 1
    Pop culture: yoga, croases, costumes, tattoos of sacred symbols …is not religious appropiation.
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    Reviewed in the United States on January 20, 2023
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    Keith Hansen
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    Perry Schmidt-Leukel has tackled one of the most difficult intellectual minefields of all - religious pluralism. I admire his attempt, desire and intentions. This work is based off of a 2015 Gifford lecture in Glasgow. Religious Pluralism is one of the three possible stances that address the Problem of Religious Diversity. The other two stances are significantly more common and also close sisters - Exclusivism and Inclusivism. Pluralism is the most radical stance but also one most needed in a globally-connected world with seemingly ineradicable conflict and violence. One can safely ignore, by the way, the stance that all religions are nothing but projections of immature minds (Naturalism); this is a gaslighting position which tries to throw the baby out with the bathwater and does not really address the issue of religious diversity. Religion should be treated with the seriousness it is due and humans are inherently homo religiosus as history and culture attest. There are several reasons why Pluralism should be considered the superior stance. First, it is the most pragmatic as alluded to in my above statement on conflict. Second, if one understands Truth as something that no human or group of humans can ever have a monopoly on then Pluralism makes more sense than the other two. I should add that we should approach understanding of Truth more as a peregrination than as some fixed or static destination. Third, much of religious diversity is due to historical, cultural and especially linguistic differences but if we spend time in interreligious dialogue, we can begin to see that the religions are often saying the same things but using different jargon. The jargon should not be confused with Reality or Truth. As humans, we must continually be humbled by our lowly ability to understand reality as it is in itself and our immense limitations of language. Language too often creates division and can also circumscribe our ability to understand. Yet, it is all we really have to communicate with. Perry spends some time first outlining what a program of sustained interreligious dialogue would look like and some foundational principles. He then addresses some of the biggest elephants in the room - The Son, The Prophet and The Buddha - and how we can approach possible reconciliation, or at least how we can begin to frame the discussion. The other main issue is the problem of a Creator God in Buddhism. If I were to offer a point of criticism to Perry's approach it is that he does not include in his discussion Philosophical Religions such as Platonism/Neoplatonism and Panentheism. However, I understand that would have really complicated things and he clearly wanted to only focus on the main traditional religions. Perry then finishes up with a very fresh and thought-provoking discussion on a fractal interpretation of religion. That may be the most profound chapter of the book. The book is full of insight but should be taken as only an overview (albeit a very good one) and a hopeful beginning to more in-depth analysis and discussion. I look forward to reading more from Schmidt-Leukel and I hope more people can move from their exclusivist and inherently conflict-bound view of the world to a more peaceful and uniting view of the very same one reality we are all experiencing and are all a small part of.
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    Reviewed in the United States on January 18, 2026
    A
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    Alan Race
    Birmingham, US
    ★★★★★ 5
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    Format: Paperback
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