SKU: 44668514936

Ableton Mastering Template

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Description

Ableton Mastering TemplateThis Ableton Live Project file will aid speeding up your mastering workflow as well as helping you achieve clean, crisp and heavy masters across multiple styles and genres of music. Featuring 3 carefully crafted racks that are made using only with native Ableton and Max for Live devices, it will help you achieve the desired sound in a matter of seconds. The 3 racks have been specially made in order to cover various genres of music. Check out our quick

This Ableton Live Project file will aid speeding up your mastering workflow as well as helping you achieve clean, crisp and heavy masters across multiple styles and genres of music.

Featuring 3 carefully crafted racks that are made using only with native Ableton and Max for Live devices, it will help you achieve the desired sound in a matter of seconds.

The 3 racks have been specially made in order to cover various genres of music.

Check out our quick demonstration video below, where we feature the audio from Daylight, our Ableton Template for Deep House.

HOW DOES IT WORK?

We suggest putting your pre-master files into the “PREMASTER” folder;

The “PREMASTER” channel has a Utility providing some gain and a limiter to safely bring it up to 0db. Once you have dialed in the desired settings on the one of the racks you can A/B the pre master and the mastered version by soloing each channel, and compare the two to make sure you haven’t added or taken away too much.

BUT WHAT ABOUT LUFS?

LUFS (Loudness Units Full Scale) is of course a big topic in mastering, audio distribution and streaming. There are no native or free Max4Live plugins that can tell you the LUFS of your source audio, however as a guideline, all of these racks will achieve LUFS of around -14 at the most gentle settings to as high as -6 LUFS at their most aggressive settings. If you need accurate LUFS monitoring we can recommend the Loudness Meter by Youlean that has a very effective free version, and also the Swiss Army Meter M4L device by Noir Labs at a very reasonable $3! 

ABOUT THE RACK STYLES

Rack 1 is a very aggressive style of master chain which adds depth in the lows and lots of energy to the highs. It is best suited to heavy styles of music like Trap/Hip-Hop, Techno, Drum & Bass and Metal. Play around with the release and saturation controls on the Color Limiter for extra attitude.

Rack 2 is a more ‘airy’ style of mastering which will provide nice warmth and punch across the frequency spectrum and can do especially nice things with the mid-range of a track. This rack is well suited to styles like Minimal/Deep House, Psy Trance, Future Bass or Lo-Fi Hip-Hop/Trip Hop and Rock.

Rack 3 is punchy and dynamic and utilizes two limiters for extra crisp loudness. Be sure neither of them do more than 3db gain reduction and you will get an end result that pops and bounces nicely bringing a lot of life to your mix. This rack will be great for all styles but will certainly work well for Pop, Jazz and Indie/Nu-disco.

OTHER INFO

It is recommended that you only use the solo function to listen to one track at a time. All of the Audio Tracks are turned off by default to stop any unhappy accidents! The Master channel has some useful tools including a ‘safety’ limiter and a M4L device called Visualizer which has some handy imaging tools, but turn this off when you are not using it to save CPU.

*Requires Ableton Live 10.1.30
*Any references to any brands on this site/page, including reference to brands and instruments, are provided for description purposes only. For example references to instrument brands are provided to describe the sound of the instrument and/or the instrument used in the sample. IQSounds do not have (nor do they claim) any association with or endorsement by these brands. Any goodwill attached to those brands rest with the brand owner. IQSounds or its Suppliers do not accept any liability in relation to the content of the sample or the accuracy of the description. This is not an official Ableton product or page. This website is not affiliated, associated, authorized, endorsed by, or in any way officially connected with Ableton AG. The official Ableton website can be found at http://www.ableton.com.
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SKU: 44668514936

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jeffrey cabanillas
Lake Worth, US
★★★★★ 5
Great for any star wars fan
Format: Paperback
Arrived quickly and in perfect condition
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 25, 2025
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Ben Brown
Boise, US
★★★★★ 4
Solid "Star Wars"-ing.
Format: Paperback
“Star Wars: The Battle of Jakku” is a three-part, 12-issue comic series, comprised of a trio of individual miniseries that form one collective trilogy-of-sorts, and details the war between New Republic/Imperial forces in the weeks and months following the events of “Return of the Jedi.” Writer Alex Segura – who previously penned the underrated "Free Fall" – does a good job of telling a single, satisfying story that ALSO tees up his upcoming relaunch of the mainline “Star Wars” series in May. What also makes “The Battle of Jakku” a pleasure to read – particularly if you’re a diehard “Star Wars” fan - are the various Easter eggs and cross-franchise connections it makes to other entries in the series, including “Battlefront II,” Greg Rucka’s "Shattered Empire," and even Chuck Wendig's “Aftermath” trilogy. Watching this specific era of the “Star Wars” timeline be filled out and expanded within the larger media has been one of the more satisfying and consistently enjoyable aspects of the “Star Wars” property these last 10 years, and Segura – as is his want – does yeoman’s work in effectively putting a final bow on it. All in all, pretty darn good “Star Wars”-ing.
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Reviewed in the United States on June 3, 2025
M
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mew
San Leandro, US
★★★★★ 1
All this talk of Jakku and not a single worthwhile image of it.
Format: Paperback
This was a total disorganized mess that bears no resemblance to Star Wars at all. The art is puerile at best and some characters bear a passing resemblance to Luke and Leia. The dialogue is nonsense and reads nothing like the characters would speak. The plot is a ridiculous compilation of double crosses that make no sense at all. The Imperials don’t act like Imperials and the endless plethora of new characters and planets make for an exhausting and tedious read. Finally, the story doesn’t really mesh with that other ridiculous trilogy of books by Chuck Wendig. Real Star Wars writers were needed like James Luceno or Timothy Zahn. I wouldn’t recommend this to my worst enemy. Life is short. Stick to writers with a proven track record and stories that reflect Lucas’ vision not the Disney disorder. Oh for the days when Dark Horse told exciting tales and had great artists. Marvel seems to be just interested in squeezing money out of the name and not creating a meaningful legacy.
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Reviewed in the United States on June 8, 2025
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Some Guy
Draper, US
★★★★★ 1
Absolute Slop
Format: Paperback
This is likely the worst Star Wars graphic novel/story in the history of the medium. Absolute slop.
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Reviewed in the United States on January 6, 2026
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An Honest Reviewer
Pawtucket, US
★★★★★ 5
Better Than The Sequel Trilogy
Format: Kindle
This comic story really helps in the effort to fix the newest movie trilogy. The comic is stellar.
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Reviewed in the United States on May 4, 2025

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